Week
of April 1-7, 2002
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
10. For Fun
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1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
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THE
CORPORATE COPYRIGHT HUSTLE: "Can Congress repeatedly
extend copyrights for decades, impoverishing the public domain, to
benefit corporations and the distant descendants of individual
creators? That question is now before the Supreme Court: In Eldred
v. Ashcroft, it agreed to review the constitutionality of the 1998
copyright-extension law. The law has been challenged by a group of
nonprofit organizations and businesses that use works in the
public domain." American
Prospect 04/03/02
LAND
OF THE FREE AND HOME OF THE... DUMB? Is it truethat
"American culture in general has an affection for
dumbness?" Apparently so, and there's even a hierarchy of
dumb. At the top, The Simpsons. At the bottom, almost any
movie whose title includes "National Lampoon." The
reason may be simple. "In this age of political correctness,
gross-out humor is the only thing that offends without regard to
race or creed. It's practically the only field open to humor
anymore. By going into that realm, you're not going to get in
trouble for being politically incorrect." Atlanta
Journal-Constitution 04/05/02
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2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
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ANATOMY
OF A MELTDOWN: What happened to Fort Worth Dallas Ballet? The
company seemed to have a lot going for it a few years ago, as it
moved into the impressive new Bass Hall. Yet, the company never
had a coherent artistic direction, and many say its leadership
wasn't settled. Now the company has a large deficit and its
artistic direction is once again "up for grabs." Dallas
Morning News 04/07/02
DANCE
AT 30 FRAMES/SECOND: There's "a new kind of
dance-on-screen genre, a hybrid. In these experimental works, the
word 'dance' expands to all manner of movement: nuns who
somersault across seats on a moving train, men who wrestle like
bulls in a cow pasture, and a romantic duet between a man and a
large earth-moving vehicle. Over and over, its not just a person's
performance, but also the camera's dance that draws in the
viewer." Los
Angeles Times 04/07/02
HOPE
FOR THE FUTURE: The Boston Ballet has been in turmoil for the
last several years, and incoming artistic director Mikko Nissinen
appeared to leap right into the fray a week ago, when he fired a
number of the company's top dancers. But next year's season has
been announced, and a refreshing departure from the norm is in
store. "The Ballet's seasons have traditionally opened with a
full-length, name-brand classic, the thinking being that those are
the works that are big at the box office. Not this year. The
opening program features two modern masterworks along with a world
premiere by Jorma Elo." Boston
Globe 04/03/02
BETWEEN
DANCE AND ATHLETICS: Why do we celebrate figure skaters as
stars, but not our dancers? "The figure skater embodies one
half of our nation's soul: the individual. Because most dancers
start out in the corps, because stardom comes later and
unexpectedly, if at all, the dancer evokes the other half: the
community. They have distinctly opposite missions. The athlete
strives for that all-or-nothing moment in the Olympics' finals. As
Michelle Kwan learned so painfully, a flub that one night can wipe
out all the perfection in practice. Though a dancer's career is
short, until retirement, he or she always has one more night, one
more performance, often seven or eight each week."
Chicago
Tribune 03/31/02
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3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
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THE
END OF WEB RADIO? "The proposed royalties, which the
copyright office has until May 21 to revise or approve, have
radically dimmed the prospects for the legions of entrepreneurs
and hobbyists whose radio stations — from MinistryofSound.com to
Radio Margaritaville — have for the last two years provided free
access to a startlingly wide range of music. Last week, lawyers
for the Webcasters and the recording industry submitted their
final comments to the copyright office, with the record labels
urging the agency to increase the rate and the Webcasters pleading
for a lower alternative." The
New York Times 04/01/02
MYTHOLOGY
OF THE YOUTH DEMOGRAPHIC: The advertising gospel has long held
that: "people age 18-34 watch less television than older
adults but are the most desirable to reach because their brand
loyalties have yet to be established. So networks with programs
that successfully appeal to this audience will be able to charge
higher rates for advertising, and advertisers will be able to
establish brand loyalties that will continue for a lifetime."
But is this conventional wisdom true anymore? Some are beginning
to question it. Chicago Tribune
04/07/02
THE
NEW MOVIE EXPERIENCE: The success of the DVD format "has
far outstripped expectations, and as a result of the DVD's booming
popularity since its introduction in 1997, the audience's
relationship to movies has changed. The home video was merely a
small-screen version of a movie. The DVD is interactive - so much
so that to the studios' alarm, technically sophisticated film
buffs with a little determination and access to the Internet can
relate to a movie in ways that were impossible only a few years
ago, including moving and removing scenes and characters from a
movie. The implications are profound."
Los Angeles Times 04/07/02
RETHINKING
CANCON: Three decades ago, Canada created a set of rules
requiring all radio and television broadcasters to air a certain
amount of Canadian content, in an effort to stem the rising tide
of American influence. The regulations, known as CanCon, have
always been controversial, but the government has stuck by them
consistently, until now. The Canadian heritage minister has
announced that the federal government will "take a look"
at the restrictions, and while such a declaration is a long way
from a promise to loosen the rules, it is the first chink in
CanCon's considerable armor. Toronto
Star 04/03/02
MONEY-GRAB:
Web radio-casters say that new royalty fees they will have to pay
for music they play will put many of them out of business. And who
will get the royalty money? The artists will, say recording
industry spokespeople. But first there are all those fees and
expenses and charges to be deducted. Who will really benefit from
the new fees? Salon
04/03/02
MUST-SEE
TV? With TV networks declaring a sitcom a hit and critics
writing it off, where's the truth? "The difficulty of
launching new hit comedies is an old story getting older. Still,
there also appears to be a disconnect between what audiences are
actually embracing and more daring or critically lauded programs
networks are eager to brand as hits." Los
Angeles Times 04/01/02
ALL
ABOUT THE DEMOGRAPHICS: Boston public television station WGBH
produces fully 30% of the national programming aired on the PBS
network. So a report this week that PBS is planning to 'reexamine'
much of its programming with an eye towards attracting a younger
audience is making waves in Beantown. "The research is part
of a larger push by Pat Mitchell, who took over as PBS president
and chief executive in 2000 with a plan to make programming more
relevant to audiences in general and more appealing to younger
viewers. Her mandate comes at a time of intense change in the
television landscape, as more and more channels are emerging and
many of them are broadcasting work similar to that of PBS."
Boston Globe 04/04/02
NO
HOFFA JOKES, PLEASE: "The powerful Teamsters Union is
attempting to take over the representation of 500 transportation
workers on film and TV sets in Toronto, setting the stage for a
potentially heated showdown and sparking industry fears of labour
unrest in the city's $1 billion, U.S. dominated movie and TV
industry." Toronto Star 04/04/02
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4.
MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
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BROOKLYN
PHIL SETTLEMENT: The Brooklyn Philharmonic and its musicians
have settled a contract dispute. "The three-year contract
calls for a wage freeze in the first year and increases in the
second and third year."
Andante
04/03/02
ONLY
FOR A LIMITED TIME: The New Jersey Symphony has received a
mind-blowing offer from a long-time subscriber. Collector Herbert
Axelrod wants to outfit the orchestra's first violins with Strads
and Guarneris, and also supply a particularly beautiful Strad for
the principal cellist. The instruments being offered are valued at
$50 million, but Axelrod is offering them to the NJSO for half
price, an unprecedented discount. The catch? The orchestra must
come up with the money by June 30. Boston
Globe (AP) 04/04/02
TOP
CLASSICAL: What is Britain's most-loved classical music?
Listener's of the UK's Classic FM voted Rachmaninoff's Second
Piano Concerto on top. Bruch clocks in at No. 2. New to this
year's list is John Williams' score for the Harry Potter movie... The
Independent (UK) 04/02/02
WHERE
THE BOYS AREN'T: "A crisis in our musical life is coming
to the boil: boys just don't want to sing 'classically' any more.
The great majority of youth and church choirs are now exclusively
female. Most school singing classes can persuade boys only to bawl
out show tunes, which give them no training in vocal technique or
expressiveness." So what will become of the great English
boychoirs? The
Telegraph (UK) 04/03/02
SCIENCE
IN THE SERVICE OF HUMANITY: A Japanese company has announced
that it will soon unveil a device, intended for use in karaoke
bars, which instantly gives even the most horrendous singer
note-perfect pitch. The technology is in its infancy, and is not
without problems (truly off-key singers may confound the machine,
and the corrective process sometimes results in distortion that
may throw performers off,) but the inventers say anything would be
an improvement on the vocal stylings of many karaoke performers. Wired
04/03/02
WHY
IT SOUNDS DIFFERENT: Why is American music different from
European music? Perhaps the American variety comes from
experimentation with sound, while European music started with an
idea. "From such poundings on pianos and yowlings of cats
American music began. Specifically, it sprang from a delight in
sounds not found in 'correct' European music. Such legends, with
their delight in rebelliousness and transgression, are a far cry
from the origin story of European music, by which Pythagoras heard
four hammers hitting an anvil in the perfect concord C, F, G,
C." NewMusicBox
04/02
FROM
STREET TO STAGE: "Classical music's newest sensation is
the OperaBabes, two attractive young female singers whose record
label, Sony Music, has earmarked them as one of its top projects
of the year. Yet less than a year ago, Karen England and Rebecca
Knight were busking outside the Royal Opera House at Covent Garden
in London.The novelty of their approach is to give personal
adaptations of classic arias and great classical orchestral works.
They will, for example, almost heretically add their own lyrics to
Dvorak's New World Symphony." The
Independent (UK) 04/01/02
BUY
AMERICAN: One reason why so many American singers, male and
female, are in constant demand is that they are almost always
thoroughly trained, in addition to a basic knowledge of how to use
their voices, in stagecraft and in the ability to read and quickly
memorise a score. Some of them are stars, others are capable
youngsters on the way up. The youngsters rehearse the history of
many of the stars in being ready, at the shortest possible notice,
to master a difficult piece of music in order to replace an absent
or indisposed singer and in having the all-round competence to
find their way round an unfamiliar stage with only a resident
director or two to prompt their next move from the wings. This
helps to explain why some operatic occasions at - to pick one
outstanding example - the Salzburg Festival seem like a club of
expatriate American singers." Sydney
Morning Herald 04/05/02
CONCERT
AGENCY FAILING TO PAY MUSICIANS: Community Concerts Associates
has long been an important promoter of young musical talent in
cities across the United States. But the agency was sold in 1999,
and now musicians engaged by CCA say they are having difficulty
getting paid for concerts they have performed. Is CCA in danger of
collapse? Andante
04/03/02
THE
WAGNERS AND THE RABBI: For years, the descendants of Richard
Wagner have guarded fiercely his reputation, and refused to
release documents that might in any way support what the world
already knows - that the composer was a vicious anti-Semite. As a
result, the family itself has gained a reputation as being
close-minded and anti-Semitic, but a collection of correspondence
between Wagner's son and a German rabbi may show otherwise. La
Scena Musicale 04/03/02
MOONLIGHTING
RUSSIANS: On a recent American tour, the Kirov Orchestra
picked up a little extra freelance work. "According to
MusicalAmerica.com, which first reported the story on its Web
site, the orchestra, based in St. Petersburg, Russia, recorded the
soundtrack music for an upcoming Paramount film, K-19: The
Widowmaker, starring Harrison Ford." So? The Russian
orchestra plays for less than American musicians. The American
Federation of Musicians is deeply unhappy. Washington
Post 04/04/02
POPULAR
LURE: Crossovers between pop music and classical work so
rarely, why does anyone bother? "Good pop expresses the
inexpressible; it speaks where thought collapses. It is still an
unknown language. It is a little like a beaten virus. Once it's
inside you, a part of it stays, perpetually infecting and
protecting at once. With power like this at his fingertips, is it
strange that a pop composer will occasionally take a liberty with
an opera star? And with that kind of effectiveness and reach, is
it strange that orchestral stars should long, by association with
pop, to achieve the same infinite engagement with every individual
audience member?" The
Observer (UK) 03/31/02
LIKE
CHARITY, PIRACY BEGINS AT HOME: Think pirate CDs and you think
exotic far away places, like Marakesh, or Shanghai, or Camarillo.
Camarillo? Yeah, it's in California. That's where, according the
the Recording Industry of America, the Technicolor Corporation has
been churning out illegal copies of CDs by 'N Sync and Celine Dion,
among others. BBC 04/05/02
WHAT
BECOMES A CLASSIC? "Which songs from the rock era will be
the standards of the future? It's hard to even agree on the
criteria. Songs that define a cultural moment, songs with an
unforgettable melody, songs that the most people loved - all of
those qualities contribute to a song's staying power. Or not. It's
no secret how mercurial the world of pop music is. The great
songwriter Nick Drake is a shadowy cult figure and ABBA is the
toast of Broadway. Go figure. It's impossible to predict with any
certainty what musicians will want to play, and what listeners
will want to hear, a half century from now."
Boston Globe 04/07/02
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5. PEOPLE
http://www.artsjournal.com/Arts%20beat.htm#people
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SILLS
TO LEAVE LINCOLN CENTER: After a rocky year, Beverly Sills
says she will step down as chairwoman of Lincoln Center. "Her
scheduled departure comes as Lincoln Center's 11 participating
arts groups are struggling to advance a $1.2 billion redevelopment
project that has hit some roadblocks but that Ms. Sills insisted
was still well on track." The
New York Times 04/02/02
JUILLIARD
LOSES A LEGEND: "Benjamin Harkarvy, director of the dance
division of the Juilliard School since 1992 and an internationally
respected ballet teacher, director and choreographer, died on
Saturday at St. Luke's Hospital. He was 71... Before arriving at
Juilliard, Mr. Harkarvy had been artistic director of important
companies like the Royal Winnipeg Ballet, Netherlands Dance
Theater, the Dutch National Ballet, the Harkness Ballet and the
Pennsylvania Ballet. A methodical and articulate teacher, he was
constantly in demand by ballet schools around the world." The
New York Times 04/03/02
THE
BAMBINO'S PIANO: As sports fans go, it doesn't get much more
obsessive than the folks who root for the Boston Red Sox. They can
quote you Ted Williams's stats from 1950, they can tell you what
they had on their hot dogs the night Carlton Fisk waved it fair,
and they would give one of their own limbs if it would somehow
lift the "Curse of the Bambino," the mythical glass
ceiling that has kept the Sox from winning the World Series since
1918. Now, one man in Massachusetts thinks he has the answer: the
Sox will win once he locates, rescues, and restores the piano that
Babe Ruth supposedly hurled into a Boston-area pond. (Yeah, we
know, but these are desperate people. Let them try.) Boston
Globe 04/03/02
EXPLOITING
BERNSTEIN: Is there another modern-era composer who's been
more marketed and promoted than Leonard Bernstein? His legacy has
been relentlessly hawked since his death in 1990. But evidently,
the Bernstein estate wants more. Gap ads. CD holders. "We'd
like it exploited a little bit more. I think when people think of
great music, a lot of people think of Bernstein. But he was much
more. He was the American superstar of classical music, and not
just classical, but Broadway and all the other things he
did." Philadelphia
Inquirer 04/07/02
OCTOGENARIAN
ROCK CRITIC RETIRES: Jane Scott may well be the most unlikely
rock 'n roll writer in the history of the genre. For the last 50
years, Scott has written, and written intelligently, about every
corner of the rock world for Cleveland's Plain Dealer. Even
at the beginning, she was older than most rock fans, and this
week, the week she retires from her post, she turns 83. But
Scott's musings on the music that changed America have stood as
some of the finest music writing any newspaper has produced, and
her analysis of the good, the bad, and the ugly were read as
gospel not only by fans, but by many of her colleagues. The
Plain Dealer (Cleveland) 04/04/02
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6.
PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
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OPRAH
CUTS BACK: For six years Oprah's Book Club has been a
publishing world phenomenon. Last year the club was said to be
responsible for sales of 12 million books. Now Oprah says she'll
cut back the number of books the club will read on her popular
talk show. "It has become harder and harder to find books on
a monthly basis that I feel absolutely compelled to share. I will
continue featuring books on the Oprah Winfrey Show when I
feel they merit my heartfelt recommendation."
Chicago Tribune 04/07/02
RELUCTANT
GATEKEEPERS: Should American librarians be forced to monitor
and censor websites that could be accessed from library computers,
as a new law says? Librarians say no. "The ACLU and the
American Library Association claim that blocking software is
problematic for a number of reasons: It doesn't do a good job of
preventing access to porn, it bans many legitimate websites, and
the list of verboten sites is compiled in secret by commercial
vendors." Wired
04/03/02
POETIC
PROBLEMS: "Since its inauguration in 1996 by the Academy
of American Poets, National Poetry Month has reorganized the way
that commercial publishers and the larger independents publish
poetry, drawn unprecedented media attention to the art, and has,
by some lights, boosted poetry sales. Yet this year's festivities
come on the heels of what has been a difficult year for many in
the poetry world."
Publishers
Weekly 04/01/02
CENSORSHIP
LAW LIKELY TO BE THROWN OUT: If the judges' comments are any
indication, the Children's Internet Protection Act will likely be
thrown out. The law says libraries must use filtering software on
their computers to prevent children from seeing pornographic
websites. But every witness testifying in the challenge to the law
has said the filtering programs don't work and that they block
sites that aren't pornogaphic. Wired
04/05/02
SALES
R US: So you've got a publisher and a new book coming out. But
your job as an author is only half over. Now you've got to go out
and sell it. Today that's a full time job. Hartford
Courant 04/07/02
POWER
TO EDIT: "So what, then, is the value of an editor? The
answer depends on the writer, and even the genre. For all writers,
the editor is the author's champion within the publishing house,
the person who fights the book-jacket battle, who seduces the
marketing and public relations people, who sells the writer's work
to the sales representatives so that, armed with the editor's
ebullience, they can in turn sell the book to the stores. (The
truly successful editors are also rainmakers, attracting authors
who want to work with them.) Generally, nonfiction writers seek
more hands-on editing than literary novelists or huge best-selling
commercial novelists, whose success convinces them that they don't
need much help." The
New York Times 04/05/02
AUTHOR
OF PROBABILITY: A group of researchers has been applying
"statistical physics and computer analysis" to ancient
texts in an effort to determine who wrote the Iliad and the
Odyssey. "Most historians attribute the classic Greek
works to the poet Homer. According to the recent study, though,
Homer — if such a writer existed — likely scripted the Iliad
solo. But he probably had plenty of help from other poets when
creating the Odyssey" Discovery
04/04/02
PEN/FAULKNER
WINNER: Ann Patchett wins the PEN/Faulkner Award, America's
richest literary prize for her novel Bel Canto. "She
beat National Book Award winner Jonathan Franzen's novel The
Corrections, Karen Joy Fowler's Sister Noon, Claire
Messud's The Hunters, and Manil Suri's The Death of
Vishnu. Past winners have included John Edgar Wideman, EL
Doctorow and Don DeLillo - last year Philip Roth won with his
novel The Human Stain." BBC
04/02/02
GOING
INDIE: A new study by Consumer Reports says that book-buyers
are more satisfied shopping in independent bookstores than in big
chain stores. The study "found that most people felt the
chains or the equally giant on–line booksellers did indeed offer
a better deal price–wise. Nonetheless, independent bookstores
generated a higher level of customer satisfaction than even the
cheapest chain retailer. In fact, independents scored 'on a par
with the highest–rated stores from any survey we've done in
recent years,' said the magazine." MobyLives
04/02/03
CONSPIRACY
THEORY: A new French book claims that the September 11 attack
on the World Trade Center is a hoax, that "the plane that
smashed into the Pentagon did not exist and that the world has
been duped by a murky U.S. government plot." Okay, kooks
publish books all the time. But this one's got French readers
intrigued - Thierry Meyssan's book, The Frightening Fraud,
is "a popular read, according to booksellers, and has topped
bestseller lists." The
Globe & Mail (Canada) 04/01/02
RUSH
TO JUDGMENT: Portland alternative weekly Willamette Week
announced a writing contest, engaged some judges, then chose a
winner different from who the judges picked. Now the judges are
complaining, and WW arts editor (who actually chose the winner
herself) explains: "I planned to use their feedback to aid me
in making a final decision - and to run as comments alongside the
winners when they ran in the paper. In retrospect, perhaps even
calling them judges was inappropriate. Maybe Subcommittee for the
Advancement of Literary License or Footsoldiers in the War Against
Cliché would have been more correct..." Willamette
Week 03/18/02
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7. THEATRE
http://www.artsjournal.com/Arts%20beat.htm#theatre
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DISAPPEARING
BLACK THEATRE: "Gone is the heyday of institutional black
theater, the rich years after Ward's famous 1966 New York Times
piece - American Theatre: For Whites Only? - inspired the
Ford Foundation to award a $1.2 million startup grant for the NEC.
Nationally, the number of black theater companies has dwindled
from more than 250 in the the early 1980s to about 50; in South
Florida, founder-led black theaters in Fort Lauderdale (the
Vinnette Carroll Theatre) and West Palm Beach (the Quest Theatre)
have vanished, leaving only the 31-year-old M Ensemble to tackle
serious black theater on a consistent basis."
Miami
Herald 03/31/02
NON-UNION
IF IT'S CHEAPER: A non-union production of The Music Man
has been running into protests in the cities it plays. The actors
union complains that "the Broadway show is charging Broadway
ticket prices, while not paying performers Broadway salaries, but
rather lower nonunion rates." Theatres that book the show say
"they respect Equity and the other unions. But their primary
responsibility is bringing quality product to their faithful
patrons. For that reason, they'll book both Equity and non-Equity
productions." Backstage 04/05/02
SHAKESPEARE
WITHOUT ALL THOSE WORDS: A Georgian director is presenting a
version of Hamlet that takes removes the words. "Our
ambition is to go straight to the core of Shakespeare's language
and capture the images within the words." Reminded that some
in the audience might not get the message, director Paato
Tsikurishvili had an answer ready: "I recommend that you read
the play before the performance." Backstage
04/05/02
FADED
PROMISE: This current Broadway season began on a note of giddy
celebration. With last year's The Producers proving that
there's gold and greatness to be had, a giant wave of shows was
announced for the 2001-02 season. As May 1, the Tony deadline,
approaches, the season limps to its conclusion, with anemic
offerings in the categories of new musical, new play and musical
revival." Hartford Courant
04/07/02
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8.
VISUAL ARTS
http://www.artsjournal.com/Arts%20beat.htm#visualarts
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MORE
BIENNIAL CONTROVERSY: The 25th edition of the Sao Paulo
Biennial opened last week, and the critics aren't happy. Sao Paulo
has always had a "historical nucleus" mixing new work
with Cezannes and Magrittes or Van Goghs. But this year, the
biennial has gone all-contemporary. Its curator defends the move:
''Sao Paulo has always been the only biennial among the 50 that
exist worldwide to have a historic nucleus. To eliminate it is not
revolutionary, it's very obvious.'' But the country's biggest
weekly newsmagazine dismissed the event with a snide swipe at Jeff
Koons: "The main attraction are the works of Cicciolina's
ex-husband.'' Miami Herald (AP)
04/02/02
ANGKOR
WAT THEME PARK? Developers have submitted plans for a
sound-and-light show at Angkor Wat, with laser images and smoke
effects; a 10-story yellow sightseeing balloon, to be permanently
tethered next to the temple; and a scheme to provide visitors with
nubbly-bottomed rubber overshoes to better scale the crumbling
stonework. At nearby Phnom Bakheng temple mountain, they plan a
zigzag escalator. Purists may shudder, but as Cambodia gropes its
way toward a functioning economy, the Angkorian temples are about
the best card the government has to play." Washington
Post 04/01/02
LINKAGE
- ART AND INSANITY: "For nearly 100 years, a few
psychiatrists and art historians have surveyed the art of the
so-called insane and come up with mostly anecdotal readings of it.
The subject raises questions about the nature of the creative mind
and its relationship to the world out of which it comes. How does
the atypical brain experience the world we share? In what respects
does art made by these individuals reflect the different realities
they experience? To what extent, and in what aesthetic terms, do
their works embody the fear and bewilderment they may
endure?" The
New York Times 03/31/02
WHERE
GOES ART: Critics are often tempted to make sweeping
conclusions about the artworld as they assess the latest biennale.
Here's Roberta Smith's conclusion after walking through this
year's Whitney Biennial: "The biennial offers evidence that
museums are moving toward a state of irrelevance as far as the
contemporary-art world is concerned, showing work that is either
unimaginative or ill-suited for a museum setting. This tendency
may go beyond curators and directors; it reflects the changing
character of boards of trustees, the people who hire and fire
directors, choose architects and have a big role in setting the
agendas of the institutions." The
New York Times 03/31/02
STEALING
JAVA: Indonesia, and in particular Java, has a rich trove of
cultural artifacts. But while most countries now have controls on
the removal of artifacts, Javanese treasures are being looted
wholesale. "In the cross-hairs are dozens of
magnificent Hindu-Buddhist temples on the island."
The
Art Newspaper 03/28/02
DOES
ANYONE CARE ABOUT ARCHITECTURE CRITICS? It is a curious thing
that while we have book reviewers and film reviewers and theater
reviewers, we do not have architecture reviewers—only critics.
[Chicago Tribune architecture critic] Blair Kamin writes in the
preface to his new book Why Architecture Matters that 'the
very term ‘architecture critic’ may be a misnomer. We are,
Kamin writes, urban critics as much as architecture critics. In
this sense, then, an 'urban critic' can hardly be a 'reviewer'.”
New
Criterion 04/02
THE
VARIABILITY OF CHROMATIC EXPERIENCE: What we see when we look
at old artwork may be very different from what the artist painted.
For example, "Van Gogh's Sunflowers today little
resembles the way it looked when it was first completed. The
chrome yellow pigment that figures heavily in the work was, at the
time, a vibrant, brilliant color — in keeping with Van Gogh's
more typically lurid color schemes. But over time it faded to the
lusterless brown-yellow that it is today, transforming the overall
feeling of the work. As for the thickness of the paint... one
might as well 'lay them on ... crudely,' he wrote in a letter to
his brother, because 'time will tone them down only too
much'." The Atlantic
Monthly 04/04/02
CONFLICTING
ETHICS: The practice of archeology is changing rapidly as
ethical concerns play more and more of a role.
"Archaeologists' investigations frequently pit their
interests against those of other people, and the concerns of the
present against the possible concerns of the future. As ethical
considerations come to matter more, there has been a change in the
way the public sees archaeologists, and the way archaeologists see
themselves. “We went through a period when we thought ‘Hey,
we're scientists, we should be the number one priority here. But
most of us have now come to see it differently.”
The
Economist 03/29/02
ANOTHER
SMITHSONIAN CASUALTY: The Smithsonian has lost yet another
director. Dennis O'Connor, the undersecretary for science at the
Smithsonian Institution and acting director of the National Museum
for Natural History has quit. "His departure is the latest in
a series of resignations from the Smithsonian's upper ranks since
Lawrence Small took office as secretary of the institution 2 1/2
years ago."
Washington
Post 04/04/02
GAMBLING
ON A MUSEUM: The Pechanga Indians in California have become
rich because of their casinos. Now the tribe is looking to be
known for more than its casinos. "If the tribal membership
approves and the plans pan out, the tribe will build a museum
here, roughly midway between Los Angeles and San Diego, and borrow
thousands of artifacts from the Southwest Museum, an underfunded
but widely respected institution founded by Los Angeles collectors
in the early days of the 20th century. Not everybody is ready to
embrace the idea. But together, the Pechangas' money and the
Southwest's collection could yield one of the foremost Native
American museums in the country." Los
Angeles Times 04/07/02
THE
IDEA OR THE WORK: Is a good idea for a museum show enough?
"Don't good ideas for museum shows come from seeing great
stuff? If a curator notices that a number of mediocre artists are
independently making mediocre art that shares a particular image
in common - Nazi paraphernalia, say - is that fair cause to
organize a show? Probably not. The most obvious lesson of Mirroring
Evil [at New York's Jewish Museum] is the futility of
attempting to make a productive exhibition from lousy work." Los
Angeles Times 04/07/02
CITY
ON A HILL: The Yorkshire town of Barnsley has decided to
reinvent itself as a Tuscan village. And thanks to a government
initiative to revitalize towns outside of London, the village has
£150 million with which to make it happen. The
Guardian (UK) 04/06/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
9.
ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ART
AS GLOBALIZER: "The old joke about modern art used to be
that you couldn't tell which way up it went. The joke about
postmodern art is that you can't tell which work is which. Or
where it comes from. That's because most of it is pure
NY-Lon." What's a 'NY-Lon'? "A 'NY-Lon' is a postmodern
art person who shuttles between New York and London, one who can
afford never to return telephone calls because everyone assumes he
is on the other side of the Atlantic, one whose presence in town
astonishes friends so much that they invite him for dinner
whenever they catch sight of him." London
Evening Standard 04/02/02
GETTING
CENTERED: Performing arts centers are touted as projects to
rejuvenate cities. But it doesn't always turn out that way. In
Dallas, "downtown's next monument could be the Dallas Center
for the Performing Arts, which is being touted as both the city's
cultural showpiece and the exclamation point for the Arts
District. Norman Foster and Rem Koolhaas are outstanding
architects, and there's an excellent chance that their designs for
the opera house and theater will be stunning. But architecture
alone won't produce the civic triumph the public is hoping
for." Dallas
Morning News 03/31/02
TEMPORARY
FUNDING: An Ontario art fund is an unusual new source of
money for the arts. "Trillium is controversial not only
because its annual $100-million comes from gambling (four
government-run casinos were built for that purpose), but because
it reflects the ideology of the province's Conservative
government. Its grants to arts groups are temporary rather than
permanent, and are designed to make the culture business more businesslike.
To make sure it doesn't stray from the path, Trillium has been
firmly politicized and brought under the control of the Premier's
office." The
Globe & Mail (Canada) 03/30/02
BREAKING
THE CODE: Is computer code free speech? Some critics of the US
Digital Millennium Copyright Act are proposing that it is. They
contend that the act has locked up rights to creative property and
stifles innovation. "There is essentially no fair use left
once the D.M.C.A. is done with it." A company that wrote and
sells a program that disables copy protection for e-books,
contends its program code is protected speech.
The New York Times 04/02/02
REINING
IN THE ARTS IN NOVA SCOTIA: "Six years ago, Nova Scotia
became the last province in [Canada] to set up an arts council,
borrowing the tried-and-true model of an independent Crown agency
that would use peer juries to decide who gets grants. Last week,
it became the first province to disband its arts council, locking
the doors and firing the staff in a coup directed by Culture and
Tourism Minister Rodney MacDonald. He is proposing to replace the
council with his own, tamer version, setting up a new organization
that will share office space and staff with the culture ministry
and have two ministry bureaucrats on its 12-member board."
The Globe & Mail (Toronto)
04/04/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
10. FOR FUN
http://www.artsjournal.com/Arts%20beat.htm#forfun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ART
FEW WILL SEE: Turns out some microchip designers are also
closet artists. A few years ago a senior research engineer was
peering through a microscope at a microscope when he thought he
saw a micro-picture of Wldo the cartoon character. Since then he's
found dozens more, etched on the chips by their designers.
"The images include everything from chip designers' names,
renderings of favorite pets, cartoon characters like Dilbert, and
planes, trains, and automobiles. These images are fabricated along
with the transistors and interconnects on one or more metal layers
overlying a silicon wafer." Now - of course - there's a
museum... IEEE Spectrum 04/02
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