goodbye, lincoln center; hello, wider world

Arturo O'Farrill told me that he and his Afro Latin Jazz Orchestra were "cast out of the castle" after five years as a resident ensemble with Jazz at Lincoln Center. But he's hardly packed it in: He's created his own nonprofit, established a broader aesthetic mandate with the orchestra's first season at Symphony Space, and grown outspoken about Latin jazz as no exotic "other".

I've grown to admire O'Farrill as a pianist, composer, bandleader, and man. I recall his first visit to Cuba, in 2002, when he visited the childhood home of his father, Chico O"Farrill. And I can't forget the tears in his eyes while he watched as the corner where he grew up, at 88th Street and West End Avenue in Manhattan, was renamed "Arturo 'Chico' O'Farrill Place." He's done his father's legacy proud, and then some.

You can find my piece on Arturo (the son) in The Wall Street Journal here.


April 30, 2008 11:55 PM | | Comments (0)

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Dee Dee Bridgewater
Red Earth: A Malian Journey (DDB Records/Emarcy/Universal) Despite her place in the top rank of American jazz vocalists and her crossover success, Dee Dee Bridgewater has often felt displaced. "I'm always trying to fit in somewhere," she once told me. This new disc, which finds Ms. Bridgewater and her band in collaboration with a cast of Malian musicians and singers, is no further pose:
David Murray Black Saint Quartet featuring Cassandra Wilson Sacred Ground (Justin Time) 
Long among the strongest, most adventurous reedmen in jazz,
Joe Zawinul Brown Street (Heads Up) 
The list of great Viennese composers must include Zawinul--same for the honor roll of jazz innovators.
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