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How many True Fans do you have?

How do you make a living as an artist? In the old mass-culture model you needed a distribution and marketing engine that could fire up on your behalf to reach as many people as possible. Sell a million albums and if your take after the record company, agents and managers get their share is a buck or two, you're doing pretty well. In the new economy, how many fans do you need to make a living? If you can produce and distribute your own work, Kevin Kelly suggests, all you need is 1000 true fans. Instead of trying to reach the narrow and unlikely … [Read more...]

Beware the mushy middle

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The NYT's Charles Isherwood writes about what he calls the "odd-man-out" syndrome: This can roughly be described as the experience of attending an event at which much of the audience appears to be having a rollicking good time, while you sit in stony silence, either bored to stupefaction or itchy with irritation, miserably replaying the confluence of life circumstances that have brought you here. ("Curse that Isherwood!")I'd like to offer a related disorder, one that particularly affects critics. Go to a lot of dance or music or theatre and you … [Read more...]

We’re All For Technology Except When…

Nick Carr has a great post about the course of technology development. Progress doesn't always go the way we think it ought to (even if we're right).Progress may, for a time, intersect with one's own personal ideology, and during that period one will become a gung-ho technological progressivist. But that's just coincidence. In the end, progress doesn't care about ideology. Those who think of themselves as great fans of progress, of technology's inexorable march forward, will change their tune as soon as progress destroys something they care … [Read more...]

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