• Home
  • About
    • diacritical
    • Douglas McLennan
    • Contact
  • Other AJBlogs
  • ArtsJournal

diacritical

Douglas McLennan's blog

Doug’s List: Highlights From This Week’s AJ, Cautionary Tale Edition

May 8, 2016 by Douglas McLennan Leave a Comment

0501_technoheritageHistoryThis week: a great example of the de-monetization of audience, the deadening burden of being a critic, some contradictions about how we use data in the arts, why technology is complicating our fetishment of original art, and remembering a time before words were processed and forever changed how we write.

  1. Cautionary Tale: I created a video. It went viral with hundreds of millions of views, but without my name. There was nothing I could do. This fascinating story, by choreographer Alexandra Beller, illustrates the broken relationship between the size of your audience and getting paid. Traditionally, audience size translates into earning money. No audience, no money. Massive audience, get rich. But the connection between size of audience and making money has broken down, and we haven’t figured out a new currency scale. “I watched, fascinated, as it got picked up and spread by Huffington Post, BuzzFeed, Perez Hilton: 50 million views, 200 million, 300 million views on each site. Then it started getting posted by less famous sources, and I noticed my name was no longer on it, but advertisements were. I was soon contacted by a licensing company.”
  2. We need good critical writing. But is there something deadening about contemporary criticism? Writing critically is a mindset. Approaching art as a critic is a mindset. But the mindset can also be a trap, and leave a critic with a vaguely dead feeling.  Lisa Ruddick makes her argument ethical and ideological.  “Is there something unethical in contemporary criticism? This essay is not just for those who identify with the canaries in the mine, but for anyone who browses through current journals and is left with an impression of deadness or meanness. I believe that the progressive fervor of the humanities, while it reenergized inquiry in the 1980s and has since inspired countless valid lines of inquiry, masks a second-order complex that is all about the thrill of destruction.”
  3. Data! We love data! But maybe not so much… For example, we talk a lot about the benefits of the arts, and the claims can be aggressive. But a new report points out that many of the claims lack evidence. Then there’s the Arts Index, created by Americans for the Arts and directed by Randy Cohen. It’s an extensive measure of arts activity and production in the United States, and a noble attempt to get standardized data that can chart trends and the overall health of the arts industry. This year’s report, for example, shows the impact of the 2008 recession and how the arts have recovered. But this is the last year of the Index. It was meant as a ten-year project, but it won’t be renewed for lack of continued funding.
  4. Fetishizing Originals (But Why?) There’s an argument to be made that original works of art are special. Unique. But what if they aren’t? Technologists are now able to scan antiquities and recreate them exactly. This makes them potentially more accessible to more people. But it also helps preserve them from danger of damage. But who owns the recreated objects? “An entire swath of startup enterprises have been based on the simple principle that what one group or storm destroys, an endless array of new technology can re-create, making copies that are more enduring, sustainable, and user friendly than the original antiquities that inspired them.” Maybe we need to rethink our fetishizing of originals?
  5. It wasn’t so long ago that a word on the page was a word on the page: Easy to forget in the age of computers that there was a time not so long ago when committing something to paper meant a real commitment. No changing words or sentences or paragraphs on a whim. Word processors not only changed the way we write, but the process of thinking about writing.  In 1983, a dazzled Michael Crichton told Merv Griffin that, “When you type, the words appear on the screen … you can move around on the screen, change what you’ve written, pull blocks of text, put them elsewhere. You have complete freedom.” His disbelieving glee was shared by many, but some writers reacted differently… the development of educational programs.

Share:

  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on Tumblr (Opens in new window) Tumblr
  • Click to share on Pinterest (Opens in new window) Pinterest
  • Click to print (Opens in new window) Print
  • Click to email a link to a friend (Opens in new window) Email

Related

Filed Under: Weekly AJ Top Stories

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Douglas McLennan

I’m the founder and editor of ArtsJournal, which was founded in September 1999 and aggregates arts and culture news from all over the internet. The site is also home to some 60 arts bloggers. I’m a … [Read More...]

About diacritical

Our culture is undergoing profound changes. Our expectations for what culture can (or should) do for us are changing. Relationships between those who make and distribute culture and those who consume it are changing. And our definitions of what artists are, how they work, and how we access them and their work are changing. So... [Read more]

Subscribe to Diacritical by Email

Receive notifications of new posts by email.

Join 3,851 other subscribers
Follow Us on FacebookFollow Us on TwitterFollow Us on RSSFollow Us on E-mail

Archives

Recent Comments

  • David E. Myers on How Should we Measure Art?: “A sophisticated approach to “measuring” incorporates all of the above, with clear delineation of how each plays a part if…” Nov 3, 16:20
  • Tom Corddry on How Should we Measure Art?: “Reading this brought to mind John Cage’s delineation of different ways to experience a Beethoven symphony–live in concert, on a…” Nov 3, 01:58
  • Abdul Rehman on A Framework for Thinking about Disruption of the Arts by AI: “This article brilliantly explores how AI is set to revolutionize everything, much like the digital revolution did. AI tools can…” Jun 8, 03:49
  • Richard Voorhaar on Classical Music has Lost a Generation. Blame the Metadata (in part): “I think we’ve lost several generations. My parents generation was the last that really supported, and knre something about classical…” May 15, 12:08
  • Franklin on How Subsidy for Big Tech Wrecked the Arts (and Journalism): “Language, yes; really characterization. Investments and margins don’t become subsidies and taxes whether or not markets “are working” – I’m…” Mar 8, 07:13
  • Douglas McLennan on How Subsidy for Big Tech Wrecked the Arts (and Journalism): “So what you’re arguing is language? – that investments aren’t subsidies and margins aren’t taxes? Sure, when markets are working.…” Mar 7, 21:42
  • Franklin on How Subsidy for Big Tech Wrecked the Arts (and Journalism): “Doug: You can, if you like, buy a jailbroken Android, install GrapheneOS, and sideload apps from the open-source ecosystem at…” Mar 7, 16:17
  • Douglas McLennan on How Subsidy for Big Tech Wrecked the Arts (and Journalism): “Franklin: Thanks for the response, But a few points: My Chinese solar panel example was to make the point that…” Mar 7, 12:46
  • Steven Lavine on How Subsidy for Big Tech Wrecked the Arts (and Journalism): “Terrific essay, with no prospect to a different future” Mar 7, 09:53
  • Franklin on How Subsidy for Big Tech Wrecked the Arts (and Journalism): “The economics of this essay are incoherent. The CCP was creating yuan ex nihilo and flooding it into domestically produced…” Mar 7, 08:49

Top Posts

  • Are Orchestras A Ticket Or An Art? Maybe We're Thinking About The (Made Up) Model Wrong
  • Is The Institutionalization Of Our Arts A Dead End?
  • We Asked: What's the Biggest Challenge Facing the Arts?
  • Creativity Versus Skills
  • The UnderTow: What the new Edinburgh Fringe Tells us about a Post-COVID World

Recent Posts

  • Creativity Versus Skills January 12, 2025
  • How Digital AI Twins could Transform how We Make Art January 7, 2025
  • How Should we Measure Art? November 3, 2024
  • Classical Music has Lost a Generation. Blame the Metadata (in part) May 13, 2024
  • When “Vacuum Cleaner for Babies” Beat Taylor Swift: Fixing the Music Streaming Problem May 6, 2024
May 2016
M T W T F S S
 1
2345678
9101112131415
16171819202122
23242526272829
3031  
« Apr   Jun »

An ArtsJournal Blog

Recent Posts

  • Creativity Versus Skills
  • How Digital AI Twins could Transform how We Make Art
  • How Should we Measure Art?
  • Classical Music has Lost a Generation. Blame the Metadata (in part)
  • When “Vacuum Cleaner for Babies” Beat Taylor Swift: Fixing the Music Streaming Problem

Copyright © 2025 · Magazine Pro Theme on Genesis Framework · WordPress · Log in