In Verdi, the elephants are in Aida. In Wagner, the elephant in the room is a pamphlet: “Judaism and Music.” It seems the Rosetta Stone of Wagner scholarship, the central text that lays bare what lurks hidden in his life and work. Beyond a doubt, it is an egregious text, unforgivable and dangerous. Less egregious is a necessary preliminary topic: Wagner’s actual relationships … [Read more...] about Was Richard Wagner a “Monster”?
Wagner’s “Tristan” at the Met — Then and Now
I am in Ann Arbor, participating in a Mahler project with Ken Kiesler and his fervent University of Michigan Symphony Orchestra – the group with which I memorably toured South Africa a year ago (and about which I blogged and broadcast). Addressing a class of young conductors this morning, I was reminded by one of them of a promotional video that I stumbled upon a few days … [Read more...] about Wagner’s “Tristan” at the Met — Then and Now
Shostakovich: His Time Has Come (Alas)
Leonard Bernstein celebrated Dmitri Shostakovich’s sixtieth birthday by proclaiming him “an authentic genius” – “and there aren’t too many of those around anymore.” That took courage in 1966, when Shostakovich – the leading Soviet musician -- remained a Cold War cartoon of the stooge and simpleton. As Bernstein appreciated earlier than others, Shostakovich’s ultimate genius was … [Read more...] about Shostakovich: His Time Has Come (Alas)
How AI Terminated 1,477 NEH Grants: A Naive Exercise in Casuistry
From 2010 until its sudden termination by DOGE last April, I directed Music Unwound, an NEH-funded national consortium of orchestras and universities. A letter from Michael McDonald, the acting NEH chairman, informed me that the demise of Music Unwound represented “an urgent priority for the administration.” It was ended “to safeguard the interests of the federal … [Read more...] about How AI Terminated 1,477 NEH Grants: A Naive Exercise in Casuistry
Trump and the Arts — Take Three
Having written a book – The Propaganda of Freedom – exploring the relationship between JFK and the arts, and having finished in manuscript a subsequent study of Leonard Bernstein and cultural leadership, I find myself responding to the Trump-Kennedy Center and kindred developments by looking backward at what might have been. Trump uses his bully pulpit to go after nations, … [Read more...] about Trump and the Arts — Take Three