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Scott Timberg on Creative Destruction

LA saxophonist Danny Janklow at The Blue Whale

December 6, 2017 by Scott Timberg

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FOR the last few years, much of the attention to the resurgent Los Angeles jazz scene has gone to Kamasi Washington, a titan of a tenor saxophonist who I had the pleasure to see at the Hollywood Bowl over the summer. His communal, late-Coltrane, South Central approach to the jazz tradition is for real, powerful, even — a word I try to avoid — inspiring.

But there is more to the revived LA scene than Washington, and the non superstar players are the ones who really give a music community its dimension. There are surely others, but to my casual acquaintance, a whole other level of fine players with strong live presences include drummer Matt Mayhall, bassist Miles Mosley, and guitarist Jeff Parker. And, alto sax Danny Janklow, who I saw a few nights ago at the Blue Whale.

Janklow’s show was the record-release party for his new LP, Elevation. He’s a friendly and appealing leader onstage, and commanded an exceedingly good band. This is what we used to call (do people still use this term?) “straight-ahead” jazz, with just a touch of ’60s avant-gardeism and a few forays into funk. (The group included a vibraphonist and the bassist put down his upright for a song or two to groove on what i think was a Fender.) As strong and locked in as this crew was, the highlight was guest pianist Eric Reed, perhaps still best know for his work with Wynton. Swinging, lyrical, forceful — it was a real pleasure to see him solo.

Janklow himself seems to me in the Cannonball Adderley school — bluesy, melodic, supple — with at times the instincts of a late-period Art Pepper. That is, he often starts out with a brief, singable melody and then builds his songs to big, expressive emotional climaxes.

 

Apparent’y I’m a bit late to Janklow’s work — the show as packed, and it was not all brooding bespectacled white men like yours truly. This is a crowd I rarely saw when I used to go to the old Jazz Bakery.

A young native of the Valley, schooled in the jazz crucible of Philadelphia, who returned home, Janklow appears to have a bright future. My hope is that this charismatic and open-eared performer will sustain his best qualities while developing a more distinctive voice on the saxophonist. Janklow is still in his late 20s — I look forward to what he comes up with next.

 

 

 

 

 

 

 

Filed Under: Los Angeles, west coast Tagged With: Jazz

Scott Timberg

I'm a longtime culture writer and editor based in Los Angeles; my book "CULTURE CRASH: The Killing of the Creative Class" came out in 2015. My stories have appeared in The New York Times, Salon and Los Angeles magazine, and I was an LA Times staff writer for six years. I'm also an enthusiastic if middling jazz and indie-rock guitarist. (Photo by Sara Scribner) Read More…

Culture Crash, the Book

My book came out in 2015, and won the National Arts & Entertainment Journalism Award. The New Yorker called it "a quietly radical rethinking of the very nature of art in modern life"

I urge you to buy it at your favorite independent bookstore or order it from Portland's Powell's.

Culture Crash

Here is some information on my book, which Yale University Press published in 2015. (Buy it from Powell's, here.) Some advance praise: With coolness and equanimity, Scott Timberg tells what in less-skilled hands could have been an overwrought horror story: the end of culture as we have known … [Read More...]

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