Week
of September 23-29, 2002
1.
Special Interest 2. Dance
3. Media 4. Music 5. People
6. Publishing 7. Theatre
8. Visual Arts 9. Arts Issues
10. For
Fun ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
COPYRIGHT
CHALLENGE: The US Supreme Court is about to hear arguments challenging the
constitutionality of the Sonny Bono Copyright Term Extension Act, which was
enacted in 1998 with strong support from Hollywood's politically powerful
studios. The law extended the length of copyrights for an additional 20 years
(or more in certain cases) and gave new protections to corporations that own
copyrights. Opponents - which include dozens of the nation's leading law
professors, several library groups, 17 prominent economists, and a coalition of
both liberal and conservative political action groups - say it serves no
legitimate public purpose, violates the clear intentions of our nation's
founders regarding copyrights and is unconstitutional." San
Francisco Chronicle 09/26/02 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
SOUND
MOVEMENT: "No one goes to the ballet for the conductor. But conductors
matter." Music matters too - and there can be a tension between what serves
the music and what serves the movement. Which should take the lead? The
New York Times 09/29/02
DANCE
DIALOGUE: Boston has traditionally been a tough sell for modern dance. So
presenters have started a program to not only bring significant dance companies
to the city, but also create a dialogue for them with the city. ''We're hoping
to create an across-the-board ferment of interest in dance, to raise the level
of awareness.'' Boston Globe 09/29/02
ROUSTING
ROSS: Ross Stretton's ouster as director of London's Royal Ballet was the
result of many factors. "They certainly made the right decision,
artistically. Stretton's first two seasons showed that he had little instinct
for either the scope of the job or the character of the company. If he had
carried on, it was reasonable to fear for the loss of the Royal Ballet's unique
character, as programming became blandly internationalised." The
Telegraph (UK) 09/27/02
- WONDERING
WHY STRETTON RESIGNED: More speculation about why Ross Stretton quit as
director of London's Royal Ballet, including "accusations of sexual
liaisons with ballerinas and a series of behind-the-scenes-rows". But
"ballet unions and management yesterday denied the alleged affairs had
played a part in the departure of Stretton, 50, as artistic director." The
Age (Melbourne) 09/27/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
MAJOR
MOVIE COMPANIES SUED: A movies-on-demand company is suing major media
companies, charging they have set up a cartel to shut out independents. "In
a lawsuit announced Tuesday, Intertainer leveled 14 counts of antitrust
violations at AOL Time Warner, Vivendi Universal and Sony, claiming they have
withheld movies from being licensed by unaffiliated companies while they
developed their own on-demand streaming service called Movielink." Wired
09/24/02
SPACE
INVADERS: The US Congressman who is proposing legislation that would allow
copyright holders to invade and disable the computers of those they suspect of
copying copyrighted works, defends his proposal: "While these P2P networks
have some usefulness, there really can’t be any doubt that their primary use
is sharing millions, perhaps billions, of copyrighted works. This bill
fundamentally affects their whole business method." Wired
09/25/02
CHURCH
CONDEMNS FILM - IT JUMPS TO NO. 1: Not long after condemning the movie that
won this year's Venice Film Festival top prize, the Catholic Church is attacking
another movie - the surprise Mexican blockbuster, The Sin of Father Amaro,
"a tale of a young, idealistic and heterosexual priest who lets himself
sink into the institutional corruption of the church after getting his young
lover pregnant. If the condemnation was meant to keep the faithful away, it
backfired spectacularly. In the last week, driven on by lurid rumours of the
film's contents - particularly a scene in which an alley cat eats a host wafer
spat out by a communicant - The Sin of Father Amaro has become the most
successful Mexican film ever." The Guardian
(UK) 09/28/02
RUNNING
COMMENTARY: "The concept is relatively simple, though somewhat clunky
in execution: Hook up a microphone to your computer, fire up a DVD, record your
insights as you watch, convert your words to either one long, low-bit-rate MP3
or several smaller ones (perhaps divided by chapter), and, finally, post them on
the Web. Interested parties can download your file, then play it through their
computer speakers in sync with the corresponding disc." But is anyone
interested in what you might have to say? Salon
09/24/02
SO
MUCH FOR THE OBSESSION WITH YOUTH: Movie audiences are getting older.
"According to a survey by the Motion Picture Assn. of America, between 1990
and 2000, moviegoers in the obsessively sought-after 16-20 age group had dropped
from 20% to 17% of total viewers. Moviegoers in the 25-29 category dropped from
14% to 12%. Even 12- to 15-year-olds, who are supposed to be part of the biggest
demographic bulge since baby boomers, dipped from 11% to 10%. Meanwhile,
moviegoers ages 50-59 didn't just stay steady, they shot up from 5% to 10% of
total audience." Los Angeles Times 09/24/02 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
4. MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
FREEDOM
REIGNS: Boston Lyric Opera holds two free performances of Carmen over the
weekend and attracts 140,000 fans, more than the company draws in the rest of
its season. Time to rethink how the company does business. ''We do believe there
are people who will never be able to buy a ticket to go to opera. And therefore
we must always find a way to provide free opera to the community.'' Boston
Globe 09/24/02
LEARNING
TO PAY FOR PLAY: Pay sites where customers can download music for a fee are
starting to attract users. "The shift away from peer-to-peer services and
toward pay subscription sites like EMusic and Rhapsody is a result of two
coinciding developments in the online music world. First, the music industry's
crusade to disable illegitimate file-sharing services has won significant
victories. At the same time, Internet radio stations have fast been disappearing
because of new copyright laws, lobbied for by the record industry, requiring
that broadcasters pay royalties on the music they play." The
New York Times 09/25/02
GOOD
NEWS, BAD NEWS IN PHILLY: The Philadelphia Orchestra sold 99% of its
available seats last season after opening up a beautiful new concert hall in the
heart of a thriving entertainment district. The orchestra is ending a successful
run with music director Wolfgang Sawallisch, and eagerly anticipating the
arrival of new baton-twirler Christoph Eschenbach. But even in Philadelphia, the
economy is taking it's toll on the bottom line - the organization ran a $3.5
million deficit last season, and it's endowment has dropped to $68.5 million,
one of the smallest among major U.S. orchestras. Management envisions boosting
the endowment to $150 million in the next 5 years, but those numbers are awfully
optimistic... Philadelphia Inquirer 09/26/02
MUSICIANS
WANT PROTECTION FROM RECORDING CONTRACTS: A group of high-profile musicians
has asked California lawmakers to "intervene and protect them from what
they say are unfair contracts that give recording companies the opportunity to
withhold royalties with impunity." The musicians called standard recording
company contracts "dishonest," "indecipherable" and
"laughably one-sided" because they favor the companies at the expense
of musicians. Nando Times (AP) 09/25/02
SAN
JOSE MIGHT LOSE MUSIC SCORES: Bankruptcy is not going well for the San Jose
Symphony. It looks like the orchestra might lose its music library, accumulated
over 100 years of performances - "more than 1,000 scores, some
irreplaceable, all with conductors' and players' markings" to satisfy
creditors since the orchestra has failed to raise enough money. San
Jose Mercury News 09/25/02
ON
THEIR OWN: With recording companies all but giving up on classical music,
musicians are producing their own discs. "Self-published CDs may never make
a massive impact on the classical-record industry, especially in terms of sales,
but some observers believe their artistic impact may be lasting." Christian
Science Monitor 09/27/02
A
ROAD NOT TRAVELED: Pianist Glenn Gould - who would have been 70 this week -
is "a figure of legend, even among people who may have heard nothing more
than his first, career-making recording of Bach's Goldberg Variations.
His life and ideas have provided fodder not just for scholars and biographers,
but for playwrights, novelists and filmmakers. But while Gould's influence is
feted in the broad culture, it has almost evaporated among musicians. No major
pianist follows his lead, either in performance style or in his cavalier
attitude toward musical scores." The Globe
& Mail (Canada) 09/24/02
THE
COST OF SILENCE: Mike Batt included one minute of silence on his latest
album, and called it One Minute of Silence, listing himself and John Cage
as the authors. Cage's estate sued the rock musician, claiming Batt had violated
the copyright to Cage's 4' 33", a silent piece. Now Batt has paid the John
Cage Trust a "six-figure" fee to settle the case. A spokesperson for
the Trust said "the publishers were prepared to defend the concept of a
silent piece because it was a valuable artistic concept with a copyright." Nando
Times (AP) 09/24/02
- HOMAGE
OF RIGHTS: "I can see Mike's side, but I think he should see our
side more clearly. He is a creative artist—he has a vested interest in a
system that protects creative work—so in some ways he's sawing at the legs
of the very stool he's sitting on." The New
Yorker 09/23/02
THE
NEW ROY THOMPSON: So how about that acoustic renovation up in Toronto? Is
the rejiggered Roy Thompson Hall the new Carnegie? Well, no. But it's a lot
better. "There's a deeper pool of resonance in the bass, and a more vibrant
tone up top. The sound hangs in the air a bit longer, instead of fleeing before
it can be properly savoured... What the room still lacks, and may never achieve,
is that immersive, "wow" quality you get in a truly first-class
hall." But that would have been too much to expect, even from superstar
acoustician Russell Johnson. The Globe & Mail
(Toronto) 09/23/02
I
(DON'T) WRITE THE SONGS: Is pop music less inspired today because the stars
don't write their own music? Not really - pop has always been controlled as a
business. "The relationship between pop idols and the people who supply
their songs is at best an uneasy alliance. As with any industry, the key to
profitability boils down to control of the assets - in this case, the songs.
When it's the singer, this autonomy brings with it a certain degree of
volatility. Or, if you like, the artistic clout to make terrible business
decisions." In business terms, it's better for the execs to decide the
business. The Guardian (UK) 09/22/02
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5. PEOPLE http://www.artsjournal.com/Arts%20beat.htm#people
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
WE
COULDN'T BE PROUDER: ArtsJournal senior editor and literary scholar Jack
Miles is among 24 winners of this year's MacArthur Fellowships, the so-called
"genius awards." Miles is the author of the Pulitzer Prize-winning God:
A Biography and Christ, which is due out soon in paperback. He is
also senior advisor to the president of the Getty. The
New York Times 09/25/02
- SECRET
SELECTION: Winners never know they're being considered. "Since
everything about the MacArthurs is cloaked in secrecy, only the anecdotal
testimony of winners confirms that. The names of those involved in the
selection process are closely guarded, too. Several hundred nominators
submit names for consideration during rotating two-month windows." San
Francisco Chronicle 09/25/02
A
NEW ENEMIES LIST: Harper's editor Lewis Lapham is one of dozens of Americans
- Jimmy Carter, Rep. Maxine Waters, novelist John Edgar Wideman are others - who
have been named as "internal threats" to the well-being of the United
States by a group headed by former Secretary of Education William Bennett called
Americans for Victory Over Terrorism. The group says Lapham and the others have
a "blame America first" agenda. San
Francisco Chronicle 09/24/02
RELEARNING
HOW TO BE A MASTER: When Oscar Peterson suffered a stroke in 1993, he lost
some of the lightning-fast reflexes that had allowed him to play with such
velocity and facility. But , "as often happens, adversity had a silver
lining: Peterson, whose playing was dismissed by some elites as overly glib, was
forced to change. He says he stopped chasing so many notes and began thinking
more about melody. He started to pay attention to less obvious elements of the
music, altering harmonies ever so slightly, peering deep into the structures of
a tune for inspiration. He gradually developed what he considers a whole new
approach." Philadelphia Inquirer 09/29/02
POET
STANDOFF: Amiri Baraka became the Poet Laureate of New Jersey last month.
This month, the governor of New Jersey asked him to resign the job because
"a poem he read at a recent poetry festival implies that Israel knew about
the Sept. 11 attack in advance. But Mr. Baraka said he would not resign,
creating an unusual political quandary. Aides to the governor said he did not
have the power to remove Mr. Baraka because Mr. McGreevey had not directly
selected him. And a member of the committee of poets and cultural officials who
chose Mr. Baraka said that group had no power to remove him either." The
New York Times 09/28/02
NO
LONGER A PRESIDENT, ALWAYS A POET: Vaclav Havel, the Czech Republic
president who began his public life as a celebrated poet and playwright, shared
a New York stage this week with fellow ex-president Bill Clinton and Nobel
laureate Elie Wiesel, and offered up "a 1,600-word meditation of
self-deprecation and self-doubt read in a sandpapery voice." Havel will
step down from his post in February, but his place in history has long been
assured. The New York Times 09/23/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
6. PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
SLIPPERY
SLOPE OF CENSORSHIP: Should America's small presses be prohibited from
publishing sensitive political material? The New York Times' Nicholas Kristof suggested
as much earlier this week. "Our small presses could end up helping
terrorists much more than Saddam ever has" Kristof wrote. In addition to
war, he said, we should "consider other distasteful steps that could also
make us safer." The idea drew an angry response from the presses. "If
we agreed to suspend the First Amendment and broadly criminalize the
dissemination of 'dangerous information' in books, where would we begin? With
information about chemical and biological agents? Where would we end? With
schedules of commercial airline flights?" Publishers
Weekly 09/24/02
WHY
SHOULD THE BRITS HAVE ALL THE FUN? "In England, literary criticism is a
blood sport. Critics choose authors' ex-lovers, political opponents or former
friends who are owed money to make snide remarks about their victim's personal
habits, morals, current lovers and latest embarrassments while occasionally
mentioning the book. In one instance, Martin Amis was denounced for his dental
work. It's great entertainment and, in the end, probably not taken very
seriously." But in America, it's big news when one writer trashes another
in print. Isn't there maybe a happy medium somewhere in between full contact and
hands-off reviewing? Pittsburgh Post-Gazette
09/22/02
DO
TITLES MATTER? "Before a book comes out, everyone (author, agent,
publisher) fusses inordinately over what to call it. Once the deed is done and
the book is published, the title, for better or worse, becomes part of the
proposition offered to the prospective reader and is taken for granted. If
people want to read something badly enough, the packaging is neither here nor
there. But is the book's title just part of the packaging? Many writers would
vehemently disagree." The Observer (UK)
09/22/02
CENSORING
A BOOK ABOUT CENSORSHIP? Richard Meyer's book Outlaw Representation:
Censorship and Homosexuality in Twentieth-Century American Art has been
getting good reviews in the US press. But evidently Oxford University Press, the
book's publisher, is squeamish about some of the photographs in the book, asking
Meyer to remove some of them. When he refused, Oxford decided not to publish in
the UK (or Canada). Says Meyer: "I mean, the whole book is about
censorship, about images that are troublesome, about intellectual and artistic
freedom. I just didn't think the book should end up colluding in the very thing
it was exploring." The Globe & Mail
(Canada) 09/28/02
THE
CANADIAN BOOKER: "Canadians make up half the list for this year's
Booker Prize. Books by Yann Martel, Carol Shields and Rohinton Mistry were among
six on the short list announced today in London for the literary award worth
50,000 pounds (almost $120,000 Cdn). The three Canadians are joined by William
Trevor, Sarah Waters and Tim Winton." Toronto
Star 09/24/02
- CANADA'S
GOLDEN AGE: "Perhaps typically, Canadians have taken the honours
heaped on their writers with a mix of pride and unease. 'Damn, Canadian
authors can hold their own and more with the best of the rest of the
world" is often followed by, 'Gee, are we really that good'?" The
Globe & Mail (Canada) 09/25/02
- THE
STORY'S THE THING: This year's Booker short list is controversial not
for the books that made it, but for the comments of the jury who chose them.
"Not since Andrew Marr, chairman of the Samuel Johnson Prize, decided
non-fiction was the new rock'n'roll has a literary prize judge provoked so
much commentary. If this year's crop defines 'a new era,' as claimed by jury
chairwoman Lisa Jardine, that new era is old values. 'Narrative is back in
fashion. The favourite, William Trevor, actually proclaims it in his title
(The Story of Lucy Gault) and at least three of the other five titles (Life
of Pi, Family Matters and Fingersmith) wholeheartedly embrace strong
plotting and believable, sympathetic characterisation." The
Observer (UK) 09/29/02
- THE
BOOKER OF CLASSIC LITERATURE: The BBC plays a game of what-if, holding
pretend competitions for the Booker Prize in classic years of great
literature. "The programme has chosen four vintage years for
consideration: 1847, 1928, 1934 and 1961. The judging is harsh — and quite
unlike, in my experience, the judging of the Man Booker Prize, or any other
prize, in that books are booted out one by one. 'Who hates this book, then?'
was not a question I’ve ever heard in the course of judging." The
Times (UK) 09/27/02
BANNED
BOOKS WEEK: The American Library Association is holding its annual banned
books week to draw attention to threats to free speech. But there are fewer
"banned" books to report this year. "The number of times a book
was removed from school reading lists or libraries dropped to an estimated 20-25
last year, far below the estimated 200 or higher of the early 1980s, when the
ALA started its program. The ALA reported 448 challenges in 2001, compared to
more than 900 in 1981." Nando Times (AP)
09/24/02
IN
PRAISE OF TRANSLATORS: A good translator can illuminate a writer's work in
an entirely new way, writes Wendy Lesser. "No translator wants his
achievement stolen or denied; yet just as certainly, no translator wants her
voice to overpower that of her source author. It's a very careful balance:
However well the disappearing act is done, something of the translator's own
sensibility invariably enters into the work we're given in English." Chronicle
of Higher Education 09/22/02 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
7. THEATRE http://www.artsjournal.com/Arts%20beat.htm#theatre
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
WEST
END FIRE: A big fire in London's West End threatened to spread to the
200-year-old Theatre Royal, where actresses Maggie Smith and Judi Dench were
rehearsing for a new show on Thursday. BBC 09/26/02
CLEAR
CHANNEL'S NEW CLOUT IN BOSTON: Mega-entertainment company Clear Channel is
planning to do a $30 million renovation of the 2,500-seat Opera House in Boston,
and use it for big touring Broadway shows. "But the increased muscle of the
for-profit Clear Channel - the largest producer, presenter, and promoter of live
entertainment on the planet - leaves some Boston producers and promoters
wary." Boston Globe 09/27/02
THE
AL HISCHFELD THEATRE: Artist Al Hischfeld, 99, is having a theatre renamed
after him on Broadway. In a career spanning 76 years (so far) Hischfeld has
drawn caricatures of Broadway figures. "Mr. Hirschfeld will become the
first artist to have a theater named after him and one of the few people not
directly involved in acting or producing ever so honored." The
New York Times 09/26/02
NY/LONDON
- A MATTER OF RISK: The biggest difference between New York and Lon's
theatre scenes is the way non-profit theatre behaves, writes Clive Barnes.
"Here, the subsidized state theaters play it safe. Since they heavily
depend on subscription audiences, they proceed with great caution in whatever
they do. In contrast, the London non-profit arena, free from the need to
accommodate (some might say pander) to well-heeled and conservative audiences,
provides a more edgy, risk-taking menu." New
York Post 09/29/02
THEATRE
RETREAT: The leaders of Atlanta theatre companies rarely see one another as
they go about their jobs. So a forward-thinking foundation decided to get
directors of five of the city's theatres out of town to spend some time with one
another. Over a few days in New York, they talked about their common challenges
and about how they might work together... Atlanta
Journal-Constitution 09/22/02
WHERE'S
LA'S LATINO THEATRE? Los Angeles' huge theatre community produces more than
1000 productions a year. But despite the region's large Latino population, there
is relatively little Latino theatre being produced. There's a shortage of Latino
theatres and the area's mainstage theatres have a sporadic record of producing
Latino-oriented productions. Los Angeles Times
09/29/02
GARBO
MUSICAL BOMBS: A new musical based on the life of Greta Garbo opened this
week in Sweden, and its creators hope to later take it to London and New York.
But not with the kind of reviews the show was greeted with. Calling it sterile
and predictable, no one's predicting a long life: "I would be surprised if
it goes on for a long time even here. But that might happen if the interest in
Garbo is bigger than the demand for good musicals." BBC
09/22/02
LAST
MINUTE SUBSTITUTION: It's a director's worst nightmare - just days before
the show is to go on, your star has a heart attack. It happened earlier this
month at Chicago's Steppenwolf Theatre. And such a catastrophe triggers a whole
series of decisions that have to be made - none of them pleasant. How to find
someone to step in at the last minute? "It's hard to explain the chemistry
of what's appropriate for a particular role in a particular production. It's
like having a musical score and choosing a flute, sax or clarinet for a
solo." Chicago Tribune 09/29/02 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
8. VISUAL
ARTS http://www.artsjournal.com/Arts%20beat.htm#visualarts
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
HOME
OF THE BRAVE: The art police are at it again. Last week a bronze statue of a
falling woman was placed at Rockefeller Center. "Eric Fischl’s Tumbling
Woman, which he sculpted during the weeks when he kept thinking of the image
of bodies falling from the World Trade Center, was removed after a reactionary
tabloid columnist for the New York Post attacked it in her column. Within hours
of the column hitting the streets, "Rockefeller Center folded and announced
that it would remove the work, which otherwise would have been on display
through September 23." New York Sun 09/19/02
BARNES
WANTS TO MOVE: The Barnes Collection says it wants to leave its home in the
suburbs and move to downtown Philadelphia. "At a news conference, the
foundation's officers said the sudden but long-awaited move was necessary to
save one of the world's greatest art collections, but any move faces
considerable legal hurdles. A relocation and other proposed changes would
contravene the will of Dr. Albert C. Barnes, the eccentric millionaire who
established the trove, with an estimated worth of $25 billion, as a quirky,
anti-elitist academy that because of local restrictions only 1,200 visitors a
month can see. The foundation is projected to run an $800,000 deficit this year
and has less than $1 million in cash reserves. The
New York Times 09/25/02
- FIRST
AID: The Pew Charitable Trusts, and the Lenfest and Annenberg
Foundationshave have "agreed to provide $3.1 million in operating funds
to the Barnes for at least the next two years. More important, they have
promised to help the Barnes Foundation raise $100 million to build a museum
on or near the Parkway, and to raise $50 million for an endowment." Philadelphia
Inquirer 09/25/02
- BARNES
- A SINGULAR COLLECTION: News that the quirky Barnes Collection might
move to Philadelphia from the nearby suburbs has in-town folks excited. The
Barnes Collection is a collection like no other. "Barnes didn't collect
systematically, as if he were filling in a stamp album. He seemed to be
attracted to artists whose work he believed best illustrated his theories
about the interaction of line, shape and color. The Barnes is quirky and
unpredictable, something like a treasure hunt with a higher purpose.
Pleasant surprises lurk beyond every doorway. You will find masterpieces
throughout, because even though Barnes was unorthodox in his collecting, he
acquired a bushel of them." Philadelphia
Inquirer 09/29/02
SPACE
AGE RESTORATION: A Monet painting damaged by a fire in the 1950s might be
restored by a beam of oxygen. "Conservators are talking to space chemists
at NASA's Glenn Research Center in Cleveland, Ohio, after hearing of their
success in removing an overzealous art lover's lipstick from an Andy Warhol
painting. Their trick? They vapourise contaminants by blasting them with oxygen.
Right now, the painting is almost entirely blackened, but the team managed to
transform the blackened paint chips to Monet's dreamy blues and greens." New
Scientist 09/25/02
INGROWN
INTEREST: Why do artists think art about making art is so interesting? It's
not, writes Russell Smith: "The desire to question the gallery experience,
to take art outside 'the white box,' has been prominent since at least the late
1960s (it was largely behind both performance art and conceptual art). It is
still going strong, and I still don't understand what's important about it. I
don't understand the hostility toward gallery spaces and gallery viewing." The
Globe & Mail (Canada) 09/28/02
KRUGER
WINS COPYRIGHT CASE: Can artists legally appropriate other artists' images
into their work as part of something bigger? The US Appeals Court says they may,
ruling in favor of artist Barbara Kruger. "Photographer Thomas Hoepker and
his friend Charlotte Dabney, had sought damages stemming from the use and
exhibition of an image of Dabney within a work created by Barbara Kruger."
The pair had also sued the Whitney Museum and the Los Angeles Museum of
Contemporary Art for selling copies of Kruger's work in their giftshop. The
Art Newspaper 09/20/02
RESTORATION
MAY HAVE DAMAGED SHROUD: A new "restoration" of the Shroud of
Turin may have irreparably damaged it. "Scientists performed a secret
restoration of the shroud - which supposedly wrapped the body of Jesus after his
crucifixion - during which they cleaned and restored the burial cloth. This may
have caused potentially important dust and pollen molecules to be lost forever.
It is feared the process could compromise the possibility of ever conclusively
carbon-dating the shroud, which believers claim bears the image of Christ after
his body was cut down from the cross." The
Herald (Glasgow) 09/22/02
TATE
ATTENDANCE DOWN: "Attendance figures for the Tate's four galleries -
including the Tate Modern and Tate Britain in London - fell by more than 1.2
million in the 12 months to the end of March 2002. Some 5.25 million visitors
went to the gallery in its first year, but that figure fell to 3.6 million in
the following 12 months." Tate director Nicholas Serota says the Tate may
face a £1.5 million budget shortfall. BBC 09/25/02
LOOKING
FOR THE NEXT BIG THING: Jay Jopling is the man who sold contemporary Britart
to the public, introducing Damien Hirst, Tracey Emin and others. Now, after ten
years he's closing his original gallery and consolidating his four locations
into one. Some critics have been saying he's lost his way in recent years, and
the 39-year-old Jopling hopes consolidation of his spaces will help his focus. The
Observer (UK) 09/22/02
PROTESTING
NEW AUSSIE TAX LAW: Prominent Australian artists are withholding promised
donations of their artwork to museums because of onerous new tax laws. "Tthe
artists are disputing a requirement they believe casts doubt on tax-deduction
entitlements when gifting works." Sydney
Morning Herald 09/25/02
PROMOTION
THROUGH CRITICISM: Skidmore Owings & Merrill is one of the world's great
architecture firms. But in recent years the company has been overshadowed by
other star architects who have offered more imagination. To help turn its
reputation around, the firm has produced a series of books about its recent
buildings. But this is no ordinary puffery and hype - projects in these books
are chosen and critiqued by outside critics - and the criticism can be blunt... The
New York Times 09/29/02 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
9. ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
AMERICA'S
VISA MESS: The American government's visa policies are so bogged down and
eratic, performing arts organizations are having to cancel planned performances
with foreign artists. "It's not as if you can hand people a handbook. These
security procedures change from day to day. It's a huge issue for people in our
field. There is an international meeting of world-music people in Germany next
month and this will be the number-one topic of discussion." Philadelphia
Inquirer 09/26/02
THE
BUSINESS CASE FOR PIRACY: Does fighting piracy of intellectual property make
good business sense? Maybe not. "The argument for allowing piracy boils
down to two words: network effects. Without a critical mass of users, most
software products tend to wither and die. Conversely, the more users a software
product acquires, particularly a consumer-oriented software product, the more
valuable it becomes." Salon 09/26/02
THE
TICKETMASTER TWO-STEP: Anyone who has ever purchased concert or sports
passes from juggernaut ticket-broker Ticketmaster is familiar with the company's
policy of charging exorbitant fees for 'handling' and 'processing.' But what
happens when a concert is cancelled and Ticketmaster has to issue refunds? It
turns out that all those extra fees are non-refundable, assuring that the broker
turns a sizable profit even as promoters eat their costs and customers take it
in the shorts. Denver Post 09/26/02
BANKERS
ON BOARD: As times get tougher for arts organizations, boards of directors
are taking a more interventionalist attitude. In Sydney, Zurich and London
recently, the artistic sides have been sacked by the boardroom overseers.
"What boards around the world seem to want now is more predictable
balance-sheets. Even if it sometimes means compromising that less definable
commodity: artistic enterprise." Financial
Times 09/23/02 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
10.
FOR FUN http://www.artsjournal.com/Arts%20beat.htm#forfun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ CLEANING
UP DODGE: A Republican party "Leadership Council" in Texas is on
a cultural crusade. So far it has succeeded in getting a plaster fig leaf
added to a replica of a statue of David, remove some art from an Italian
restaurant, "persuaded commissioners to use an Internet filter to screen
computers at the library for pornography and to put plaques reading 'In God We
Trust' in county libraries." Houston
Chronicle 09/24/02
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