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Tharp Times Three

June 7, 2019 by Deborah Jowitt

American Ballet Theatre's Tharp Trio at Lincoln Center, May 30-June 3 Does anyone dare to call Giselle dated?  I doubt it. It’s a centuries-old classic that’s had numerous facelifts. I don’t often wish myself back at its premiere in 1832. However, feeling a twinge of nostalgia for something in your own not-so-distant past can be enriching when contemplating it anew. I wrote my review of … [Read more...]

Once Upon a Time. . .

June 11, 2016 by Deborah Jowitt

American Ballet Theater mounts Alexei Ratmansky's The Golden Cockerel. It occasionally happens that a ballet from another era comes to us tangled in its own history, even as it tries to make sense of it. American Ballet Theatre’s production of The Golden Cockerel as re-imagined by Alexei Ratmansky is just such a work—gorgeous to look at, often comical, often perplexing. At the end of the … [Read more...]

The Sleeping Beauty Wakes Up

June 4, 2015 by Deborah Jowitt

Alexei Ratmansky brings an 1890 ballet to new life for American Ballet theatre. American Ballet Theatre is no stranger to The Sleeping Beauty. As Ballet Theatre, the new company in town in 1941, the dancers performed Princess Aurora, Anton Dolin’s mash-up of elements from the Prologue and Act III of Marius Petipa’s 1890 masterwork. ABT presented its first full-length version in 1976, its … [Read more...]

Keeping a Heritage Alive

May 16, 2015 by Deborah Jowitt

American Ballet Theatre opens its Lincoln Center season with one-act masterworks from its repertory. When watching the classics of 19th-century and early 20th-century ballet, it’s wise not to ask too many questions. When enjoying Michel Fokine’s 1909 Les Sylphides, for instance, you’re not supposed to wonder what this lone man is doing amid all these women in long, gauzy, white tutus, two … [Read more...]

Deborah Jowitt

Deborah Jowitt began to dance professionally in 1953, to choreograph in 1961, and to write about dancing in 1967. Read More…

DanceBeat

This blog acknowledges my appetite for devouring dancing and spitting out responses to it. Criticism that I love to read—and have been struggling to write ever since the late 1960s—probes deeply and imaginatively into choreography and dancing, … [Read More...]

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