Straight Up | Jan Herman

Arts, Media & Culture News with 'tude

Menu-Size Art: Quicker Than You Can Say Fast Food

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Cold Turkey Press has just put together a beautiful portfolio of menu-size collages by Norman O. Mustill dating from 1975, when Mustill sent them to Carl Weissner, who wanted to illustrate his German translation of Harold Norse’s Beat Hotel with Mustill’s artwork. Phew … got that? Weissner didn’t receive the collages in time to make […]

‘Sacred Elephant’ Is Coming to New York’s La MaMa

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I haven’t seen much theater lately, for reasons I may already have mentioned — so much is dull dull dull — but the dramatization of Heathcote Williams’s epic poem, “Sacred Elephant,” has got my attention as nothing has in years. The show, not yet officially announced, is coming in September to La MaMa‘s First Floor […]

Topor Nails It: Drone Attack Avant la Lettre

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And for further edification, there’s “A Secret Deal on Drones, Sealed in Blood” about the “origins of the C.I.A.’s drone war in Pakistan” by Mark Mazzetti and “Targeted Killing Comes to Define War on Terror,” about the policy of the “drone campaign” by Scott Shane. They’re part of a continuing NY Times series. Mazzetti’s latest […]

N.O. Mustill’s ‘Critic’ Lowers the Boom, Whimsically

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If I said I put him in a class with the great collagists dating back through the 20th century (like Hausmann, Heartfield, or Höch) — which I do — he’d laugh at the presumption. But anyone who has seen Flypaper, his book of demonic collages in black and white, or the huge collages in blazing […]

MacFadyen Takes ‘Front Porch’ Look at Burroughs

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I knew when RealityStudio posted Ian MacFadyen’s review of “The Name Is Burroughs: expanded media at the ZKM, Karlsruhe” that it would be a major critique. I had already read his “Codename Burroughs,” the pamphlet that accompanied the retrospective, which was excerpted from a more complete text in MacFadyen’s book, William S. Burroughs. Cut. With […]

Now for Something from the Lookalikes Department

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Ben Schot’s drawing, “Study of Majesty” — executed on the stationary of LES FREGATES Hotel **NN Restaurant, which the Dutch artist uses as a “conceptual constant” for all his drawings — was not separated at birth from Picasso’s “She-Goat.” But they look a helluva lot like fraternal twins. I’d say they make a lecherous brother […]

From the ‘Let Us Compare Obscenities’ Department

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The other day a call went out for “comparative obscenities” to add to the literary examples by Bukowski and Catullus. One reader obliged by sending a drawing by Topor, whom he regards as a “sheer genius.” Straight Up’s staff of thousands agrees and decided to pair Topor’s drawing with one of Tomi Ungerer‘s. (And here’s […]

‘Artaud Fragmentations’

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And now for another kind of poem, as unlike “Death Is a Wind That Will Carry You Off” as day from night. It’s part of a large series of stenciled texts by the Dutch artist and writer Gerard Bellaart. At the urging of my staff of thousands, examples from Bellaart’s word-based series of artworks have […]

‘Music for the End of Time’

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Excerpted from the complete 52-minute work for trombone, video and quadraphonic electronics. Based on the Book of Revelation, the music had its premiere in Montreal, at McGill University, in March 1998. The video was premiered in Taos, New Mexico, in September 2007. Personnel: Abbie Conant, trombone; Norbert Bach, digital stills; William Osborne, music and video. […]

Raw Data: Armed Drone Prototype

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This comes from Norman O. Mustill’s “raw data” pile. It appeared during World War II in an ad for Good Housekeeping Magazine, warning against “A Dictator’s Newest Dream.” According to the text that accompanied the ad, “The army has specified that it must be able to carry 4 soldiers with full equipment or a machinegun […]

VDRSVP #3 for Old Times’ Sake

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Someone told me he knew what RSVP stands for. But what did VDRSVP mean? “Black humor,” I said. No point giving away the joke. EmailFacebookTwitterReddit

Unbeatable Sinclair Beiles Tells It As It Was

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He talks about William Burroughs, Brion Gysin, Tangiers, the Villa Deliria, the Thousand and One Nights, Naked Lunch, cut-ups, Minutes to Go, the Beat Hotel, Jean Fanchette, Ian Sommerville, the Dream Machine. It’s an unbeatable discovery. Gary Cummiskey, co-editor of Who Was Sinclair Beiles? and the publisher of Dye Hard Press, tipped me to this […]

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