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Many Miles To Go To See Art

I don’t know all that many people, aside from curators doing research and wealthy collectors, who hop on a plane a fly overseas mainly to see an art exhibition. But that is what has been happening in recent weeks for Icons of Modern Art: The Shchukin Collection at the Fondation Louis Vuitton in Paris. I […]

Finally, A Botticelli Exhibition in the U.S.

The Muscarelle Museum of Art at the College of William and Mary, in Williamsburg, Va., has pulled off another noteworthy show, again eliciting important loans from Italy that other, larger museums would covet. This exhibit–Botticelli and the Search for the Divine: Florentine Painting Between the Medici and the Bonfires of the Vanities–follows previous ones in […]

Uh-Oh: Trouble at the Brooklyn Museum?

I’m not sure, but I just received an email announcing that Nancy Spector, who had joined the Brooklyn Museum* just last April as Deputy Director and Chief Curator, is moving back to the Guggenheim Museum–from whence she came. At the Guggenheim, she will be in a “new position” as Artistic Director and Chief Curator. Her […]

Paint, Hats and Degas–Really?

Today the Saint Louis Art Museum opened a new exhibition called Degas, Impressionism and the Paris Millinery Trade. On the surface, it sounds like one of those cooked-up theses, a mix of fashion with art, to lure people who generally don’t visit art museums into the galleries. A gimmick. Well, probably not. I have not […]

ICYMI: Matisse and American Art

No sooner had my review of the exhibition at the Montclair Art Museum titled Matisse and American Art run in The Wall Street Journal on Tuesday than I was off, flying to another exhibition whose review you will see in the next several days, I hope. But that early morning flight meant that I did […]

More On That Revolutionary Art: Unscrolled

As I mentioned yesterday, the soon-to-open Museum of the American Revolution will hang a copy of Louis Charles-Auguste Couder’s Siege of Yorktown (1781). It hangs in the Hall of the Battles at Versailles. The copy, I’ve now learned–from an advance of a press release that will be issued on Friday–“is believed to have been painted by artist […]

In Philadelphia: Revolutionary Art

In today’s New York Times, I wrote about the conservation and erection of George Washington’s surviving field headquarters tent. a fragile thing, as you may well imagine. It was published in the print edition under the clever headline Washington Plotted Here. Online, the headline is Where George Washington Slept (Perhaps Not Well). That in itself […]

What Goes With Gouthiere?

Why Marivaux, n’est ce pas? A year ago, many of us had never heard of, or heard much about, Pierre Gouthiere, the master gilder many of whose works are now on display at the Frick Collection. But now we know him, at least a little. The exhibition, on view for another few weeks, presents clocks, vases, firedogs, wall […]

A New One on Me: What To Call Art

Branding is important, and language matters. Let’s start from that point. Last fall, I was privileged to speak to the Private Art Dealers Association, which used to be made up largely of Old Master dealers, about getting more people interested in the art they sell. And language came up. Apparently, some people today don’t want […]

Brace For More Bad News From The Metropolitan Museum

It’s coming–possibly Wednesday or Thursday of this week, though I doubt there will be any “announcement.” Rather, employees will learn of the museum’s financial outlook at a town hall meeting in the museum. I don’t have any numbers, but the gist of the message coming from management–Director Tom Campbell and President Dan Weiss–will be that […]

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