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The Dangers Of Audience Gimmicks

Dulwich-Fake

What was that song from Gypsy--"You gotta have a gimmick," right? Sadly some museums are trying gimmicks to lure people into their galleries and I fear this will all end badly. Let's take a look at the Dulwich Picture Gallery, which does have a visitorship problem, apparently, considering that it has a splendid permanent collection. In January, The Independent said that the permanent collection there draws just 200 visitors a week (compared with 2,000 per week when there is a temporary exhibition). On Apr. 29, the same paper said it … [Read more...]

Bravo: Even the Whimsy At A Few Museums Is About Art

nb2

I love it when that's so. I was reminded of this at the new Whitney last week. I had been meaning to return to the subject since I visited the New Britain Museum of American Art several weeks ago to review the Otis Kaye exhibition for The Wall Street Journal. There, the museum seating is not just any seating; it's a collection of benches bought by the museum from contemporary artists. At the Whitney, as you may have read, the elevators are design by Richard Artschwager (one pictured below, at bottom_. All of this signals that art is not … [Read more...]

First Thoughts On the New Whitney

W6

After visiting the new Whitney Museum twice, for a total of about five hours, I've come to some tentative conclusions--first and foremost, that it's a successful building for art, which always be the prime goal of an art museum. I went into this blog's archives to see what I thought when I first saw the plans--in 2011, at the groundbreaking ceremony. I recall a lot of negativity at the time, but I disagreed: ...I may rue this day, but I’m going out on a limb regarding the architecture: Piano’s design, based on the drawings and sketches I’ve … [Read more...]

The Shocking Cooper Hewitt

photo 3

Many curtain-raisers for and reviews of the newly renovated and reconceived Cooper Hewitt National Design Museum have focused on its use of technology to make the museum interactive, participatory and therefore supposedly of more interest to young generations who are not satisfied with just looking. One recent Saturday, I finally made it to this new incarnation to see for myself. I didn't mind the interactive technology. I liked much of it. Some of it was fun to play with. At one station, I designed a lovely outdoor sculpture. I did not get … [Read more...]

International Pop, World Pop, And Don’t Forget German Pop

world-goes-pop

In today's Arts & Leisure section of The New York Times,  the Walker Art Center's new International Pop exhibit gets a good curtain-raiser. Randy Kennedy makes its case "not only that Pop was sprouting in countless homegrown versions around the world but also that the term itself has become too narrow to encompass the revolution in thinking it represented for a generation of artists." Pop was not, in other words, just an American invention with "a British offshoot." And this is the year, it seems, for that subject--the article also … [Read more...]

Breaking Now: The MFA Names A New Director

MTeitelbaum

And it's Matthew Teitelbaum, currently director of the Art Gallery of Ontario. If you read yesterday's post here, you'll know that's one down--of many museum director jobs open along the East coast--and many more to come. In fact, I hear that another I mentioned yesterday will be announcing in the next week, or ten days. Meanwhile, back to Teitelbaum: Teitelbaum was appointed Director of the Art Gallery of Ontario (AGO) in 1998 after having first joined the museum in 1993 as Chief Curator. With a vision to transform the Gallery into … [Read more...]

Another Opening, Another…

BolgerD

I'm not talking about "Kiss Me, Kate" or another show. I'm talking about art museum directorships. Doreen Bolger, director of the Baltimore Museum of Art (pictured at right), just announced that she is retiring, effective June 15. That's not much notice. On March 19, Michael Conforti (at left) announced that he'd be retiring on Aug. 31 after 20 years as director of the Clark Art Institute. Up and down the East coast, at least, major directorships are open: the Museum of Fine Arts in Boston, the Morgan Library and Museum, the Brooklyn … [Read more...]

A Giant Step Forward At The Met

ghost dance

When I visited The Plains Indians: Artists of Earth and Sky at the Metropolitan Museum on Saturday afternoon, I was prepared to be delighted--and I was, in more ways than one. The Nelson-Atkins Museum, which co-curated the show with the Musee du Quai Branly in Paris, had primed me for how beautiful it was going to be, sending along the catalogue as evidence when the show opened in Kansas City last fall. At the Met, the exhibit lived up to my great expectations. So many of these objects are stunningly beautiful. But from the very first … [Read more...]

The Whitney Tests the Market: $$$ And Hours

Whitney

The Whitney Museum announced it new admission charges and new hours this afternoon--and both will test the market. General admission will go up to $22, from $20, while seniors and students can get in for $18. That's no surprise, given the cost of erecting and moving to the new building downtown. And it's still less than the Guggenheim and MoMA, which both charge $25 for general admission. Interestingly, perhaps reinforcing its focus on the young, MoMA asks for $14 from students and $18 from seniors. The Gugg is like the Whitney, charging $18 … [Read more...]

Very Sad Breaking News

art5279widea

I just received an email saying that Michael Rush, the founding director of the Eli and Edythe Broad Art Museum at Michigan State University, had died after a two-year battle with pancreatic cancer. Rush was also, of course, the director of the Rose Museum at Brandeis University when the president and trustees there tried to sell off its collection in 2009. Because he opposed that idea, Rush's contact was not renewed. Today's statement from MSU continued: “On behalf of the MSU community, I would like to express my deepest condolences to … [Read more...]

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