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Archives for March 2017

Apollo Meets the Higgs Boson

March 24, 2017 by Deborah Jowitt

Emily Coates' Incarnations premieres at St. Marks' Church, March 16 through 18. I know how to re-wire a lamp. I aced high school physics (eventually). While researching Merce Cunningham and John Cage, I read Fritjof Capra’s The Tao of Physics, which fit the zeitgeist of the 1970s. But my brain has to struggle to keep its head above water, so to speak (a lousy metaphor) during Danspace … [Read more...]

Operas That Dance

March 20, 2017 by Deborah Jowitt

The Brooklyn Academy of Music presents Mark Morris: Two Operas, March 15 through 19. On the last day of July, 2013, I saw and heard an unforgettable performance in Tanglewood’s Seiji Ozawa Hall. Mark Morris had directed Benjamin Britten’s Curlew River for a cast of Tanglewood Fellows and paired it with his 1989 visualization of Henry Purcell’s opera Dido and Aeneas, performed by the Mark … [Read more...]

Speaking of Gender. . .

March 14, 2017 by Deborah Jowitt

Richard Move and MoveOpolis! performs at New York Live Arts. I have warm, twenty-year-old memories of a cold corner in New York’s meatpacking district (you entered the funky, all red nightclub called Mother on Washington Street and exited on 14th Street). On certain weekends, lines waited to get into the latest iteration of Martha@Mother, the variety show co-produced by Richard Move and … [Read more...]

The Pleasures of Taylor

March 13, 2017 by Deborah Jowitt

Paul Taylor American Modern Dance at Lincoln Center, March 7 through 26. If Paul Taylor were a visual artist we wouldn’t be so hard on him. Picasso could paint a fish plate and serve lunch on it, and no one would fault it for not being as memorable as Les Demoiselles d’Avignon. It could even get broken or never make it to the table. A Taylor dance involves a set, costumes, music, … [Read more...]

A Small Company with Big Ideas

March 6, 2017 by Deborah Jowitt

The New York Theatre Ballet performs at New York Live Arts, March 1 through 4. Vaslav Nijinsky must have been charmed by ancient Greek vases when he choreographed his first ballet, L’Après-midi d’un faune, in 1912. Inspired by Stéphan Mallarmé’s poem of that name and Claude Debussy’s musical response to it (Prélude à l’après-midi d’un faune), he, however, depicted the nymphs and faun who … [Read more...]

Deborah Jowitt

Deborah Jowitt began to dance professionally in 1953, to choreograph in 1961, and to write about dancing in 1967. Read More…

DanceBeat

This blog acknowledges my appetite for devouring dancing and spitting out responses to it. Criticism that I love to read—and have been struggling to write ever since the late 1960s—probes deeply and imaginatively into choreography and dancing, … [Read More...]

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