Week
of October 21-27, 2002
1.
Special Interest 2. Dance
3. Media 4. Music 5. People
6. Publishing 7. Theatre
8. Visual Arts 9. Arts Issues
10. For
Fun ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
WHY
DOWNLOADING MAKES GOOD BUSINESS SENSE: Recording artist Janis Ian says that
recording companies are wrong about downloading piracy. "Attacking your own
customers because they want to learn more about your products is a bizarre
business strategy, one the music industry cannot afford to continue. On the
first day I posted downloadable music, my merchandise sales tripled, and they
have stayed that way ever since. I'm not about to become a zillionaire as a
result, but I am making more money. At a time when radio playlists are tighter
and any kind of exposure is hard to come by, 365,000 copies of my work now will
be heard. Even if only 3% of those people come to concerts or buy my CDs, I've
gained about 10,000 new fans this year." USAToday
10/24/02 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
STRIVING
TO THRIVE: Les Grands Ballets Canadiens de Montreal is one of Canada's major
dance companies. But it's currently in reduced circumstances, and most of its 35
members have been with the company only a few seasons. "Depending on how
one looks at it, Les Grands can be thought of as either the most versatile or
the least consistent of Canada's major ballet companies." Toronto
Star 10/19/02
IS
DEREK DEANE RIGHT FOR THE ROYAL BALLET? Who will be the Royal Ballet's next
artistic director? "Typical wish-lists can be broadly divided into three
categories: superstars, old boys and wannabes. Big names such as Mark Morris,
Mikhail Baryshnikov or ABT's Kevin McKenzie might have international cachet but
the house's arcane management structure and its reputation for ancestor worship
might prove hard to bear." So what about cheeky former English National
director Derek Deane? The Telegraph (UK) 10/22/02
IF
IT WALKS LIKE A DUCK... The Twyla Tharp/Billy Joel project now on Broadway
is playing in a theatre theatre, writes Clive Barnes. "But if it looks like
a ballet, sounds like a ballet, feels like a ballet and dances like a ballet -
it is a ballet, the first full-evening Broadway ballet, at least since Matthew
Bourne's Swan Lake a few years back got Broadway's feet wet. No praise
can be too high for the dancing." New York Post
10/25/02
ABT,
BACK AND BETTER THAN EVER? It was only a year ago that the future of the
American Ballet Theatre seemed decidedly uncertain, with lawsuits and backstage
infighting overshadowing what should have been a period of celebrated artistic
growth within the company. But these days, with a new management team in place
and cooler heads prevailing, the ABT is reintroducing itself to the American
dance scene, with a well-reviewed New York production celebrating the diverse
music of Richard Rodgers and George Harrison. Chicago
Tribune 10/27/02
- ABT'S
NEW BEATLES HIT: "American Ballet Theatre's tribute to George
Harrison, Within You Without You, given its world premiere at City
Center last weekend, is not the first Beatles ballet, but it is the most
ambitious. What could have been a gimmick has emerged as a signature piece
for ABT." New York Post 10/25/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
WHERE'D
THE ART GO? Movies have always been entertainment. But also art.
"Lately, though, the word 'art' is scarcely mentioned in discussions about
films in this country, even where you might most expect it, namely independent
cinema. The reasons are complex but include the decline of fine art in
middle-class life and our love affair with the most trivial aspects of
entertainment culture." San Francisco Chronicle
(LAT) 10/25/02
BAD
NEWS FOR BRIT FILM: The British film industry is officially in a slump. In
the last year, the UK's Channel Four closed its film production business, and
less US investment in British film has resulted in fewer movies being made
overall - 40% less than last year, in fact. But the British Film Council is not
ready to throw in the towel, and insists that the industry will rebound. BBC
10/25/02
NEW
RESPECT FOR BOLLYWOOD? "Although India has a film industry that goes
back a century and produces more than 800 films a year, Bollywood filmmakers
often complain their work is not taken seriously by either critics or the larger
global audience. With their heavy reliance on musical numbers and formulaic
plots about star-crossed lovers, popular Indian movies have rarely won critical
applause." But recently Bollywood seems to be winning more respect away
from home. What people have become aware of recently is that the way Bollywood
deals with similar plot lines is interesting. It has become far more acceptable
to think that melodrama is a viable form of art, and not just a failure of
art." National Post 10/25/02
- BOLLYWOOD
DOWN: India's Bollywood, home to the largest film industry in the world,
has lost $30 million since the beginning of the year. "Both producers
and distributors have been hit by the ongoing economic downturn, and that
producers have faced falling profits from the sale of music, satellite and
overseas rights." BBC 10/22/02
LISTENING
TO THE WEB: Most popular TV series are tracked by scores of websites - an
official one run by the network; the others run by fans - that dissect the
content of every episode. It would be simple to underestimate the intensity with
which Web sites fetishize TV programs - and the impact they have on the show's
creators. It is now standard Hollywood practice for executive producers (known
in trade argot as 'show runners') to scurry into Web groups moments after an
episode is shown on the East Coast." New York
Times Magazine 10/20/02
INTERACTIVE
TV ON YOUR PHONE: "Text messaging has recently overtaken Internet use
in Europe. One of the fastest-growing uses of text messaging, moreover, is
interacting with television. Figures show that 20% of teenagers in France, 11%
in Britain and 9% in Germany have sent messages in response to TV shows." The
Economist 10/18/02 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
4. MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
THE
NEW WAVE: "Every half century, history rolls at us another wave of
composers who will change the way music is heard and played. At the beginning of
the 20th century came Debussy and Schoenberg, soon joined by Bartok and
Stravinsky. In the 1950's, those arriving ranged from John Cage to Milton
Babbitt. Now it is time for another great sweep, perhaps going in even more
diverse directions and prompted from farther out on the periphery. The 20th
century's revolutions were led from Europe and then the United States; now may
come the turn of China, Australia and Latin America." Exhibit A may be
Argentinian composer Osvaldo Golijov. The New York
Times 10/27/02
- IS
NEW MUSIC FINALLY POPULAR? Ever since the modernist and serialist
movements of the mid-20th century, conventional wisdom has held that the
concertgoing public cannot abide new music, and that any effort to program
modern works must be counterbalanced with a healthy dose of 'safe' classics.
But with the rise of accessible (and yet unquestionably serious) composers
like John Corigliano, how can anyone still claim that new music is
unpopular? Philadelphia Inquirer 10/27/02
HOUSE
BAND: "House concerts are exactly what those two words say - concerts
that people hold in their houses - and they've become something of a nationwide
phenomenon during the past 10 years. While there has always been live music in
homes - classical drawing room salons, rural front-porch hoedowns, Harlem rent
parties, rock bands in basements - the current style of house party has
flourished because of a confluence of circumstances, the primary one being the
graying of the baby boomers..." Washington Post
10/25/02
THE
MODERN ORCHESTRA MODEL: With orchestras collapsing and gasping for breath
all across the continent, the San Francisco Symphony is firmly in the black,
artistically sound, and universally acknowledged to be one of the most musically
daring ensembles in the world. Is it the ultra-trendy city? The dynamic and
flashy music director? Don't fool yourself: the SFS is where it is due to
prescient long-range planning, an unswerving commitment to its audience, and a
top-notch management team which foresaw the economic collapse five years before
it happened, and had a 'Plan B' ready to roll. Dallas
Morning News 10/27/02
ON-AIR
WOMEN: Women artists have always had a tough time getting airplay on
American radio stations. Until very recently, most stations had a rule of not
playing back-to-back songs by women. Now 12 of the Billboard Top 20 songs are by
women artists. But while it's better, critics still claim bias. "It's
indicative of the industry that programmers don't think that men, and especially
boys, are interested in hearing what women have to say unless it's a sexy
song." Christian Science Monitor 10/25/02
HARD
TIMES AT PRODIGY CENTRAL: You know the music industry has hit hard times
when the president of the Juilliard School is saying things like "I'm just
as much thrilled if someone gets a job teaching junior high school music as if
they get a job in the Chicago Symphony." Joseph Polisi also indicated that,
with the job market in music tighter than ever, it will be essential for young
musicians to find new ways of bringing music to the public if the form is to
survive. Star Tribune (Minneapolis/St. Paul)
10/23/02
WHAT
HAPPENED TO THE ORCHESTRA BOOM? Only five years ago, many North American
orchestras were convinced that the future was bright. New concert halls
abounded, and ticket sales were up continent-wide. These days, though, it is a
rare orchestra which isn't struggling in the grip of crippling deficits, and
many smaller orchestras are finding themselves on the precipice. Case in point:
the Edmonton Symphony Orchestra. Edmonton Journal
10/24/02
COPYRIGHT
HYSTERIA: "People auction everything from stereo equipment to World
Series tickets to used software on eBay. Why, then, did an indie musician who
tried to hawk his own band's CD get fingered by the site as a copyright
violator?" Wired 10/24/02
CHICAGO
SYMPHONY DEFICIT: The Chicago Symphony reports a $6.1 million deficit for
last season. The orchestra notes "challenging economic conditions,'' and
says that "even record-breaking contributions to the annual fund could not
close the 'widening imbalance' between operating revenues and expenses." Chicago
Sun-Times 10/23/02
CANADA'S
THRIVING CLASSICAL MUSIC RADIO: While classical music radio has been dying
out in the United States in the past decade, "in Canada, looking over the
last 20 years, there has been an obvious growth in the appetite for classical
programming, as well as jazz, on FM radio." La
Scena Musicale 10/22/02
COMMITMENT
TO NEW MUSIC, WYOMING STYLE: The Cheyenne [Wyoming] Symphony is a long way
from a major city. But the orchestra decided to present a program of music by
composer John Corigliano. The orchestra invited Corigliano to town for three
days, found underwriting and sponsorships, and sold out the city's 1,500-seat
civic center. "The concert was greeted with cheers, whistles and cascades
of applause. Quite simply, it was a success in every way." Denver
Post 10/22/02
NJ
SYMPHONY RUNS DEFICIT: The New Jersey Symphony ran up a deficit of $1.1
million last season. Alarmingly, the figure is about 7 percent of the
orchestra's total budget. "The economy has basically moved orchestras from
experiencing small surpluses to experiencing small deficits. I anticipate it's a
short-term phenomenon." Newark Star-Ledger
10/18/02
JUST
SHUT IT DOWN: "The fact is that big orchestras are done for. Gonzo.
They're an anachronism, an all-but-dead corpse kept on life support by tax
dollars and an ever dwindling group of philanthropists and ticket buyers."
Just shut them down. Calgary Herald 10/18/02
OPERA
IN L.A. - MISSED OPPORTUNITIES? A few years ago opera was a hot ticket in
Los Angeles, particularly among the under-30 crowd. Now? "Did opera turn
out to be another pop-cult fad, or did the L.A. company blow the opportunity to
capture this most sought-after demographic?" Los
Angeles Times 10/17/02
KNOWING
WHEN TO QUIT: "Performing is a physical activity, and time takes its
toll on the human body: on breath support, on lips, on strength, on
coordination, on sight and hearing. Like athletes, singers and instrumentalists
eventually have to come to terms with the fact that they can't do certain things
as well at 60 or 70 as they did at 20 or 30. It's easy to stay too long, and
those who do risk undermining their legacies." St.
Louis Post-Dispatch 10/20/02
HOW
TO STAGE AN OPERA IN 36 HOURS: The saga leading up to the Kirov Opera's
appearance in Los Angeles this week has been, well, operatic - cancellation of
the originally scheduled opera, sets that floated away to Asia in a dockworkers'
strike... This week the company itself showed up in LA. "The full dress
rehearsal is scheduled for 7 p.m. and for the half hour leading up to it, it is
difficult to imagine that somewhere within this building there is a 280-member
opera company. The halls are silent, backstage is silent, the makeup people sit
outside the silent wardrobe rooms, waiting, not really knowing what is going to
happen next..." Los Angeles Times 10/25/02 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
5. PEOPLE http://www.artsjournal.com/Arts%20beat.htm#people
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ADOLPH
GREEN, 87: Adolph Green, half of a songwriting team with Betty Comden, has
died. "The best Comden and Green lyrics were brash and buoyant, full of
quick wit, best exemplified by New York, New York, an exuberant and
forthright hymn to their favorite city. Yet even the songwriters' biggest pop
hits - The Party's Over, Just in Time and Make Someone Happy -
were simple, direct and heartfelt." Nando Times
(AP) 10/24/02
BELLESILES
RESIGNS FROM EMORY: "Historian Michael A. Bellesiles, author of a
controversial 2000 book on gun ownership in early America, resigned from Emory
University in Atlanta yesterday after a devastating indictment of his research
was made by an outside committee of scholars... Mainstream scholars raised
questions [in 2001] about research Bellesiles did into probate records. His
credibility problems were compounded when he said that he had lost all of his
research notes in a flood at Emory." Boston
Globe 10/26/02
CAMELOT'S
KING PASSES: "Richard Harris, the voluble Irishman who starred as King
Arthur in the film version of "Camelot" and more recently played Albus
Dumbledore, the wise, magical and benign headmaster in the first Harry Potter
movie and its forthcoming sequel, died yesterday in London. He was 72." The
New York Times 10/26/02
HOUELLEBECQ
CLEARED BY FRENCH COURT: French writer Michel Houellebecq has been cleared
of inciting racial hatred by saying Islam was 'the stupidest religion'. A panel
of three judges in Paris declared that the author was not guilty after he was
sued by four Muslim groups. He made the comments in an interview with the
literary magazine Lire in 2001. The case was seen as an important battle between
free speech and religious conservatism." BBC
10/23/02
DRABINSKY
CHARGED: Theatre producers Garth Drabinsky and Myron Gottlieb have been
charged with 19 counts of fraud in Toronto arising from the loss of half a
billion dollars to his investors. "One thing even his most unforgiving foes
would have to admit is that unlike, say, the disgraced executives in the Enron
scandal, Drabinsky was never primarily motivated by an appetite for personal
wealth. Throughout his spectacular rise and fall at Cineplex Odeon in the 1980s
as well as his tragic second act at Livent in the 1990s, it was always clear
Drabinsky was chasing a much bigger dream than money." Toronto
Star 10/23/02
THE
MAN CHALLENGING COPYRIGHT: Eric Eldred is a quiet, unassuming man. But his
case before the US Supreme Court challenging the 1998 copyright extension law
could change the course of creative history. "At 59, he is unassuming, shy,
and soft-spoken. Yet his passion for publishing on the Internet is unmistakable.
He envisions a society in which literacy and democracy are advanced through the
online dissemination and discussion of great literature. Literature, he says,
should not be 'locked up in a library and accessible [only] to high priests of
academia ... People have as much power as a printing press' in their own
computers." Chronicle of Higher Education
10/25/02
SD
GLOBE THEATRE HIRES SPISTO: Louis Spisto has been named executive director
of the Globe Theatres in San Diego. Spisto is former exec director of American
Ballet Theatre and the Pacific Symphony. "Spisto resigned from ABT under
pressure in 2001, after several staff resignations, rocky relations with some
board members, and an ousted employee's claim of sex and age
discrimination."But the Globe says: "The controversy "doesn't say
as much about Lou as it does about that organization, which has a history of
dysfunctional situations with its leaders."
Los Angeles Times 10/23/02
GREATEST
BRITON EVER? Who is the greatest Briton ever? The BBC is taking a poll. Of
the finalists, "only three of the top 10 are from the 20th century - John
Lennon, Winston Churchill and Princess Diana. Three are scientists or engineers
- Brunel, Darwin and Newton - and three are national leaders - Cromwell,
Elizabeth I and Churchill." BBC 10/20/02 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
6. PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ARE
WRITERS THE NEW POP STARS? "There’s a sense among young people and
those who make it that fiction can be central to the culture. There was a
conventional wisdom among the older generations that it was a marginalized
endeavor. To see it be a central cultural product for kids today, that’s all
to the good. The only caveat is the problems that being a rock star or any kind
of celebrity sensation presents." New York
Observer 10/23/02
REJECTING
A WINNER: Yann Martel's Life Of Pi won the Booker Prize this week.
But when he was looking for a publisher, five top London firms turned him down.
"It is embarrassing for the editors concerned. I understand how they must
be feeling today. But you know, this sort of thing happens all the time with
serious fiction in particular, where taste and sensibility are what matters. Of
course, it is very gratifying when your own judgment and belief in a book's
greatest proves correct." The Guardian (UK)
10/24/02
SEBOLD'S
SUCCESS: The publishing industry, like most entertainment cultures, does not
like surprises. The best-sellers are supposed to be written by brand-name
authors and fluffed up by expensive marketing campaigns. But once every few
years, a book manages to break through the PR wall and sell like gangbusters
simply because, well, it's a great book. Enter Alice Sebold, and her self-made
bestseller The Lovely Bones. Washington Post
10/24/02
MARTEL
WINS BOOKER - AGAIN: Canadian writer Yann Martel has won this year's Booker
Prize. He quickly denied that the fact that three Canadian writers made the
Booker shortlist consituted a literary movement. "It's happenstance that
there's three Canadian writers." This is actually Martel's second time
winning the booker in the past week. Last week the Booker website briefly
declared him the winner; that announcement was dismissed as an error by Booker
judges. BBC 10/23/02
- THINKING
ABOUT CANADIAN WRITING: Martel's book was greeted with good but not
great reviews in Canada, but was an instant hit with British critics.
"I hope this award will encourage us to think of Canadian literature in
a different light, to respond more positively to adventurous, playful, yet
intellectually serious strains of writing." Toronto
Star 10/23/02
DISCOVERING
HEMMINGWAY: Last March, in a small house in Cuba, "a delegation of four
Americans found what they described as a jackpot: file cabinets and boxes filled
with thousands of pages of Hemingway's original manuscripts, rough drafts and
outtakes from great works, handwritten letters of love and anger, notes in
English and Spanish, and thousands of photographs." The trove should reveal
much about the last third of the writer's life. San
Francisco Chronicle 10/23/02
AN
EIGHTH HARRY POTTER? JK Rowling has always said that there would be seven
Harry Potter books. But Warner Brothers has copyrighted not only the next three
titles, but a fourth as well. "The new titles are book five (Harry
Potter and the Order of the Phoenix) plus Harry Potter and the Pyramids
of Furmat, Harry Potter and the Chariots of Light and Harry Potter
and the Alchemist’s Cell." The Scotsman
10/21/02
- NO
EIGHTH HARRY: JK Rowling's agent has denied there are any plans for an
eighth Harry Potter. "There is absolutely no truth in the story that
either there is going to be an eighth book in the series or that these
titles are genuine title for the sixth and seventh books." BBC
10/22/02
THE
NYer'S NEW FICTION EDITOR: Deborah Treisman, a "32-year-old prodigy
little known outside the literary world," has been named the new fiction
editor of the The New Yorker magazine, succeeding Bill Buford in one of
the most important fiction editing jobs in the literary world. "I suppose
it is not wrong to say that that I am interested in younger, more experimental,
edgier voices." The New York Times 10/21/02
WHOSE
BACKLASH IS IT ANYWAY? Is a backlash forming against today's young trendy
literary writers? The signs are all there. But look a little closer - the "
'backlash' being forecast is against a group of writers who started by
exploiting a 'backlash' of their own devising." MobyLives
10/21/02
A
TRADITIONAL GG: Canada's Governor General Book Award finalists were
announced Monday. There were no first-time authors, no edgy, risky new voices on
the fiction list. The shortlist includes The Case of Lena S. by David
Bergen (M & S), Exile by Ann Ireland (Simon & Pierre), The
Navigator of New York by Giller nominee Wayne Johnston (Knopf), A Song
for Nettie Johnson by Gloria Sawai (Coteau) and Unless by Carol
Shields (Random House), who is also a finalist for the Booker and the Giller. The
Globe & Mail (Canada) 10/22/02
CALIFORNIA
POET LAUREATE RESIGNS AFTER LIE: Quincy Troupe, California's first poet
laureate, who was appointed last June, has resigned after it was discovered he
had lied on his official resume. "His curriculum vitae says he graduated
from college, but he didn't. Troupe, a professor of creative writing and
American and Caribbean literature at the University of California at San Diego,
is author of 13 books, including six books of poetry. 'He was extremely popular.
His work was fantastic. He was loved among his students. It's a shame'." Yahoo!
(AP) 10/19/02
TRIAGE
AMONGST THE STACKS: It's the hardest part of any librarian's job, and there
are many who think it shouldn't be done at all. But with space at a premium in
nearly every library, the process known as 'weeding' has become an essential, if
painful one. Which books to keep, and which to discard? Should lack of recent
readership banish a book from its space, or should decisions be made based on
quality, as determined by 'experts'? The debate goes on. The
New York Times 10/26/02
HANDICAPPING
THE NATIONAL BOOK AWARDS: This year's National Book Award fiction list
"lacks not only a clear favorite, but also a controversial anti-
favorite—think In America, by Susan Sontag, in 2000—that could
provide what contest-watchers live for: a big fat upset. Publicly, publishers
say nothing but nice things about the nominated titles. Privately, they bicker
and bitch about who’s been excluded. And who came blame them?" New
York Observer 10/23/02 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
7. THEATRE http://www.artsjournal.com/Arts%20beat.htm#theatre
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
KID
APPEAL: How to get kids interested in theatre? "It's clear that theatre
isn't as irrelevant to young people as we are often told. They're not alienated
by the actual art-form so much as the structures and habits they see imposed on
it by the adult world. Think high ticket prices, and hushed, hallowed
atmospheres. Think lack of novelty or urgency." The
Guardian (UK) 10/23/02
HOW
ABOUT TEAMSTERS AS TICKET-TAKERS? "Some London theaters are increasing
security in reaction to the siege of a Moscow theater by Chechen rebels, while
on Broadway additional measures also have been taken to ensure safety. But most
European theater operators said Friday they were satisfied with precautions
already in place." Los Angeles Times (AP)
10/26/02
BEING
TWYLA THARP: Critics have not been kind to the new Twyla Tharp-Billy Joel
collaboration slated to hit Broadway this week. Some writers, in fact, savaged
the production from top to bottom, and singled out Tharp as an artist who should
have known better than to get involved in such a collection of pop dreck. But
Tharp, one of the most respected choreographers of her generation, is determined
to make the show work, and seems fairly sure that the critics will come around. New
York Post 10/24/02
RSC
TO ADAPT RUSHDIE: The Royal Shakespeare Company has taken on adapting Salman
Rushdie's book Midnight's Children for the stage. Up til now the book has
been a jinx for anyone trying to adapt it. "The last attempt to transfer
the book from the page collapsed twice after first the Indian government, and
then the Sri Lankan authorities, caved in to Muslim fundamentalists and refused
the BBC permission to film there." The Guardian
(UK) 10/22/02 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
8. VISUAL
ARTS http://www.artsjournal.com/Arts%20beat.htm#visualarts
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ART
AS GLOBAL IMPULSE: Vicente Todoli takes over this month as the Tate Modern's
new director. He observes that internationalism is an important artistic
impulse. "Art has always been moved by individuals. Before businessmen,
artists were the precursors in breaking down frontiers. Globalisation is the
essential spirit of art. The world is wider today and art has always had an
openness of viewpoints because that is its nature. The only problem today is
tremendous commercialisation which is killing much creativity and controls the
mind of some artists who take decisions dictated by it." The
Art Newspaper 10/25/02
DEFENDING
THE COLLECTOR: "A group of American collectors has formed a new
organisation to defend the interests of private and public collecting. They see
threats to collecting coming from foreign countries, over-zealous law
enforcement and a public debate, which, according to them, has been driven by
the 'retentionist' bias of many archaeologists." The
Art Newspaper 10/25/02
THE
GREATEST ARTS PATRONS OF ALL TIME: It seems safe to say that the world will
never again see a family like the Medicis, who held up the financial end of
artistic achievement in Europe for more than 500 years. Without the Medici
family, there would have been no Michelangelo, very little of Galileo, and the
Rennaissance might have been little more than an average movement in the history
of art. A new exhibit in Chicago focuses on the last glory days of the Medici,
with more than 200 works on display. Chicago Tribune
10/27/02
EVERYTHING
(EUROPEAN) MUST GO: As part of its new mission of focusing its collection on
American art, the Pennsylvania Academy of the Fine Arts is auctioning off 34
works by Europeans artists next week, with the proceeds to be used to beef up
the academy's American collection. "The consigned works... are with several
exceptions by relatively obscure and unfashionable artists, and only a few carry
estimates of more than $100,000." Philadelphia
Inquirer 10/23/02
REVOKING
FREE ADMISSION? London's Natural History Museum saw a 70 percent increase in
attendance last year after it dropped entry fees. In return for free admission,
the British government promised museums more money. But "museum bosses have
told MPs the extra volume of visitors is costing them £500,000 ($773,000) a
year more than they receive in return for giving up charging." So the
museum is thinking about reinstating the entry fees... More museums may follow,
given the government's disappointing funding promises earlier this week. BBC
10/24/02
LOOTING
THE CRADLE OF CIVILIZATION: "Since Iraq's defeat in the Persian Gulf
War in 1991, thieves have been stealing anything they can Because Iraq's
antiquities bureaucracy collapsed after the war and even today only is a
fraction of what it once was, the country's 10,000 known ancient sites - plus
many more yet to be documented - have been easy targets for the last decade. The
frenzy of looting has panicked experts on ancient Mesopotamia, long seen by
scholars as the cradle of the first civilizations." Detroit
News 10/23/02
STATUES
DAMAGED BY CLEANERS: Four busts of Great Britons Isaac Newton, William
Hogarth, Joshua Reynolds, and John Hunter have stood watch over London's
Leicester Square in central London for almost 130 years. They have survived war,
pollution and the elements. But not, apparently, a restoration cleaning in the
early 1990s. "It appears the cleaners used a highly corrosive, concentrated
solution of hydroflouric acid. If the busts are left outside, they will continue
to deteriorate. Within two decades they could be just meaningless lumps of
rock." The Guardian (UK) 10/24/02
MUSEUMS
ATTACK LOW FUNDING PROMISE: UK museum directors fretted yesterday after a
government announcement that £70 million in funding would be allocated to the
country's museums. "A government-sponsored report found that, unless £167
million was found, many institutions with world-class exhibits would be pushed
into irreversible decline. The response from museums was angry and swift." The
Guardian (UK)10/23/02
- BRITISH
MUSEUM GETS CASH: The British government announces a £70 million
funding package for the British Museum and regional museums. The BM's
financial crisis has been so bad it has had to close galleries and reduce
hours as it deals with a large deficit. "The BM will receive £36.8m,
with an extra £400,000 in 2003 to re-open the Korean Galleries and others
currently closed." BBC 10/22/02
GETTY
CAN EXPAND VILLA: After the Getty Museum moved into its new home in 1997,
the museum announced plans to add an outdoor theatre to the Getty's former
headquarters in its Malibu villa. Neighbors sued to block the plan. Now a judge
has ruled in the Getty's favor. In addition to the theatre, "the villa
complex would grow to 210,000 square feet, including a new restaurant to replace
the site's old tea room, expansion of the bookstore and renovation of museum
galleries for display of the Getty antiquities collection." Los
Angeles Times 10/23/02
AUSSIE
ARTS COUNCIL EXPLORES ARTIST TRUST ACCOUNTS: The Australian Arts Council is
investigating the idea of setting up trust accounts for artists. Gallery sales
would be deposited into the accounts directly for the artists. "There are a
whole range of other businesses and services that require that the intermediary
- the real estate agent, the travel agent, the lawyer - holds funds in a trust
account. The point is, if a work has been sold then the value of that work, less
the agent's fee, is the artist's money." Sydney
Morning Herald 10/22/02
THE
GREAT PAINTING CONTEST: In the 16th Century on of the most extraordinary
public art collaborations ever, teamed Michelangelo and Leonardo to paint side
by side paintings in the Council Hall of the Palazzo Vecchio in Florence. Art
historians call the project "the turning point of the Renaissance."
But Giorgio Vasari, the famous chronicler of Renaissance painters' lives, had
the wall painted over, obliterating the art... The
Guardian (UK) 10/22/02
THE
PRADO'S INVISIBLE RENOVATIONS: Madrid's Prado Museum is in the middle of a
$45 million renovation. "The Prado will belatedly join a host of other
museums, from the Louvre in Paris to the National Gallery in Washington, that
have built annexes for art and assorted services. But the Prado is different: it
wants its $45 million extension to go largely unnoticed." The
New York Times 10/21/02
IN
PRAISE OF THE BILBAO EFFECT - FIVE YEARS ON: Frank Gehry's Bilbao Guggenheim
Museum is five years old. "The Bilbao effect is viewed by many as a triumph
of style over substance, a type of global branding that used to be confined to
items such as fashionable shoes and whatnot. And the style itself - especially
the 'signature' buildings whose complex, odd-looking forms could never have been
designed and built without the aid of advanced computer technology - is
considered highly suspect." Washington Post
10/20/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
9. ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
THE
DANGER OF LOWBROW: Most people consider lowbrow entertainment to be a guilty
pleasure, certainly not terribly enriching, but not particularly harmful,
either. But Michael Berkely thinks that our appetite for mindless entertainment
is destroying serious, challenging art: "Labels and classifications tend to
lead to preconceptions; in any case, a huge amount of art defies category. But I
do differentiate between entertainment and what I call Hard Art, between Big
Brother and Wozzeck, if you like." The Guardian
(UK) 10/26/02
BUSH
APPOINTS NEW NEA CHAIR: President George Bush has nominated poet Dana Gioia
as the next chairperson of the National Endowment for the Arts. "Gioia, 51,
won this year's American Book Award for his third book of poems, Interrogations
at Noon. His best-known book, Can Poetry Matter?, is a study of
poetry in modern American culture." Nando Times
(AP) 10/24/02
GETTING
DOWN: How do American arts groups cope with a down economy? "Museums
make cutbacks, reduce budgets, lay off personnel. Symphony orchestras search for
new donors, new ways to get cash. A theater group pulls back its cast sizes. A
big city opera cuts salaries of its top directors. This is the drama of making
the arts work in a slowing economy... Seattle
Post-Intelligencer (AP) 10/24/02
RETURN
ON INVESTMENT: A new study of the Denver arts scene reveals what several
other recent surveys have concluded on a national level to be true for the local
area as well: the arts are a darned good investment of public funds.
"Cultural revenue was $208 million, half earned through ticket and other
sales and the other half through contributions and cultural tourism generated
$139 million, including attracting 860,000 visitors from outside the
state." Denver Business Journal 10/22/02
HIGH
ART'S LOW AMBITIONS: Robert Brustein is pessimistic about modern culture.
"We are witnessing the not-so-gradual disappearance of what used to pass
for American high art, whether we are talking about performing arts or serious
literature or classical music or the visual arts. When ruled entirely by profit,
the quality of art is bound to the client and so is any openness to risk or to
adventure. The days are over, I think, when publishers took chances on good
writers who were unknown or difficult in order to bring distinction to a list
dominated by bestsellers." Partisan Review
10/02
CANADIAN
ARTS DOWN: The 1990s were a terrible decade for Canadian arts institutions.
A new study reports that attendance and funding were down, while expenses went
up. The number of performances and exhitions fell. "Total attendance
dropped by five per cent in the decade, to roughly 13.3 million from 14 million.
At the same time, rising costs resulted in virtually all the country's largest
performing arts organizations - the Stratford and Shaw Theatre Festivals
excepted - reporting deficits." The Globe &
Mail (Canada) 10/22/02
AMERICANS
FOR THE ARTS SUES BANK OVER STOCK PORTFOLIO: The Washington-based arts
advocacy group Americans for the Arts has filed a lawsuit against a bank
charging it with negligence and breach of fiduciary duty. The group says the
bank failed to diversify a stock portfolio trust consisting entirely of Eli
Lilly stock, leading to the loss of $81 million from the trusts in nine months. Nando
Times (AP) 10/20/02
WHEN
PARIS WAS EXTRAORDINARY: What was it that made Parid the explosion of art it
became between the two World Wars? "If you wanted three words to define the
extraordinary period in the arts in Paris between 1918 and the end of the 1920s,
they would be 'energy', 'colour' and 'iconoclasm'." The
Guardian (UK) 10/18/02
BUST
FOLLOWS BIG BOOM: In the four years between 1997 and 2001, Orange County
California experienced an arts boom, says a new study. "According to the
survey, the take from paid admissions to museums, performances and arts
festivals soared 58.6% during the boom economy - from $29.5 million in 1997 to
$46.8 million in 2001. The number of paying patrons rose 37%, from 1.45 million
to 2 million. Donations to operating budgets grew 65.1%, from $29.8 million to
$49.2 million. With total income up 56.2%, the arts groups raised their spending
even more aggressively - by 58.9%. The number of full-time employees increased
40%, from 417 to 585." And then came the slowdown after 9/11... Los
Angeles Times 10/23/02 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
10.
FOR FUN http://www.artsjournal.com/Arts%20beat.htm#forfun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ WELCOME
(BACK) TO HONG KONG: "In August of 2000, some 10,000 classical
music fans in Hong Kong paid US$30 each to hear Russia's famous orchestra
play a series of concerts. By most all accounts the evening was a success,
with one local critic lauding the orchestra's 'exciting accelerandos and
heart-stopping rubatos.' The only problem was that the real Moscow
Philharmonic Orchestra was touring France, Spain and Portugal at the time.
A group of apparently cash-strapped musical imposters duped Hong Kong's
music aficionados." This week, the real Moscow Phil makes its
triumphant premiere/return to Taipei. Taipei
Times 10/25/02
THE
GREAT COVERUP: Two sculptures that Renaissance artist Gian Lorenzo
Bernini made for a church almost 350 years ago, have finally been
unveiled. "The two sculptures, which represent the virtues of Truth
and Charity, were designed by Bernini in the 17th Century for the chapel
of a Portuguese aristocrat, Roderigo de Sylva. They have been located in
the chapel since they were completed in 1663, but were deemed offensive by
religious leaders two centuries later, and covered up." BBC
10/25/02
THE
PAINTING PACHYDERMS: Zookeepers have long observed that elephants like
to pick up sticks and doodle in the sand. "Elephants are highly
intelligent animals who don't particularly like to stand around all
day." Now a group of Balinese elephants are painting and earning a
following (and cash). "Their work has been exhibited at several
museums worldwide. And recently, the handlers of a dozen or so painting
pachyderms in Asia formed a website. Within two months, sales broke
$100,000. Half of the profits go to elephant-rescue sanctuaries in
Southeast Asia." Christian Science
Monitor 10/25/02
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