Archives for 2012

Here’s my list of recommended Broadway, off-Broadway, and out-of-town shows, updated weekly. In all cases, I gave these shows favorable reviews (if sometimes qualifiedly so) in The Wall Street Journal when they opened. For more information, click on the title.

BROADWAY:

• Anything Goes (musical, G/PG-13, mildly adult subject matter that will be unintelligible to children, closes Sept. 9, nearly all performances sold out last week, reviewed here)

• The Best Man (drama, PG-13, closes July 1, nearly all performances sold out last week, reviewed here)

• Death of a Salesman (drama, PG-13, unsuitable for children, all performances sold out last week, closes June 2, reviewed here)

• Evita (musical, PG-13, all performances sold out last week, reviewed here)

• Godspell (musical, G, suitable for children, most performances sold out last week, reviewed here)

• How to Succeed in Business Without Really Trying (musical, G/PG-13, perfectly fine for children whose parents aren’t actively prudish, most performances sold out last week, reviewed here)

• Once (musical, G/PG-13, nearly all performances sold out last week, reviewed here)

• Other Desert Cities (drama, PG-13, adult subject matter, closes June 17, reviewed here)

• Venus in Fur (serious comedy, R, adult subject matter, closes June 17, reviewed here)

OFF BROADWAY:

• Avenue Q (musical, R, adult subject matter and one show-stopping scene of puppet-on-puppet sex, reviewed here)

• The Fantasticks (musical, G, suitable for children capable of enjoying a love story, reviewed here)

• 4000 Miles (drama, PG-13, closes June 17, reviewed here)

• Million Dollar Quartet (jukebox musical, G, off-Broadway remounting of Broadway production, original run reviewed here)

• Tribes (drama, PG-13, closes Sept. 2, reviewed here)

CLOSING SUNDAY IN TYSON’S CORNER, VA.:

• Side Man (drama, PG-13, reviewed here)

The prologue and first scene of Benjamin Britten’s operatic version of Henry James’ The Turn of the Screw, sung by Richard Greager and Helen Field. Steuart Bedford conducts members of the Stuttgart Radio Symphony Orchestra:

(This is the latest in a series of arts-related videos that appear in this space each Monday and Wednesday.)

“A tradition is kept alive only by something being added to it.”
Henry James, “Robert Louis Stevenson”

A young friend of mine read yesterday’s posting about my visit to Fort Tryon Park and wrote to me as follows: “Your ending gave me the chills a little bit. I wonder if it’s possible to feel and fully embrace your youth while you’re young.”
To which I replied, reluctantly:

No, it’s not. Only in flashes, and they don’t happen very often. Mostly you just live it day by day, and long after the fact you look back and remember what it was like, and marvel at how you didn’t understand it while it was happening.
That’s what the end of Our Town is about.

I saw Our Town for the first time on stage in 1989, when I was thirty-three years old. I didn’t fully understand it then, but I think I do now:

For those who missed Bob Brookmeyer’s memorial service last week, Doug Ramsey has posted a report that includes several first-hand accounts, as well as the text of my brief remarks about Bob. To read it, go here.

From 2004:

Those of us who write about music, needless to say, would like it if there were a direct positive correlation between intelligence and musical talent. Intellectuals always take it for granted that theirs is the highest form of life. If they had a bumper-sticker slogan, it’d be “Intellectuals do everything better.” In fact, there are all sorts of things they do spectacularly badly (though they’re rather good at conniving at mass murder), and it’s almost always hard for them to accept the fact that Big Ideas get in the way of the making of great art….

Read the whole thing here.

“Try to be one of the people on whom nothing is lost!”
Henry James, “The Art of Fiction”

Spring came to New York on Sunday afternoon, so I celebrated its coming by doing something that I should have done long ago. I spent a couple of hours strolling through Fort Tryon Park, the sixty-seven-acre city park whose entrance is two blocks from my front door. Connoisseurs of medieval art know Fort Tryon Park as the site of the Cloisters, but if you live, as I do, in Hudson Heights, it does double duty as your backyard. Even though Mrs. T and I moved to Hudson Heights in the fall of 2010, I’d never taken the time to explore the park on foot, and when I admitted that shameful fact to an out-of-town friend who saw a show with me on Saturday night, she looked at me as though I’d just confessed to being an axe murderer. “And it’s right there?” she asked in a voice positioned midway between horror and disdain. It was clear that the time had come to change my ways, and the sun was shining so enticingly the next morning that I figured I had no choice but to get moving.

Fort Tryon Park occupies a high hill on whose summit the Cloisters was built (or, rather, rebuilt, the museum having been moved brick by brick from France to New York between 1934 and 1938). It looks down on upper Manhattan and the Hudson River, and the views are stunning. You can reach the Cloisters by bus or take an elevator from the subway station to the top of the hill, but stalwart pedestrians prefer to walk up the winding trails that lead–eventually–from Broadway to the summit. That’s what I did: I walked from my apartment to the park, took the trail down to the street, then took a different trail back up the hill to the Cloisters.

That may sound simple enough in the telling, but I’m a middle-aged man who, if not altogether sedentary, is also not particularly athletic. I take a walk in the neighborhood most days, and when I do, I usually make a point of ascending the long staircase that leads from Washington Heights up to Hudson Heights. This, however, is not nearly so ambitious an undertaking as walking all the way down from the Cloisters to Broadway and back again, and I realized en route that it would have been a lot smarter for me to bite off a somewhat smaller piece.

By the time I figured that out, though, it was too late for me to do anything about it, so I kept on walking, and I’m glad I did. I can’t say with absolute certainty that every nook and cranny of Fort Tryon Park is as beautiful as the parts that I saw on Sunday–it’s a big place–but I never saw anything that wasn’t beautiful, and by the time I made it to the top of the hill, I was asking myself why I’d waited so long to discover what is without doubt the best part of my neighborhood.

No sooner did I reach the trailhead than I was surrounded by stroller-pushing women. Hudson Heights is a child-friendly place, and on Sunday it looked like every mother who lives there had seized the opportunity to take her children for a walk. Their presence was a perfect metaphor for the season itself. It reminded me of one of the most beautiful verses from the Song of Solomon: For, lo! the winter is past, the rain is over and gone; the flowers appear on the earth; the time of the singing of birds is come, and the voice of the turtle is heard in our land.

As I listened to the birds singing and the children chattering, I felt the same surge of renewal in myself that I saw all around me on the street. I couldn’t help but think of the lucky streak that began when I cheated death and met Mrs. T six years ago, a few weeks before my fiftieth birthday. Ever since then, and especially in recent months, my life has been a near-unbroken string of happy surprises. In June I’ll be heading up to the MacDowell Colony in New Hampshire to spend five weeks working on Mood Indigo: A Life of Duke Ellington, after which I go directly to Massachusetts to rehearse my first play. Mere days ago I was inundated with still more good news.

No, I’m not as young as I used to be, but I very much doubt that I’ve ever felt much younger than I did on Sunday afternoon, trudging up a hill that should have been too high for me to climb and listening to the voice of the turtle in Fort Tryon Park.