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archives
2000 archives
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Week
of July 3 - July 9, 2000
- Top Arts News
- Top Arts Features
- Of Special Note
- Just for Fun
-
TWYLA
THARP'S NEW COMPANY:
Tired of the administrative and financial burdens, twelve
years ago Twyla Tharp dissolved her dance company and
took to the road freelancing. Now she's back with a new
company. New
York Times 07/06/00
(one-time
registration required for entry)
-
A
LOGICAL APPROACH: The Art Loss Register, a private
organization dedicated to recovering art looted during
WWII, has located and returned art valued at $100 million.
How? "The first is the moral argument, the second
is the threat of embarrassing negative publicity, which
affects both individuals and institutions, and the third
is the claim that the work has become completely worthless
from a financial standpoint because it can never be sold
on the market as long as it remains on the list of looted
Holocaust art." Ha'aretz
07/05/00
-
STOLEN
ART IN BRITISH MUSEUM:
A 12th Century manuscript
in the British Museum is shown to have been looted from
Italy. "The missal, from the chapter library of Benevento,
was acquired by a UK army captain during World War II
and bought by the British Museum library (as it then was)
at Sotheby’s in 1947."
The
Art Newspaper 07/03/00
-
CALIFORNIA
ARTS COMMISSION GETS BIG INCREASE: Legislature gives
arts commission $12 million increase. The additional funds
raise the council's annual budget from $20 million to
$32 million and bring California's state arts spending
to 92 cents per capita. The increase propels California
from 42nd place into the top 25 states in the nation.
Los
Angeles Times 07/03/00
-
MUSEUM
TAKES RISK, LOSES: After the heirs of one of its patrons
decided to sell a Picasso to another buyer, the San Francisco
Museum of Modern Art sued the family for $18 million.
Now a judge has thrown out the museum's claim (and other
donors and potential donors have got to be feeling a creeping
chill). San
Francisco Chronicle 07/06/00
-
FASTER
LOUDER STRONGER: The Sydney International Piano Competition
opens. But criticism is rife, and charges of scandal abound.
"No one, of course, will ever hear of any of the
SIPCA prizewinners. They all seem to have had rather too
close connections with various members of the jury, which
in any case is mostly comprised of lacklustre teachers
who ... wouldn't recognise good and original artistry
if it jumped up and bit them." The
Age (Melbourne) 07/03/00
-
CONTROVERSIES
ALL AROUND: Resignations from the competition's
executive and controversy about not using an Australian
piano, mar the competition - and yes, all three Australian
pianists competing made the quarter finals.
Sydney Morning Herald 07/03/00
-
DEFENDING
A "PORNOGRAPHIC THELMA AND LOUISE: French intellectuals,
celebrities and movie makers took to the streets of Paris
Wednesday to defend a hardcore movie panned by the critics
and banned from general movie theatres by the French censors.
The demonstration took place in front of an MK2 cinema
in Paris' Latin Quarter. The theater is one of 20 that
have been defying the State Council's ruling.
Variety
07/06/00
-
LOOKING
FOR LEONARDO: In 1503 Leonardo da Vinci was commissioned
to paint a mural in Florence's Palazzo Vecchio. But the
image disappeared and conjecture is that rather than being
destroyed the mural was obscured when a wall was built
in front of it. Now scientists are on the hunt. "We
will look through ancient walls using the most advanced
technologies."
Discovery.com
07/03/00
PLUS:
Mother of Boston
Ballet dancer who died of
anorexia files lawsuit again the company ~ Employment
for writers in
Hollywood down
for the first time in five years ~ Michelangelo
drawing that inspired his statue of the risen Christ sells
for $12 million ~ Vanity Fair investigates painter
Francis
Bacon's tax practices ~ Al
Gore's investigation into why so many movie productions
have moved to Canada postponed until after election ~ Tech
market crash affects art gallery sales in dotcom-rich
Seattle ~ 1526 version of the New
Testament
reprinted for the first time British Library ~ Filmmaker
George
Lucas hires choreographer to make scenes for the next
"Star Wars" movie.
TOP
ARTS FEATURES
-
ARTISTS
AND THE NEW ECONOMY: "For the first time since
the 18th Century, some observers believe, the arts world
is poised on the edge of a massive shift in the way artists
earn their keep. Nudged by the Internet and other technologies,
a new paradigm is evolving, one that may render irrelevant
the familiar quarrel over government funding of the arts."
Chicago
Tribune 07/09/00
-
HAS
AMERICA LOST ITS EDGE? Sure there's lots of new opera
these days. But American composers look back to the familiar
if they want a production. "There's a general notion
[in Europe] that we've fallen so far behind in innovations.
They say there's nothing happening in America anymore.
I jump to the defense of our artists. But it's true that
the primary institutions in the U.S. have been reluctant
to embrace innovators. . . . Without a doubt, there's
been a chilling effect."
Philadelphia Inquirer 07/09/00
-
TOWERING
AMBITIONS:
"After
a quarter of a century in which high-rise architecture
was completely off the agenda, we have embarked on an
unprecedented bout of skyscraper building. Cities determined
to make their mark have decided that a crop of new towers,
preferably as exhibitionistic as possible, is the way
to get noticed. In urban-renewal projects, a conspicuous
high rise is now regarded as one of the most effective
ways to make the middle of nowhere feel like somewhere."
The
Observer (London) 07/09/00
-
RECONSIDERING
WRITING OF THE SOUTH: "The field of southern
literary studies has been dominated by a huge Faulkner
industry that both overshadows and tames the terms we
use for reading southern women's fiction. If we are to
see this fiction in all of its power, we need to change
the categories we use to think about southern literature."
Chronicle
of Higher Education 07/03/00
-
LOOKING
BACK FOR THE FUTURE: The latest style in Moscow is
what might be called reconstructivism. Wherever a historic
building once stood but was destroyed, a more or less
exact replacement now seems to be called for. Although
not official policy, this growing attempt to re-create
pre-revolutionary, pre-Stalin Moscow is largely driven
by the office of the capital's mayor, Yuri Luzhkov.
The
Guardian 07/03/00
-
SAME
ARCHITECT/DIFFERENT VISION: Twelve years ago David
Childs designed a vast new project for New York's Columbus
Circle. But the version he redesigned which is now being
built differs substantially. "There is more than
one way to interpret this difference: public opinion could
be changing; Mr. Childs could be changing his aesthetic;
or the difference could mean less than meets the eye."
New
York Times 07/09/00
(one-time
registration required for entry)
-
BETTER
HISTORY THROUGH THE INTERNET:
Academic publishing
is in dismal shape. Squeezed by the rising cost of science
journals, libraries have been buying fewer academic monographs.
In the early 1990s, in response to dwindling library demand,
the number of new titles began to decline. So Princeton
professor Robert Darnton has decided to do something about
it. He has become a true believer in the Internet's potential
to transform academic publishing - by helping university
presses publish more monographs and maybe even by enabling
scholars to produce better history.
Lingua
Franca 07/00
-
INDIA'S
NEW GENERATION OF WRITERS: "Although their voices
are being heard much more loudly in the West than in India,
they are ushering in a new era for Indian literature in
English. They are often called Midnight's Grandchildren
in homage to another seminal Indian novel, Salman Rushdie's
"Midnight's Children," the dark parable of Indian
history since independence that won the Booker Prize in
1981 and in 1993 won a special Booker Prize as the best
British novel of the previous quarter century. Now the
new generation of writers have in many ways broken away
from the magic realism that characterizes much of Mr.
Rushdie's work. New
York Times 07/03/00
(one-time
registration required for entry)
-
TANGO
TROUBLE: Composer Astor Piazzolla's distinctive tango
music has become a world-wide phenomenon. But "while
his music won an enthusiastic following in Europe, the
United States, Brazil, and Mexico, Piazzolla was not widely
appreciated in his native Argentina until a decade before
he died in 1992. Instead, his tampering with a native
form as sacrosanct as the tango earned an intensity of
contempt from the music's old guard that may be difficult
to fathom in this country, where disagreements over style
and genre exercise only a handful of artists and critics."
The
New Republic 07/03/00
-
DOING
THE CONTINENTAL SWING: Recent European jazz albums
suggest that the innovation in jazz is coming from the
Old World and not from America. "Almost without anybody
noticing, European jazz, regarded for years by the Americans
with the same kind of tolerant smile they reserve for
Japanese baseball, seems poised to step to the forefront."
The
Times (London) 07/04/00
-
MONEYDANCE:
"As a cultural phenomenon, Riverdance has been closely
parsed from top to bottom, hailed by some as an expression
of a confidently globe-conquering new Ireland, dismissed
by others as a pile of Celtic clichés. What has been ignored,
however, is the gargantuan financial muscle that promises
to make Riverdance the country's biggest cultural export.
The three Riverdance shows touring the world, along with
their myriad merchandising spin-offs, have grossed an
estimated £½ billion to date." The
Sunday Times 07/09/00
PLUS:
Musical
prodigies: it's not so much about how they play as how
they look ~ Why is Howard University ignoring African-American
writer E.
Ethelbert Miller? ~ Savvy, erudite street-side
booksellers ~ Ireland's festival devoted to gossip
and idle talk ~ The
upcoming Broadway season: serious theatre or
a cheap weekend in Vegas? ~ Thomas
Kinkade's paintings inspire love in America's mall-goers...and
hate in the art world
SPECIAL
INTEREST
-
NO-BROW
CULTURE: What really sustained the old distinctions
between good taste and bad, high culture and low? What
sustains them now? They can be, and have been, criticized.
Were the cultural distinctions of yore merely "an
upstairs downstairs affair … arranged to protect the real
artists from the ravages of the commercial market place?"
Boston
Review Summer 00
-
SERIAL
KILLER:
When the history
of post-war American music is written, which history will
it be? "A
widely held belief asserts that during these years a band
of rigorous, cutting-edge composers, mostly based in prestigious
East Coast universities, seized the intellectual high
ground and bullied their colleagues and students into
accepting serial procedures as the only valid form of
modernism. Yet another, quite opposite take on that period
holds that the 12-tone composers never wielded much influence,
that they themselves were the beleaguered minority group
marginalized by the majority of composers, who continued
to write music that was essentially tonal and far more
popular." New
York Times 07/09/00
(one-time
registration required for entry)
-
INFORMATION
OVERLOAD: "Our ability to generate information
has outpaced our ability to comprehend it. We're driven
to make sense of it all, to shape and sort and classify
information into systems we can use. From the days of
writing on cave walls to the creation of XML, we've tried
to do a better job of comprehending the information at
hand. The thing is, we've become so good at creating information
that it's piling up faster than promises in a political
campaign."
*spark-online
07/00
-
RECREATING
CONTEXT: How faithfully should a museum try to reproduce
the historical context in which pictures were originally
made and shown? Do you distort or diminish a work of art
by showing it in a way that the artist never intended?
A new exhibition of Turner at the Tate Gallery tries for
recreation but betrays the painter.
The Telegraph (London) 07/05/00
JUST
FOR FUN
-
AND
THE JOKE IS ON... A
lecturer who dislikes modern art decided to make his own.
"He found a piece of scrap wood with grooves in from
a cutting machine, painted it white and called it Millennium
Dawn" and entered it in an art competition. Judges
at Nottingham University awarded it a prize. Ananova
07/07/00
-
MERMAIDS
IN NORFOLK, GIANT CORN IN BLOOMINGTON: Some three
dozen US cities have deployed art on their downtown streets
after Chicago reported a hit with its art cows last year.
Now Chicago is talking about putting a twist on the idea
next summer. "If Chicago can reinvent itself and
come up with something even more inventive, I'd say we're
up for a decade of things on parade." CNN
(AP) 07/04/00
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