Week
of July 1-7, 2002
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
10.
For Fun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
THE
"PROFIT" MOTIVE: "I used to think people made
films for profit. I know better now. Films are made to generate
income. If profit follows, well and good. But income can be
diverted - not to use a blunter word - whereas profit has to be
declared, shared, and have tax paid on it. Which is one reason why
many movies, earning box-office millions, do their best not to
come into profit too soon, if ever, by loading themselves with
distribution costs. But there is a class of film that can create a
profit even before it's made - and needn't ever be shown." London
Evening Standard 07/05/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
SCOTTISH
BALLET CHIEF WALKS OUT: Scottish Ballet's embattled director
Robert North has quit is contract a month before it was to end.
North has been critical of the company board's decision to
reinvent as a modern dance company. Glasgow
Herald 07/02/02
BETTER
LATE THAN NEVER: Katherine Dunham's name has never been as
immediately recognizable as Martha Graham's, but the 93-year-old
dancer/choreographer has contributed arguably as much as Graham to
the world of dance. An innovative choreographer, a quietly
political crusader, and a devoted student of African and Western
dance traditions, Dunham is finally starting to gain the
recognition many aficionados feel she has long been deserving of. Boston
Globe 07/03/02
THE
DOWN SIDE OF BEING THE TOP GUY: Christopher Wheeldon is
arguably the world's hottest choreographer right now. Does he have
any aspirations to run one of the big companies? "I see what
artistic directors are going through, and I think it must be one
of the worst jobs in the world. You never seem to be able to do
what's right for the company. If you're trying to push the
envelope, you're attacked for that. If you're a great advocate for
tradition, you are attacked for that." The
Age (Melbourne) 07/01/02
WANTED
- A GOOD EDITOR: How long should a dance be? Hard to tell -
and choreographers aren't always the best ones to know.
"Novelists submit to editors, and directors and playwrights
have dramaturges to help them maximize theatrical impact.
Filmmakers trust editors to make the final cut of movies. But
choreographers get no such formal assistance while work is being
created." The New York Times
06/30/02
RUNNING
OFF TO JOIN THE CIRCUS: For 15 years Sally Ann Isaacks was a
star of the Miami City Ballet. But along the way she began to want
something different. So she quit the ballet at the end of last
season and ran off to join the circus - performing with the Cirque
Du Soleil. Miami Herald 06/30/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
DVD's
RULE: CD sales might be in a slump, but DVD's are hot.
"Consumers are on pace to spend $11 billion on DVD sales and
rentals this year, making it the fastest-growing home-electronic
product ever. DVDs routinely make more money in their opening
weekend than comparable theatrical releases. Video games aren't
far behind, with sales reaching $6.3 billion last year, nearly
double what they were five years ago." Why? They've gotten
cheaper, and they're stuffed with cool features - unlike stodgy
CD's which are overpriced and the same-old same-old. Los
Angeles Times 07/02/02
BYE-BYE
INDEPENDENTS(CE): TV's independents - from stand-alone
producers to local stations - continue to disappear, swallowed up
by the entertainment industry's appetite for consolidation.
Several producers spent the early 1990s vainly sounding alarms
about this scenario, but the government has nevertheless spent the
past decade stripping away rules that prevented the big from
getting bigger, turning the producer-network game - never an
entirely fair fight to begin with - into the equivalent of Florida
State versus Sister Cecilia's School for Wayward Girls. As a
result, truly entrepreneurial program suppliers have mostly been
transformed into employees." Los
Angeles Times 07/03/02
THE
MOVIE SUMMER: The summer movie season is beating all box
office records. So far, from May 2 to June 23 box office is up
27.5% over last year. "A key factor this summer is that the
hit films are generally playing stronger and longer, unlike last
year, when spectacular first weekend grosses were followed by
drops of 50% or more in the second weekend." Los
Angeles Times 07/01/02
A
FIRST - CABLE BEATS BROADCAST: For the first time, all the US
cable channels combined have more viewers than all the combined
broadcast channels. Cable's trend of producing more original
series has helped boost the cable nets' numbers. Orange
County Register (NYDN) 07/02/02
RETHINKING
SYNERGY: When AOL merged with Time Warner to create the
world's largest entertainment conglomerate, the tech boom was
still on, synergy was the watchword of the financial community,
and the new behemoth was assumed to be an unstoppable juggernaut.
As it turns out, synergy in the world of mass entertainment may
not be all it's cracked up to be: "People relate much more to
the individual brands. They care about HBO, AOL, Time magazine.
They care about 'Harry Potter'... But it just doesn't matter to
them that all those things are tied together." Chicago
Tribune 07/07/02
THE
BOLLYWOOD METHOD: Bollywood is finding fans worldwide. Its
methods of making movies are unique. "It's the most organised
chaos in the world; nothing should work yet everything does. There
are no shooting scripts, no shooting schedules, no call sheets.
The crew may be phoned in the morning to shoot that day. Actors
work on several movies at a time and are often handed their
scripts five minutes before filming. This is to avoid someone
outside pinching the idea and making the same movie." The
Age (Melbourne) 07/05/02
THE
ENEMY R US: Do TV viewers have a "contract" with TV
producers wherein they agree to watch commercials in return for
programming? "Napster may—and I stress, may—have been
legitimately labeled piracy, but now all forms of consumerism are
being criminalized with ever-decreasing degrees of
credibility." Big media is losing control and as it does, is
treating its customers as criminals. "Name-calling is the
last resort of once powerful institutions that are finding
themselves losing control in the face of rapid media change."
MIT Technology Review 07/04/02
THE
TV FACTOR: The nature and tone of television has changed over
the years. Maybe not for the better? "TV, once expected to be
a polite guest in our living rooms, has turned into more of
drunken party-crasher. Sex, violence and language that in earlier
days would have triggered FCC threats and congressional
investigations is now routine." Chicago
Tribune 07/04/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
4.
MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
HIGH
TIDES RAISE TUNES: A "High Tide Organ" is being
installed on the waterfront in Blackpool England. Powered by
natural forces, "the organ will offer a concert-like
performance. With a few short peeps heralding the high tide, the
sea will lead up to the main show with a few intermittent notes
and chords. At the point of high tide, the organ will gloriously
strum out a rhythmic crescendo whose effect is supposed to be
similar to an aeolian harp. Vulnerable to mood swings just like
other artists, performances are expected to be wild and frenzied
on stormy days and softly mellifluous on calmer ones." Wired
07/01/02
- SOUND
OF WATER: A water organ built in the 16th Century at the
Villa d'Este in Italy was smashed in the 18th Century because
villagers disliked its sound. Now it's being restored.
"The organ works on a principle of creating air pressure
with the suction of water plunging down a pipe. The water
organ was one of the marvels of the Renaissance, but when it
fell into disrepair, the skills necessary to maintain it had
been lost." BBC 06/30/02
THE
KING OF MARKETING: Elvis is at the top of the charts all over
the world right now. Why? "In part, it has a lot to do with
the approach being adopted by the executors of Presley's estate
and a new marketing strategy by RCA Records. The single is the
first song Presley's estate has officially allowed to be remixed.
Still, the idea of pre-teens warming to a singer who, were he
alive, would be old enough to be their great-grandfather is kind
of scary." The Age (Melbourne)
07/01/02
MAJORITY
OF ORCHESTRA MUSICIANS PLAY HURT: An expert in stress injuries
who has studied orchestra musicians, says that "in any
orchestra performing on stage, 60 per cent (of people) will be
carrying some injury. Common injuries include muscle strain,
carpal tunnel syndrome, thumb strain, tendonitis and shoulder
injuries." Adelaide Advertiser
07/02/02
SEIJI
AT LENOX: No other orchestra in the U.S. has a summer festival
that even comes close to the prestige of the Boston Symphony
Orchestra's summer home at Tanglewood. Arguably a more beloved
institution than even the BSO's glorious Symphony Hall in Boston,
Tanglewood has long been a jewel in America's cultural crown. And
as Seiji Ozawa wraps up his tenure as head man at the BSO, even
the critics who so often clucked at his performances in Boston
admit that he has done more for Tanglewood than any BSO conductor
since Koussevitsky. Boston Globe
07/07/02
- BUT
WHAT ABOUT THE CHILDREN? Tanglewood is as much orchestral
academy as musical showpiece, and it was as head of the
center's summer school for young musicians and conductors that
Seiji Ozawa found himself unable to get any respect. "If
he wasn't present, or taking an active role in the school, he
was the absentee landlord who didn't give a damn. If he was
present, and throwing his weight around, he was
meddling." Boston Globe
07/07/02
THE
IMPERFECT MOZART: No composer is so enshrined as a monument to
musical perfection as Mozart. And yet, in reality, few artists
have embodied such a struggle between sniggering immaturity and
highly developed genius as the beloved Wolfgang. In fact, Mozart's
image has undergone multiple revisions over the centuries, with
musicians and scholars portraying him as everything from a flawed
and vulgar prodigy to a godlike purveyor of truth and beauty. The
truth, as usual, lies somewhere in between. The
Observer (UK) 07/07/02
MERGER
MANIA COMES TO UTAH: The respective boards of the Utah
Symphony and the Utah Opera will vote this week on a proposal to
merge the two organizations, amid much controversy about what
effect the merger will have on the direction of the Salt Lake City
arts community. It's not helping that the boards appear to have
created a supposedly objective analysis of the merger which was in
fact intentionally slanted in favor of the move, shortly after an
independent ombudsman blasted the idea. Salt
Lake Deseret News 07/07/02
WHERE
ARE THE BLACK MUSICIANS? "Since his breakthrough as a
teenage pianist 40 years ago, the virtuoso Andre Watts has, until
recently, been the only high-profile African-American performer in
the traditionally white world of highbrow music. Now, however,
classical concerts are beginning to show more racial
diversity." Christian Science
Monitor 07/05/02
YOUNG
JAZZ REVIVAL: Is jazz dying? Audiences might be small, but
"these days, both the artists in the world of jazz and the
audiences that listen to them are getting younger. Artists such as
Jane Monheit, Norah Jones, and Peter Cincotti are refreshing and
reshaping the world of jazz – in some cases with original
material, sometimes by incorporating pop in their repertoire, and
sometimes by hewing steadfastly to tradition." Christian
Science Monitor 07/05/02
FALL
OF THE GREAT TCHAIKOVSKY: "The main significance of the
2002 Tchaikovsky Competition was its staggering loss of
significance. This was, remember, an event that used to be a key
Cold War indicator, measuring Kremlin tolerance of western winners
and Russian losers. Winning the Tchaikovsky will mean little more
to this year's crop than a medal on the mantelpiece and a dollar
cheque - 30 grand for gold, 20 for silver. Privacy is no bad thing
for the victors, who will lead much happier lives; but for a
stressed-out music industry that relies on international
competitions for identifying marketable talent, the Tchaikovsky's
loss of impact is cause for near-panic." London
Evening Standard 07/03/02
LEAST
FAVORITE INSTRUMENT: In a survey, children rank the recorder
as their least favorite instrument. "The wind instrument was
the least favourite of musical instruments in a survey of 1,209
pupils carried out by Susan O'Neill of Keele University, even
though it was the one played by the largest number." The
Guardian (UK) 07/04/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
5. PEOPLE
http://www.artsjournal.com/Arts%20beat.htm#people
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
RAY
BROWN, 75: One of the most influential jazz musicians of the
20th century has died. Bassist Ray Brown revolutionized his
instrument's role in jazz, and was one of the creators of bebop.
He played with nearly every legend of the genre and was a founding
member of the Oscar Peterson Trio. He was still performing at the
age of 75, and was finishing up a U.S. tour at the time of his
death yesterday. Nando Times (AP)
07/03/02
PICTURING
BARYSHNIKOV: A new book tells dancer Mikhail Baryshnikov life
in pictures. But first he talks about a long career. "In this
country, there's so much dance, so much talent, so much choice.
American tradition of entertainment is very strong. We are
entertainers, you know, and there's nothing wrong with that."
The Plain Dealer 07/01/02
WINKING
AT THE TAX MAN: Tyco CEO Dennis Kozlowski is being
investigated for tax evasion on purchases of art he bought but for
which he didn't pay sales tax, claiming that the work was being
shipped out of New York. What gave him away? "Investigators
had obtained a fax which listed some of the paintings that were
being shipped to New Hampshire with the words 'wink wink' in
parentheses, indicating that the objects were not going to New
Hampshire but were instead going to Mr Kozlowski’s New York
address." The Art Newspaper
06/30/02
HARVARD'S
LOSS: James Cuno's departure as director of the Harvard
Museums to become director of the Courtauld Institute is
"certainly not glad tidings for Harvard, with its famously
ambivalent attitude toward art, especially of the contemporary
sort that Cuno has championed. There is fear now that the progress
Cuno has made will halt or even be reversed, that his agenda -
including plans for a new Renzo Piano -designed museum on the
banks of the Charles - will unravel." Boston
Globe 07/03/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
6.
PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
I,
REVIEWER: Thousands of "book enthusiasts, freelance
writers, doctors, lawyers and other professionals" are
writing reviews of books for book sites on the internet. They
don't get paid. And yet, some of them have as much influence on
book sales as professional critics. Why do they write? And better
yet - why do readers pay attention to them? Wired
07/01/02
NOT
WRITE: B.R. Myers, who got the literary world in an uproar
last year with an attack on the quality of contemporary
literature, is back. His critique is being published in book form.
"In A Reader's Manifesto: An Attack on the Growing
Pretentiousness in American Literary Prose (Melville House),
one-time Atlantic Monthly writer B.R. Myers claims that a vast
conspiracy between corporate publishing houses, mediocre writers
and mindless reviewers has robbed the nation of good, meaningful
books." New York Post 07/01/02
BOOKS
AS ART - WHAT A CONCEPT: As large publishing houses become
more and more focused on selling greater numbers of mainstream
books, a curious thing is happening - small publishers are taking
on classics and less-commercial books and finding they can be
profitable. Dalkey Archive Press has made a business for itself
with books the bigger presses won't touch. "A lot of
interesting things are becoming available because conglomerate
publishers treat books as a commodity, not as art objects." MobyLives
07/02/02
GOING
ALL LITERARY: The great literary supplements of the early 20th
Century helped define intellectual life. The Times Literary
Supplement was one of the best. But what happened, wonders a new
book on the supplement. "The TLS's earlier pieces on fiction,
poetry, and literary criticism—specifically Eliot's and Woolf's
essays—are by far its most impressive achievements; but some of
its more recent ones, bloated and nearly incomprehensible,
undoubtedly represent the paper's nadir." The
Atlantic 07/02
BORDERS
TO RESTRUCTURE: Book superstore Borders has announced a
restructuring of its business. "But in large part because the
plan is called 'category management,' some in the book world have
reacted with fear and suspicion, linking category management with
such notorious general retail practices as stores selling shelf
space and stocking control to suppliers, or big-box retailers
dictating to suppliers. Moreover, because part of the plan
involves publisher contributions to help fund consumer research
and training and the institution of 'lead' publisher partners in
many categories, some have concluded that the plan includes
preferential payments, misuse of co-op, and larger publishers
blocking smaller publishers' access to Borders's stores." Any
foundation to the fears? Publishers
Weekly 07/03/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
7. THEATRE
http://www.artsjournal.com/Arts%20beat.htm#theatre
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
THE
FUTURE OF BRITISH THEATRE: British theatre has been widely
perceived to be looking into the abyss recently. The West End has
struggled to maintain its position as one of the world's two most
important theatre districts, the scene has been invaded by
Hollywood types of dubious stage acting ability, and the Royal
Shakespeare Company appears to be running around like a headless
chicken. But things are not as bad as they seem, and in fact, UK
theatre may be on the verge of a rennaissance. A look back at the
last century of UK drama, both on and off stage, offers a view of
what is to come. The Guardian (UK)
07/06/02
- ALL
THIS, AND MADONNA, TOO: "At the start of the 21st
century, British theatre has never had quite so much variety
and multiformity. The old divisions between West End and
fringe, regional and metropolitan, text-based and visual or
physical theatre, new writing houses and other theatres,
indoor and outdoor, are thankfully crumbling away." The
Guardian (UK) 07/06/02
ACTING
JOBS DECREASED IN 2001: The number of movie and television
roles for Screen Actors Guild members dropped 9.3 percent last
year, with supporting actors among the hardest hit. There were
48,000 roles cast last year compared to 53,000 in 2000.
Nando Times (AP) 07/02/02
THEATRE
FOR ALL: Europe's first "fully inclusive" theatre
company utilizes actors of whatever background and whatever
physical handicap. "Most of the barriers as to what society
thinks a disabled person is aren't physical. Theatre carries with
it certain metaphors that relate to exclusion to underline a
character, like Richard III being a hunchback the dogs bark at.
That's historical, but I want to get to the point where it's
unremarkable to see a disabled person on stage, and if he's a crap
actor, then it's because he's a crap actor and not being judged
because he's impaired in some way." Glasgow
Herald 07/05/02
BOMBAY
TO NEW YORK? It looks like Andrew Lloyd Webber's Bombay
Dreams might survive its mixed reviews in London and stay
around for awhile. Producers are even talking about bringing it to
New York. Would it succeed? Some are skeptical. The show may work
in London where there's an Indian population of about 2 million
and where this summer Bollywood is being celebrated. But New York
has neither to help boost ticket sales. New
York Daily News 07/02/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
8.
VISUAL ARTS
http://www.artsjournal.com/Arts%20beat.htm#visualarts
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
SELLOUT:
Last month Italy passed a law that would allow the state to sell
off its assets to raise money. Does this include museums and
architectural heritage? The law's proponents say no. But there are
nagging questions, and a few unsavory loopholes... The
Art Newspaper 07/05/02
TAKE
YOUR FIRST PRIZE AND... Last week Randwick, Australia's
National Institute of Dramatic Arts building won Australia's top
architecture award for public building. But the building's
neighbors tell a different story, accusing the project of
"poor design, aesthetic ignorance and political maneouvring.
Randwick Council has denounced the NIDA site on Anzac Parade,
Kensington, as an 'utter disgrace', claiming that the back of the
building was causing problems for thousands of local residents.
The height of the building had also created an overshadowing
problem for residents whose backyards adjoin the site." Sydney
Morning Herald 07/03/02
THE
RISE OF ZAHA HADID: Iraqi architect Zaha Hadid suddenly has
some very big projects coming online. Like a megaproject in
Singapore named "one-north - the city lies one degree north
of the equator - the vast 200-hectare site will be home to a
massive science and technology quarter. Costed at £14 billion,
the masterplan will change the face of Singapore, and represents
the boldest bid ever made by the sparkling city to plan for the
future, to outsmart the awakening dragon of China." Financial
Times 07/02/02
HOME-WRECKERS:
Some 1,700 historic English country houses were destroyed during
the 20th Century, a shameful carnage visited upon the nation's
heritage. "The 1950s and 1960s were black decades for the
country house. Just under 300 houses are recorded as lost during
the 1950s, although the total is certainly higher; and the 1960s
tells a similar sorry tale. Fire was frequently the cause, but
demolition and deliberate abandonment, often by long-established
families, was another reason for their demise." The
Times (UK) 07/02/02
THE
NEED TO BE #1: Why is New York's Museum of Modern Art going
through the pain of relocation and rebuilding itself? "For
most of the 20th century, MOMA was the most energetic and
ambitious museum around, and was rewarded with many of the best
Cezannes, Picassos and Pollocks. Now, the ample spaces of Tate
Modern make a powerful pitch for their contemporary equivalents.
The new Moma will counter this, by offering its finest and most
prominent floor to contemporary art." London
Evening Standard 06/28/02
A
MOVE AT THE RIGHT TIME: The Museum of Modern Art's temporary
move out to Queens is more than a physical dislocation. "With
a long-serving chairman of the board stepping down, and two of its
curators gone to new jobs, this is a time of profound transition
for MoMA in every sense. One of the ironies of its move to Queens
is that it is there and in the borough of Brooklyn that the really
interesting new art in New York is being made and shown." The
Telegraph (UK) 07/03/02
OUT
OF AFRICA: Where was the first art made? Archaeologists have
long thought it was Europe. But a South African archaeologist is
"challenging the theory that artistic culture first developed
in Europe about 35,000 years ago, after people had migrated out of
Africa. He has dug up evidence which, he claims, shows that such
behaviour evolved over 70,000 years ago—and in Africa." The
Economist 06/28/02
WHAT
RIGHT'S RIGHT? Artist Rick Rush painted a picture of Tiger
Woods after he won the Masters. Woods sued, claiming that he had
not granted the rights for his image to be used. Now the case has
become a major test of where the rights of artistic expression and
celebrity licensing intersect, with major corporations, news
organizations and artists all weighing in. The
New York Times 07/04/02
IT'S
OUR BALL, AND WE'RE STAYING HOME: All around Europe,
governments have been grappling with the issue of how to protect
national artistic treasures obtained in times of war and pillage
against the legal assaults of families who, quite legitimately,
feel that the works belong to them. An exhibit of Czech works
scheduled to be shown in France has been called back by the Czech
government amid talk that a claim might be placed on the works by
a French family. Calgary Herald
07/06/02
TALE
OF TWO MUSEUMS: A new international museum dedicated to glass
art is opening in Tacoma Washington. The museum is a natural for
the area, but it's competing with a new art museum being built
just a block away. "Many in the arts community are wondering
how the two museums ended up in a neck-and-neck rivalry for
patronage and programming. Are they serving the best interests of
the public? And how will they avoid the kind of competitive
one-upmanship their opening exhibitions signal?" Seattle
Times 07/01/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
9.
ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
WHY
ARTISTS? Why do we hold artists to be special? "The vast
majority of artists will never be famous. Many will achieve
limited, parochial renown to be all but forgotten by posterity,
except maybe for family members, art society types, dedicated
collectors, traditionalist dealers, local or national art history
chroniclers: all strictly small-time. The condition for most
artists will remain relative anonymity and obscurity, but I stress
the word 'relative' here: being known and respected in a local
community carries its own weight, however insignificant against
the wider international benchmark. But then, why dwell on artists
anyway? What makes them so special compared to 'ordinary'
humans?" *spark-online 07/02
FREE
TO BE: The idea of "open source," as practiced by
some in the software world, is spilling over into the physical
world, with some new products giving away "proprietary
secrets." "In a world of growing opposition to corporate
power, restrictive intellectual property rights and globalisation,
open source is emerging as a possible alternative, a potentially
potent means of fighting back. And you're helping to test its
value right now." Alternet.org
07/01/02
WE
INTERRUPT THIS PROGRAM... Performing Arts, the program
magazine handed out at 40-50 major California performance venues
statewide, including the Dorothy Chandler Pavilion, Mark Taper
Forum and Ahmanson theaters, the Hollywood Bowl, Pasadena
Playhouse, and Orange County Center for the Performing Arts has
folded. It was a victim of the takeover of Stagebill by Playbill
last month. Theaters in New York, Chicago and other cities that
used Stagebill are scrambling to decide on new program book
services. "In light of the changes, representatives of
performing arts venues from around the country are organizing a
July 8 meeting in New York to discuss their options, including
self-publishing or negotiating new contracts with other
publishers." Los Angeles Times
07/02/02
NEXT,
THEY'LL TRY TO BAN WINE FROM FRANCE: The Italian Futurists of
the early 20th century were easily one of the most amusing
philosophical movements of the last 200 years. Given to sweeping
pronouncements and outlandish predictions about what the coming
epoch would bring, Futurists also had a habit of calling for the
destruction of beloved aspects of Italian society, such as
gondolas, opera, and Venice. But their most daring attack on civil
society may have been the day they tried to abolish pasta. The
Telegraph (UK) 07/06/02
WE
DECLARE A THUMB WAR: What happened to the culture wars?
There's as much offensive culture out there as there has been.
"Whatever happened to the age-old culture spaz-out that's
been a staple of pop since Elvis learned to undulate in the '50s?
The tango between stars and their exasperated detractors has
followed a clear pattern: The artists allegedly push the
boundaries of taste and the critics splutter, usually to the
benefit of the artists, who get tagged as controversial, which
invariably stirs sales." But nothing - despite some
high-level provocations... Washington
Post 07/02/02
CULTURE
- AN ESSENTIAL INDUSTRY: In Korea "it has been strongly
argued that the culture industry should be made a key industry of
state. With regard to this, the government has considered culture
technology a core technology for state development and,
subsequently, published a comprehensive plan for developing
skillful workers related to the culture industry. As a result, the
share of the culture industry budget of the total budget of the
Ministry of Culture and Tourism increased rapidly from about 3
percent in 1998 to 16 percent in 2002." Korea
Herald 07/02/02
THE
GREAT AMERICAN... "What is the Great American novel/play/
song/idea/movie/TV series?" Chicago Tribune critics take a
whack at naming the best of the best. "Take your pick - and
take cover. We like the notion of choosing a single work, from the
multiplicity of created works that surround us, and anointing it
as the best reflection of who and what we really are." Chicago
Tribune 06/30/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
10. FOR FUN
http://www.artsjournal.com/Arts%20beat.htm#forfun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
HOT
NUMBER: Soprano Susan Chilcott was singing in Tchaikovsky's The
Queen Of Spades at London's Royal Opera House when "a
candle set fire to the train of her dress. Members of the audience
shouted at her but Chilcott carried on with her aria, unaware of
the danger. A member of staff and a fire officer then ran on stage
and put out the blaze with a water extinguisher." BBC
07/02/02
(FAKE)
HARRY IN CHINA: The new Harry Potter is out in China. Trouble
is - it's a fake An anonymous Chinese author penned a new Potter.
"While Rowling’s name appears on the cover, the book is
hardly the prose style her readers have come to know and love.
Characters from the real Potter books have been resurrected and
new ones invented, and one reader said the plot could have been
borrowed from Tolkein." The book has become a big hit. The
Times (UK) 07/04/02
BLOOD
SCULPTURE MELTS? Did workers at collector Charles Saatchi's
house destroy an important frozen artwork by unplugging the
freezer in which it was stored? "Rumours spread after
suggestions that Saatchi had stored a blood sculpture made by
Britart's enfant terrible, Marc Quinn, among his frozen peas. The
work, Self, consists of Quinn's head cast in nine pints of his own
frozen, congealed blood." The
Guardian (UK) 07/04/02
HOME
|