Bruce Brubaker on all things piano
When listening to recordings from the 1930s I am fairly certain I don't hear the same thing as someone who listened in the '30s. Even if the sound waves were identical -- I could use a Victrola -- the context is so changed, my reception of the sound so differently influenced that it's different music now. Music is a transaction. When we categorize sound recordings as "music" we may make a misrepresentation. Isn't this sound, these patterns of … [Read more...]
Is written music a set of instructions? A student asked my opinion of a performance he described. In the performance, a pianist used the pedal to sustain long notes while taking his fingers off the keyboard. After thinking, I wrote: "I think the use of the pedal for sustaining notes or helping with legato depends very much on what music is being played. For me, in music by Brahms or Mozart, the central Germanic repertory, long notes must be … [Read more...]
"Even the most perfect reproduction of a work of art is lacking in one element: its presence in time and space, its unique existence at the place where it happens to be." -- Walter Benjamin (1936) Our current practice (2013) regarding sound recordings, movies, novels, poems, or images is rooted in old norms of analog reproduction. New art technologies will allow varying surface iteration of an underlying art product. For example, the … [Read more...]
It is now the sixth day of piano auditions at New England Conservatory. We are a few pianists (members of the faculty) sitting at long tables, hearing younger pianists one-by-one. I said "piano auditions" and it's true we hear people play piano. You might think we're evaluating the piano-playing these kids do -- and we are. Or you might think the piano is an instrument used for making music; so we're evaluating the music making these … [Read more...]
In coaching a student in a master class, Alfred Brendel mentioned that very tapered phrase-endings may not allow for long-range musical continuity. If some notes in a cantabile phrase are much softer than the rest, those soft notes may seem to belong to another voice -- they drop out of the line, or suggest a subsidiary one. (In very soft tapering at the end of a melodic line, frequently I have the sense that pianists lose contact with the … [Read more...]
Some folks probably were comforted by an article that appeared online last year -- an article titled, "Why You Probably Won't Experience Your Own Traumatic Death." "Ever wonder what it would be like to get shot in the head, or have your face smash into a car's windshield? Well, you can stop wondering, because you'll never know -- even if it does happen to you... "It takes as long as 150 to 300 milliseconds (ms) to be aware of a collision … [Read more...]
"I repeat all the great experiments of the 19th Century. My results are much better, more consistent, and more subtly nuanced." What will I think of the scientist who makes such a pronouncement? I might think that person's not a scientist. A craftsman perhaps. An artisan or hobbyist? But this guy's goal in the laboratory would seem to be something other than discovery, something other than science. And doesn't this apply to art as … [Read more...]
Wayne Koestenbaum writes in his Hotel Theory how a hotel represents an ever-changing collection of people. A not-random assortment, complicated in its variability and contextual specificity. How about the various people on an airplane headed from New York to Amsterdam? Or Boston to Cancun? Or the musicians gathered in and by a conservatory? At Juilliard, we had at one time (students and teachers): Dorothy Delay, Felix Galimir, Milton … [Read more...]
Every week there are newly-offered Paderewski items for sale on eBay. His long career yielded thousands and thousands of pieces of ephemera, programs, Paderewski postcards, Paderewski soap, tobacco cards, coins, candles, postage stamps, newspaper photos, piano rolls, sound recordings. For a long time, I wanted to acquire an old photograph of Ignaz Jan Paderewski. (Is it because I know Horowitz kept a Paderewski photo near his piano?) … [Read more...]
As much as I'm opposed to the notion that musical learning is directly transmitted from teacher to student, it did cross my mind that musicians may fall into generational groups in terms of their shared practice or thinking. If so, as a pianist I suppose I belong to Generation 8 (Gen 8.0). I'm imagining that "classical" music as a culture of cultivating the durable repertoire of classics begins around 1800, and may be centered on the person … [Read more...]
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Recent Comments
Jack on Cause or Effect?
I don't mean to be rude, but please use the correct "repertoire" instead of the word "repertory".Bill Boggs on Transaction
Bruce, I often think that music gets better as it gets older myself. I grew up in the 60s...Bill Boggs on Continuity Conscious
I have had great students do a variety of things. One of my best students, who is 17 years...Arthur on Photographs of Paderewski
Normally, pianists don't receive the recognition they deserve. Instead, many talentless individuals are called "celebrities". However, Paderewski is an exception....Angelo Bambini on Fixed
Technology has taken art and education to brand new levels that I never would have dreamed 20 years ago. ...