Rifftides reader Russ Mitchell asks: Is there ONE place to find ALL of Doug's picks? If there is, I can't find it. They are archived. Follow these (relatively) simple directions: 1. Click on the Archives link in the center column, just below Doug's Books. 2. Scroll 'way down to the heading, Category Monthly Archives. 3. Scroll down past the list of months to the beginning of the recommendations listings. Click on individual months to see the picks. These go back to June of 2006. For picks and … [Read more...]
The News From JazzTimes: It’s True
The following announcement is posted on the JazzTimes web site: Important Message From JazzTimes Management By JazzTimes To our readers and members of the jazz community: JazzTimes has temporarily suspended publication of the magazine and has furloughed the bulk of its staff while it finalizes a sale of its assets. The brand and operation will undergo reorganization and restructuring in order to remain competitive in the current media climate. Print publishing is expected to resume as soon as … [Read more...]
The Jazz Times Dilemma Examined
There is still no confirmation, and no denial, of reports that Jazz Times will go out of business as a print publication. General economic decline, the increasing loss of advertising life blood and the necessity to shrink staffs weaken all magazines and newspapers. Nasty fiscal weather is even more threatening to publications that specialize in cultural affairs. In hard times, support for the arts is likely to top the list of cuts in advertiser, donor and personal budgets. In his blog's Sunday … [Read more...]
Bad Times At Jazz Times
Unconfirmed reports continue to filter out of Silver Spring, Maryland, that Jazz Times magazine's precarious advertising revenue position will force it to cease publication. In his latest post on the matter, my artsjournal.com colleague Howard Mandel quotes a recently dismissed Jazz Times associate editor as saying that "it's doubtful the magazine would be able to survive in its present format." To read Howard's posts on the situation, go here. Ira Sabin founded Radio Free Jazz in 1970 as an … [Read more...]
Prez And Pell Correspondence, Illustrated
The story about Dave Pell's restoration of Lester Young's Dolnet tenor saxophone brought a message from documentary producer Ken Koenig and one from Jim Harrod, moderator of the Jazz West Coast listserve. Each of their responses took the form of a photograph. Mr. Harrod sent a copy of a Dolnet ad from an early-1950s issue of the magazine Jazz Hot. From the collection of James Harrod Mr. Koenig took a photograph of Dave Pell with the resuscitated Dolnet, and Lester in the background, at the Los … [Read more...]
56 Years Of Rust: Pell Rescues Prez’s Horn
The following article appeared in the Fall, 2008, issue of the British magazine, Jazz Review. By Doug Ramsey Lester Young drew on Louis Armstrong, Frank Trumbauer, Bix Beiderbecke and his own genius to create one of the most personal styles in music. In the 1930s he provided an evolutionary step between Armstrong and Charlie Parker. Flying weightlessly over bar lines, Young helped to free the jazz soloist from the arbitrary restrictions of time divisions and showed the way to the rhythmic and … [Read more...]
Progress Report: Dave Pell Responds
Everything is fine with the horn..play it everyday...recording a new CD, and it records sensationally, with Johnny Vana. Did a concert tonight in Palm Desert with Med Flory and Don Shelton..and we sounded just like 3 brothers. Am booked at Sweet and Hot Festival with my tribute to Lester Young in August with Bonnie Bowden singing Billy Holiday songs and Prez Conference. It was kinda hard trying to make friends with the horn because of the problems of 56 years of rust. However it sounds so … [Read more...]
Lester Young, 1950
For a project connected with his Jazz At The Philharmonic operation, the impresario Norman Granz filmed Lester Young with trombonist Bill Harris, Pianist Hank Jones, bassist Ray Brown and drummer Buddy Rich. Although they bypass the melody, the piece is "Pennies From Heaven." For decades, there has been speculation, but no proof, that because of technical audio requirements, they are lip-synching to a performance they previously recorded. That could account for the general amusement and for a … [Read more...]





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
Recent Comments
Jim Eigo on Happy Fatha’s Day
Had the good fortune to see Fatha Hines in 1973 at the New School in NYC. There's a nice live recording of this concert too.Dick Unsworth on Happy Fatha’s Day
Haven't heard "Fatha" Hines and bassist Pedersen for ages. Thanks for the treat.Terence Smith on Happy Fatha’s Day
Earl Hines made every day Fatha's Day every time he played. Thanks to Doug Ramsey for this inspired choice of an inspired "Memories of You." ...Brew on Happy Fatha’s Day
Thanks for posting this gem. The Earl's rhythmic punch is always stunning. He could easily switch between smoothness and roughness like no one else. Like...W. Royal Stokes on Happy Fatha’s Day
Here’s Fatha’s show stopper, Doug. His left hand takes over the melody while his right sustains a 3-and-a-half-minute tremolo! I saw him do this tune...