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Straight Up | Jan Herman

Arts, Media & Culture News with 'tude

Archives for September 2019

It Was Impossible to Estimate the Damage . . .

September 30, 2019 by Jan Herman

The European Beat Studies network met in Paris to mark the 60th anniversary of the moment in cultural history when William Burroughs and Brion Gysin, the Crick and Watson of the “cut-up” method, turned the dingy Beat Hotel into their literary laboratory.

Fluxus, Intermedia and . . .

September 26, 2019 by Jan Herman

The Something Else Factor: Alison Knowles, Barbara Moore, Martha Wilson and I will be participating this evening in a panel about the glory days of Something Else Press, moderated by Hannah B. Higgins, at the Emily Harvey Foundation. It’s the first of four discussions organized by Christian Xatrec and Alice Centamore. The events are free. RSVP to ehf.nework@gmail.com

Jerry Pagane, Art Warrior

September 25, 2019 by Jan Herman

Born in 1948, underweight, no ears, and on Christmas Eve dumped on a church step. In the ’40s and ’50s people were afraid of the deaf. Imagine the mental isolation. The system had no way of dealing with a deaf orphan. He was placed in Pressley Rigeway for Disturbed Children and Home for Cripple Children, and seven foster homes.

N.O. Mustill: Master Collagist Before My (NY) Times

September 20, 2019 by Jan Herman

May we compare images? One appeared today, the other appeared in 1967. One is a great photoshopped illustration. Which is the work of art? Is there a difference besides technique? I’d say there is.

Greek Poet Nanos Valaoritis Crucified by Time

September 16, 2019 by Jan Herman

Nanos Valaoritis has died. He was 98. Read one of his great poems: “Endless Crucifixion.”

A Gothic Tale Set in Black and White

September 10, 2019 by Jan Herman

Other works by Ligia Lewis include Sensation 1/This Interior (High Line Commission) (2019); so something happened, get over it; no, nothing happened, get with it (Jaou Tunis) (2018); Melancholy: A White Mellow Drama (Flax Fahrenheit, Palais de Tokyo) (2015); minor matter (2016), a poetic piece illuminated by red; Sorrow Swag (2014), presented in a saturated blue; $$$ (Tanz im August) (2012); and Sensation 1 (sommer.bar, Tanz im August -2011, Basel Liste- 2014).

A Contrary View of Gysin’s Calligraphies

September 3, 2019 by Jan Herman

A painter I know had this to say about Brion Gysin’s
work as an artist. “Pleasantly surprised by his watercolour. First thought was an early Yves Tanguy, whom I admire very much. But the calligraphies are outwitted any time by one little Michaux. That doesn’t invalidate the man’s effort, but I see too much repetitive strain there. Gysin’s calligraphies are paintings and, as such, can and should be viewed within a comparative context. There is of course André Masson to begin with—right up to Lee Krasner.

Jan Herman

When not listening to Bach or Cuban jazz pianist Chucho Valdes, or dancing to salsa, I like to play jazz piano -- but only in the privacy of my own mind.
Another strange fact... Read More…

About

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Several books of poems have been published in recent years by Moloko Print, Statdlichter Presse, Phantom Outlaw Editions, and Cold Turkey … [Read More...]

Straight Up

The agenda is just what it says: news of arts, media & culture delivered with attitude. Or as Rock Hudson once said in a movie: "Man is the only … [Read More...]

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