Archives for September 8, 2011

Satchmo at the Waldorf, my first play, opens a week from tonight in Orlando, Florida. I’ll be flying down first thing Saturday morning to join Dennis Neal, the star, and Rus Blackwell, the director, for the final rehearsals.
You probably won’t be surprised to hear that I’m finding it difficult to concentrate on anything other than opening night. The funny thing is that I never gave any serious thought to becoming a playwright until I started writing Satchmo at the Waldorf a year and a half ago. Now that it’s happened, though, I’m about as excited as it’s possible to be.
Come Monday, I’ll let you know how things are shaping up in Orlando. In the meantime, I’m pleased to report that Brian Shaw, an assistant professor at Louisiana State University, is currently teaching a seminar on Louis Armstrong that uses Pops, my 2009 Armstrong biography, as its text. He recently posted a Facebook playlist of Armstrong-related recordings and videos, all of them keyed to the text of Pops, that are available on YouTube and will be discussed in his seminar. You can view it by going here. I wish I’d thought of doing something similar when Pops first came out!

Here’s my list of recommended Broadway, off-Broadway, and out-of-town shows, updated weekly. In all cases, I gave these shows favorable reviews (if sometimes qualifiedly so) in The Wall Street Journal when they opened. For more information, click on the title.

BROADWAY:

• Anything Goes (musical, G/PG-13, mildly adult subject matter that will be unintelligible to children, closes Jan. 8, most performances sold out last week, reviewed here)

• How to Succeed in Business Without Really Trying (musical, G/PG-13, perfectly fine for children whose parents aren’t actively prudish, most performances sold out last week, reviewed here)

OFF BROADWAY:

• Avenue Q (musical, R, adult subject matter and one show-stopping scene of puppet-on-puppet sex, reviewed here)

• The Fantasticks (musical, G, suitable for children capable of enjoying a love story, reviewed here)

• Million Dollar Quartet (jukebox musical, G, off-Broadway remounting of Broadway production, original run reviewed here)

IN ASHLAND, OREGON:

• August: Osage County (drama, PG-13/R, closes Nov. 5, reviewed here)

• Julius Caesar (Shakespeare, PG-13, closes Nov. 6, reviewed here)

• Measure for Measure (Shakespeare, PG-13, closes Nov. 6, reviewed here)

CLOSING SOON IN ASHLAND, OREGON:

• The Pirates of Penzance (operetta, G, suitable for children, closes Oct. 8, reviewed here)

CLOSING SOON IN WASHINGTON, D.C.:

• Oklahoma! (musical, G, remounting of 2010 production, suitable for children, closes Oct. 2, original run reviewed here)

CLOSING NEXT WEEK IN EAST HADDAM, CONNECTICUT:

• Show Boat (musical, G, suitable for bright children, closes Sept. 17, reviewed here)

CLOSING SATURDAY IN SPRING GREEN, WISCONSIN:

• The Critic (comedy, G, too complicated for children, reviewed here)

“Everybody knows if you are too careful you are so occupied in being careful that you are sure to stumble over something.”
Gertrude Stein, Everybody’s Autobiography