Dave Dudley, Colm Tóibín, and little white pills


Knowing thyself is the point of “Six Days on the Road,” that classic trucker song from 1963. Really, it’s true. All that country singer Dave Dudley wants to do is get home to his baby. So he blasts through speed zones, dodges weigh stations and avoids the state patrol. To get through the long night, he takes some little white pills. Now his “eyes are open wide.”

So is his mind. The solitude, uppers and time on his hands lead inevitably to moments of self-revelation. As a man alone on the road, the last of America’s rugged frontier, he could have a lot of women. He has that freedom — and that power — but he knows it can’t be. He’s not afraid his sin will find him out. He just knows his place. “I could never make believe it’s all right.” So he’s going home. Six days away from baby is long enough.

Freedom to explore who you are, and who you will become over time, is inconceivable to Eilis Lacey, the young adult heroine of Colm Tóibín’s charming, witty and unsentimental new novel, Brooklyn (Scribner, 272 pages, $25). Growing up in the small Irish town of Enniscorthy in the 1950s, she fully expects to follow in mother’s footsteps — school, marriage, kids. Life for Eilis is easy to anticipate, like the mist rolling in every morning from the Irish Sea.

The whole story in the New Haven Advocate (plus Hartford Advocate, Fairfield County Weekly) …

May 21, 2009 9:55 PM | | Comments (0)


Leave a comment


About this Entry

This page contains a single entry by FlyOver published on May 21, 2009 9:55 PM.

Denis Johnson, the new Dickens was the previous entry in this blog.

BOA and Wachovia pull down names at Spoleto is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Ads

AJ Blogs

AJBlogCentral | rss

About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
critical difference
Laura Collins-Hughes on arts, culture and coverage
Richard Kessler on arts education
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
Focus on New Orleans. Jazz and Other Sounds
Doug Ramsey on Jazz and other matters...

Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
Creative Destruction
Fresh ideas on building arts communities
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Harvey Sachs on music, and various digressions
Bruce Brubaker on all things Piano
Kyle Gann on music after the fact
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world

Aesthetic Grounds
Public Art, Public Space
Another Bouncing Ball
Regina Hackett takes her Art To Go
John Perreault's art diary
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Creative Commons License
This weblog is licensed under a Creative Commons License.