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Deborah Jowitt on bodies in motion

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Borne on the Winds

August 11, 2019 by Deborah Jowitt

The tall, robust, gray-haired man standing outside Jacob’s Pillow’s Ted Shawn Theater during intermission is explaining his reaction to Andrea Miller’s Boat to two attentive listeners. The members of her company, Gallim, he says, never stand still! He can’t get over that. It’s not entirely true, of course. The eight marvelous dancers who make up Gallim do pause in their dancing or stand and … [Read more...]

Finding a World

February 16, 2019 by Deborah Jowitt

Who are these people, these inhabitants of Andrea Miller’s To Create a World? They are, of course, members of her company Gallim and collaborators in the work’s choreography, but that doesn’t answer the question. They seem to be part of an evolving world of fire and ice, themselves perhaps evolving. In Will Epstein’s score for piano, electronics, voice, percussion, synthesizers, saxophone, plus … [Read more...]

Boxed In and Kicking Out

October 1, 2013 by Deborah Jowitt

Andrea Miller’s Gallim Dance Company premieres a new work at Montclair State University’s Peak Performances, September 26 through 29, 2013. In titling her wild new work Fold Here, Andrea Miller of Gallim Dance Company must have been thinking of all the implications of the instructions. Folding along prescribed creases makes a flat sheet of corrugated cardboard into a three-dimensional … [Read more...]

Playing Hard, Game Unknown

May 26, 2013 by Deborah Jowitt

Gallim Dance at BAM Fisher, May 21-26, 2013 What does “blush” convey to you?  A person becomingly embarrassed? A person ashamed? The reddening sky of dawn?  If it were not for the association of “flush” with toilets and wealth, I’d consider it an apter title than Blush for Andrea Miller’s revised 2009 dance. The six go-for-broke members of her Gallim Dance do indeed turn red in the face … [Read more...]

Deborah Jowitt

Deborah Jowitt began to dance professionally in 1953, to choreograph in 1961, and to write about dancing in 1967. Read More…

DanceBeat

This blog acknowledges my appetite for devouring dancing and spitting out responses to it. Criticism that I love to read—and have been struggling to write ever since the late 1960s—probes deeply and imaginatively into choreography and dancing, … [Read More...]

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