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About Last Night

Terry Teachout on the arts in New York City

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Archives for 2013

TT: Merry Christmas to Duke!

December 5, 2013 by Terry Teachout

James Gavin, the biographer of Chet Baker and Lena Horne, reviewed my new Duke Ellington biography in this coming Sunday’s New York Times Book Review. Here’s some of what he said:

Ellington’s newest biographer, Terry Teachout, clearly saw the challenge of writing about the enigmatic legend. In “Duke: A Life of Duke Ellington,” he calls Ellington “a riddle without an answer, an unknowable man who hid behind a high wall of ornate utterances and flowery compliments that grew higher as he grew older.”
Yet in his cleareyed reassessment of a man regarded in godlike terms, Teachout, the drama critic for The Wall Street Journal, delves behind “the mask of smiling, noncommital urbanity that [Ellington] showed to the world.” The facts an stories he relates aren’t new, but rarely have they had such a compelling narrative flow or ring of reliability. As in his last book, “Pops: A Life of Louis Armstrong,” Teachout keeps his psychoanalyzing within safe limits; he contextualizes historically without sounding contrived, and honors his subject’s musical achievements through just the right amount of close analysis….
Teachout relates even the most dramatic episodes in the Ellington story with a poised impartiality. He doesn’t take a novelistic approach, nor does he describe music with the lyrical flights of fancy favored by such authors as Greil Marcus and Lester Bangs. Teachout writes in an earthbound style marked by sound scholarship and easy readability. He particularly shines in his portraits of Ellington’s renowned sidemen….
“Duke” humanizes a man whom history has kept on a pedestal.

No link yet, but it’s coming.
UPDATE: Read the whole thing here.

TT: So you want to see a show?

December 5, 2013 by Terry Teachout

Here’s my list of recommended Broadway, off-Broadway, and out-of-town shows, updated weekly. In all cases, I gave these shows favorable reviews (if sometimes qualifiedly so) in The Wall Street Journal when they opened. For more information, click on the title.


BROADWAY:

• Annie (musical, G, closing Jan. 5, reviewed here)

• A Gentleman’s Guide to Love & Murder (musical, PG-13, reviewed here)

• Macbeth (Shakespeare, PG-13, closes Jan. 12, reviewed here)

• Matilda (musical, G, reviewed here)

• No Man’s Land/Waiting for Godot (drama, PG-13, unsuitable for children, playing in rotating repertory through Mar. 2, reviewed here)

• Once (musical, G/PG-13, reviewed here)

• Twelfth Night (Shakespeare, G/PG-13, extended through Feb. 16, all performances sold out last week, reviewed here)

OFF BROADWAY:

• Avenue Q (musical, R, adult subject matter and one show-stopping scene of puppet-on-puppet sex, reviewed here)

• The Commons of Pensacola (drama, PG-13, closes Jan. 26, reviewed here)

• The Fantasticks (musical, G, suitable for children capable of enjoying a love story, reviewed here)

• Fun Home (musical, PG-13, unsuitable for children, newly extended through Jan. 12, reviewed here)

• Hamlet/Saint Joan (drama, G/PG-13, remounting of off-Broadway production, performed in rotating repertory, closes Feb. 2, original production reviewed here)

• Juno and the Paycock (drama, G/PG-13, far too dark for children, extended through Jan. 26, reviewed here)

CLOSING SOON IN SARASOTA, FLA.:

• Show Boat (musical, G, remounting of Goodspeed Musicals production, suitable for bright children, closes Dec. 29, original production reviewed here)

CLOSING SUNDAY OFF BROADWAY:

• Good Person of Szechwan (play, PG-13, closes Dec. 8, reviewed here)

TT: Almanac

December 5, 2013 by Terry Teachout

“Derision or mockery always involves contempt and so is gravely sinful, so that theologians rightly hold mockery for the worst sin of the tongue we can commit against our neighbor.”
St. Francis de Sales, Introduction to the Devout Life

TT: Almanac

December 4, 2013 by Terry Teachout

He who would do good to another, must do it in Minute Particulars

General Good is the plea of the scoundrel, hypocrite, and flatterer.


William Blake, “Jerusalem”

TT: Lookback

December 3, 2013 by Terry Teachout

From 2003:

I’ve lived in New York for the better part of two decades now, and you’d think I’d have gotten used to it. In a way, I suppose I have, but even now all it takes is a whiff of the unexpected and I catch myself boggling at that which the native New Yorker really does take for granted. As for my visits to Smalltown, U.S.A., they invariably leave me feeling like yesterday’s immigrant, marveling at things no small-town boy can ever really dismiss as commonplace, no matter how long he lives in the capital of the world.
My cab swept me across the Triborough Bridge and the Upper East Side, past the Guggenheim Museum and through Central Park, straight to the front door of my building. I trotted up the steps, unlocked the door to my apartment, and turned on all the lights. A quick look at the walls assured me that all my prints were present and accounted for: here an Avery, there a Marin, Frankenthaler over the couch, Wolf Kahn over the mantelpiece. I dropped my bags, locked the door, and sighed deeply. Once again I had made the impossible journey from Smalltown to New York, from home to home….

Read the whole thing here.

TT: Almanac

December 3, 2013 by Terry Teachout

“There are a good many theatre people whom I suspect of arranging just a shade more than is absolutely necessary to be under constant fire, merely to indulge themselves in a public exhibition of their innate grace under pressure.”
Moss Hart, Act One

TT: The private world of Satchmo

December 2, 2013 by Terry Teachout

This wonderful photo was taken in February of 1971 in the master bathroom of Louis Armstrong’s home in Corona, Queens, two weeks before the events portrayed in Satchmo at the Waldorf, my one-man play about Armstrong’s last gig. It was originally published in Time, but I saw it for the first time today:
1472880_10201068424301689_1396866418_n.jpg

TT: Just because

December 2, 2013 by Terry Teachout

Stan Getz plays Billy Strayhorn’s “Lush Life” at Montreux in 1972, accompanied by Chick Corea, Stanley Clarke, and Tony Williams:

(This is the latest in a series of arts-related videos that appear in this space each Monday and Wednesday.)

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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