an blog | AJBlog Central | Contact me | Advertise

Breaking News: Graham Beal to Retire

beal

It had to happen, after the last few years; Graham Beal, director of the Detroit Institute of Arts for the past 15-plus year, will retire on June 30. Here's what the release said: Since joining the DIA, Beal has presided over some of the most significant accomplishments in the museum’s history, including a tremendously successful reinvention of presenting art to the public; passage of a tri-county regional millage to support museum operations; and the DIA participation in the historic and unprecedented grand bargain initiative, which … [Read more...]

Picturing Mary: It Could Have Gone Another Way

111

Is there a woman who was painted more frequently in all of Western art than Mary? If so, I don't know of her. So many great artists painted her, in many situations, poses, costumes and guises. That was the rich territory the National Museum of Women in the Arts chose to explore in its current exhibition, Picturing Mary: Woman, Mother, Idea. And although it's not the show I conjured in my mind when I heard the title--a Leonardo side-by-side with a Raphael, a Michelangelo, a Fra Angelico, a Bellini, a Titian, and so on--it's a mind-stretching … [Read more...]

Another Shoe Drops: The Barnes Gets A New Director

collins-530px

Did you know that Thomas "Thom" Collins, was a native Philadelphian? I don't know if that helped, but Collins--currently director of the Perez Art Museum in Miami, has just been named executive director and president of the Barnes Foundation there. He was there for five years--some of them turbulent. But the record he posted there undoubtedly counted in Philadelphia. Here's how it was described in the press release: At PAMM, Mr. Collins oversaw construction of the new Herzog & de Meuron-designed building located in downtown Miami, which … [Read more...]

Derek Gillman, Late of the Barnes, Gets A New Job

Gillman-120413-1-pr

Another personnel shift: On Monday, Derek Gillman, who headed the Barnes Foundation until 2013, when he unexpectedly stepped down to join the faculty of Drexel University, started a new job yesterday--at Christie's in New York. There, he is Chairman, Impressionist & Modern Art,  and senior vice president of The Americas unit of the auction house. The release said: [he] will work very closely with Giovanna Bertazzoni, International Head of Impressionist & Modern Art and Brooke Lampley, International Director, Impressionist & … [Read more...]

News From London: NPG, Not NG

NCullinan

A curator at the Metropolitan Museum of Art, Nicholas Cullinan, is taking a round-trip back to London to become director of the National Portrait Gallery. Cullinan, a curator in the modern and contemporary art department, joined the Met less than two years ago. When he did, he was described this way by Tom Campbell: He is a formidable scholar who has established himself with distinction in the field of modern and contemporary art over the past decade, particularly through his work on Cy Twombly, Arte Povera, and a range of contemporary … [Read more...]

Did Worcester Museum’s “Rethinking” Work? A FollowUp

matthias-waschek-director

More than a year has passed since I visited the Worcester Art Museum and wrote Museum, Remodeled and Rethought for the Wall Street Journal, so I thought I would check in with the director, Matthias Waschek, to see what had happened since then. WAM in many ways might be a model for other art museums, especially those in cities that do not attract many tourists. Brief recap: Waschek had rehung the Old Masters galleries there, medallion-style, to get people to visit the museum (a pitiful 31,435 people had visited the galleries in FY 2011, … [Read more...]

Who Will Run the National Gallery? The Odds-On Favorite…UPDATED

GFinaldi

The National Gallery in London was expected to announce a replacement for Nicholas Penny, the director, before Christmas, and I understand that the person has been chosen; the name must now simply go through political channels, with approval by Prime Minister David Cameron, before it can be announced. One thing is for sure, though: it's not going to be Luke Syson, the curator of European sculpture and decorative arts at the Metropolitan Museum, who openly sought the job and, some sources tell me, thought he had it in the bag, thanks to his … [Read more...]

On The Art Movie Docket: Matisse and…

matisse

"Matisse From Tate Modern and MoMA" is the latest of Exhibition on Screen's movies about art exhibitions to open here in the U.S. It's a one-night only event on Jan. 13 at theaters nationwide. Fathom Events is the distributor, and you can find out where it is nearest you right here. The movie is 90 minutes long, and it's about the cutouts show now at MoMA. You can see the preview on YouTube, which tells the five essential things you should know about Matisse's cutouts. Here's the billing from the email I received for a preview (which I can't … [Read more...]

Court Orders Tate To Provide Funding Details, Pronto

Tate-Britain-012

The Tate museum has been ordered to reveal the details of its sponsorship deals with BP, the oil company--and that, I think, is a good thing. This all happened just before Christmas, and according to The Guardian's article on the ruling by a court: Tate has been ordered to give details of its BP sponsorship between 1990-2006, in a case brought by environmental campaigners. An information tribunal has ruled against the art institution, which was refusing to give details, claiming the information could intensify protests and harm its … [Read more...]

This Art Map Will Startle You

eBayMap

Which artists would you guess are searched for most often in the U.S.? What if that data were broken down by state, so we could see which artist Georgians are looking for versus which one by New Yorkers? It might be enlightening--nowadays, museums might even use it to choose their exhibitions, given all the emphasis on listening to their communities. Maybe this map which change their minds. Granted, it has one big flaw--it's an infographic of searches on eBay by its customers, who may not be representative of a museum's "community." On the … [Read more...]

an ArtsJournal blog