• Home
  • About
    • diacritical
    • Douglas McLennan
    • Contact
  • Other AJBlogs
  • ArtsJournal

diacritical

Douglas McLennan's blog

The Tyranny of Choice

July 20, 2009 by Douglas McLennan 1 Comment

Choice is good right? Malcom Gladwell does a great talk on how Howard Moskowitz revolutionized marketing by understanding the dynamics of choice. His example here is spaghetti sauce. Traditional marketing strategy had been to get together focus groups and ask them what they liked in a good sauce. Then groups were asked what characteristics they liked in a sauce – should it be chunky? Zesty? Authentic Italian? The results would be tallied and a sauce that matched the most popular characteristics would be produced.

But this is wrong. The mushy middle is nobody’s favorite, it’s merely the version that the most people will tolerate. Furthermore, the characteristics don’t really match consumers’ true preferences. You’re asking for opinions which are not based on individual research. People often don’t know what they want until you tell them and they’re happier when you do. We know this in the arts. Inspire with something great and unexpected and people will cheer. Arts organizations that follow the crowd rather than lead are not only less interesting, but they get hooked into a feedback loop that leads to artistic rot.

Note in Gladwell’s story that some choice leads to happier customers. For the flip side and a cautionary tale about choice, watch sociologist Barry Shwartz’s talk about the tyranny of choice. If choice is good and we can more and more get what we want, why do we seem less satisfied with our choices? He suggests that too much choice is paralyzing and leads to incoherent decisions. Choices inflict the work of having to evaluate and choose. Choices set up higher expectations which are difficult to meet. Consequently we are less satisfied.

As an example, Schwartz cites employer 401k plans. When employees are offered few choices they invest in the programs. Plans with a high number of investment choices see much less employee participation, even though the plans directly benefit those who join. Why? Too hard to choose. Fear of making a bad choice results in paralysis.

Extrapolate this paralysis out to cultural choice. How are you sorting out the noise? We look for trusted guides who can sort it out for us and give us a framework that makes sense. Narrow the choices down to two or three best possibilities and I’m grateful.  This is a dynamic that has tangible currency in the Attention Economy.

Share:

  • Click to share on Twitter (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to share on Tumblr (Opens in new window)
  • Click to share on Pinterest (Opens in new window)
  • Click to print (Opens in new window)
  • Click to email a link to a friend (Opens in new window)

Related

Filed Under: Uncategorized

Comments

  1. Yannick Merlet says

    October 29, 2009 at 10:59 pm

    supply-side economics is all about choice, as much as possible. It has succeeded as evidenced by the low savings rate and high debt rate of the consumer. No longer is there a choice between buying and not buying, but rather what to buy. Affordability is only a secondary concern and what does not sell for two bucks sells for one at Dollar stores. Quality suffers, in fact, the shorter the life of a product the better for the seller. Quality is as bad as consumers will tolorate. Thanks for the web site. I appreciate being able to view both sides of the equation on the same page. Yannick. Peace be with you.

    Reply

Leave a Reply to Yannick Merlet Cancel reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Douglas McLennan

I’m the founder and editor of ArtsJournal, which was founded in September 1999 and aggregates arts and culture news from all over the internet. The site is also home to some 60 arts bloggers. I’m a … [Read More...]

About diacritical

Our culture is undergoing profound changes. Our expectations for what culture can (or should) do for us are changing. Relationships between those who make and distribute culture and those who consume it are changing. And our definitions of what artists are, how they work, and how we access them and their work are changing. So... [Read more]

Subscribe to Diacritical by Email

Receive notifications of new posts by email.

Join 3,851 other subscribers
Follow Us on FacebookFollow Us on TwitterFollow Us on RSSFollow Us on E-mail

Archives

Recent Comments

  • David E. Myers on How Should we Measure Art?: “A sophisticated approach to “measuring” incorporates all of the above, with clear delineation of how each plays a part if…” Nov 3, 16:20
  • Tom Corddry on How Should we Measure Art?: “Reading this brought to mind John Cage’s delineation of different ways to experience a Beethoven symphony–live in concert, on a…” Nov 3, 01:58
  • Abdul Rehman on A Framework for Thinking about Disruption of the Arts by AI: “This article brilliantly explores how AI is set to revolutionize everything, much like the digital revolution did. AI tools can…” Jun 8, 03:49
  • Richard Voorhaar on Classical Music has Lost a Generation. Blame the Metadata (in part): “I think we’ve lost several generations. My parents generation was the last that really supported, and knre something about classical…” May 15, 12:08
  • Franklin on How Subsidy for Big Tech Wrecked the Arts (and Journalism): “Language, yes; really characterization. Investments and margins don’t become subsidies and taxes whether or not markets “are working” – I’m…” Mar 8, 07:13
  • Douglas McLennan on How Subsidy for Big Tech Wrecked the Arts (and Journalism): “So what you’re arguing is language? – that investments aren’t subsidies and margins aren’t taxes? Sure, when markets are working.…” Mar 7, 21:42
  • Franklin on How Subsidy for Big Tech Wrecked the Arts (and Journalism): “Doug: You can, if you like, buy a jailbroken Android, install GrapheneOS, and sideload apps from the open-source ecosystem at…” Mar 7, 16:17
  • Douglas McLennan on How Subsidy for Big Tech Wrecked the Arts (and Journalism): “Franklin: Thanks for the response, But a few points: My Chinese solar panel example was to make the point that…” Mar 7, 12:46
  • Steven Lavine on How Subsidy for Big Tech Wrecked the Arts (and Journalism): “Terrific essay, with no prospect to a different future” Mar 7, 09:53
  • Franklin on How Subsidy for Big Tech Wrecked the Arts (and Journalism): “The economics of this essay are incoherent. The CCP was creating yuan ex nihilo and flooding it into domestically produced…” Mar 7, 08:49

Top Posts

  • "Art Is Good?" Not Much Of An Argument For Art Is It?
  • If Dance Can't Pay Its Dancers What Does It Mean To Be A Professional Dancer?
  • How Technology is Shaping Opera
  • How Has Technology Changed Orchestras? -- My Talk for the League of American Orchestras Conference
  • So What Exactly Is A "Quantitative" Measure Of The Arts?

Recent Posts

  • Creativity Versus Skills January 12, 2025
  • How Digital AI Twins could Transform how We Make Art January 7, 2025
  • How Should we Measure Art? November 3, 2024
  • Classical Music has Lost a Generation. Blame the Metadata (in part) May 13, 2024
  • When “Vacuum Cleaner for Babies” Beat Taylor Swift: Fixing the Music Streaming Problem May 6, 2024
July 2009
M T W T F S S
 12345
6789101112
13141516171819
20212223242526
2728293031  
« Jun   Aug »

An ArtsJournal Blog

Recent Posts

  • Creativity Versus Skills
  • How Digital AI Twins could Transform how We Make Art
  • How Should we Measure Art?
  • Classical Music has Lost a Generation. Blame the Metadata (in part)
  • When “Vacuum Cleaner for Babies” Beat Taylor Swift: Fixing the Music Streaming Problem

Copyright © 2025 · Magazine Pro Theme on Genesis Framework · WordPress · Log in