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Engaging Matters

Doug Borwick on vibrant arts and communities

What Comes Next? II

May 13, 2020 by Doug Borwick

Throughout its history, one of the safety valves for our nation has been a broadly held belief in the “American Dream”–the idea that anyone can rise from nothing to great success. Let’s acknowledge that this has never been actually true. Poverty, discrimination, and a host of other social ills have meant that the actual percentage of people for whom that dream was possible was small. However, belief in it has been pervasive among a large section of the population. As a result, unrest and rioting over economic conditions–and make no mistake there has been a good deal, especially around union action–has been limited in comparison to that found in other countries.

As I wrote last time:
I fear that the rampaging growth of income (and most other) inequality is going to be a raw wound on the other side of this crisis and that the nonprofit arts industry could be caught up in a widespread reaction against it. . . . A recent New York Times article–Portrait of a Vulnerable Nation–demonstrated how the “haves” have gotten exponentially “havier” while the rest of the population has seen little or no improvement or, worse, deterioration in their situation over the past 40 years.

We now stand at a point where a new generation is going to be less well off than their parents. Belief in the American Dream has been on the decline for some time. And the reality of people’s experience with the pandemic is revealing class divides in ways that are stark and jarring.

This inequality or, to be more accurate, systemic injustice will be far more difficult to ignore than it has ever been. Awareness has been building over the last decade in particular from the Occupy movement to the Sanders and Warren campaigns.

The economic fallout from the coronavirus has been and will be cataclysmic, but its effects, especially once a rebound begins, will be far worse and recovery will be far slower for the bottom 90% than for the top 10%. And worse still for the middle and lower economic classes.

This is a deeply perilous prospect for the nonprofit arts industry. In the minds of many, we are closely associated with the economic and social “elite.” This may bode ill for those of us who work in this sector. That’s where I’ll begin next time.

Engage!

Doug


This blog post is part of a series. If you’d like to see the whole series in one place, click here.


Photo:

Some rights reserved by Charles EYES PiX

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Filed Under: Overview Tagged With: arts, community engagement, equity, future, relationships

About Doug Borwick

Doug Borwick is a past President of the Board of the Association of Arts Administration Educators and was for nearly 30 years Director of the Arts Management and Not-for-Profit Management Programs at Salem College in Winston-Salem, NC. He is CEO of Outfitters4, Inc., providing management services to nonprofit organizations and ArtsEngaged providing training and consultation to artists and arts organization to help them more effectively engage with their communities. [Read More …]

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About Engaging Matters

The arts began as collective activity around the campfire, expressions of community. In a very real sense, the community owned that expression. Over time, with increasing specialization of labor, the arts– especially Western “high arts”– became … [Read More...]

Books

Community Engagement: Why and How

Building Communities, Not Audiences: The Future of the Arts in the United States Engage Now! A Guide to Making the Arts Indispensable[Purchase info below] I have to be honest, I haven’t finished it yet because I’m constantly having to digest the ‘YES’ and ‘AMEN’ moments I get from each … [Read More...]

Gard Foundation Calls for Stories

The Robert E. Gard Foundation is dedicated to fostering healthy communities through arts-based development, it is currently seeking stories from communities in which the arts have improved the lives of citizens in remarkable ways. These stories can either be full descriptions (400-900 words) with photos, video, and web links or mini stories (ca. 200 words) […]

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