Week
of May 5-12, 2002
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
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1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
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GOT
THE BUZZ: Software writers have developed a program that
performs improvised jazz that musicians can use to accompany
themselves. "A team at University College London has written a
program that mimics insect swarming to 'fly around' the sequence of
notes the musician is playing and improvise a related tune of its
own. Their software works by treating music as a type of 3D space,
in which the dimensions are pitch, loudness and note duration. As
the musician plays, a swarm of digital 'particles' immediately
starts to buzz around the notes being played in this space - in the
same way that bees behave when they are seeking out pollen." New
Scientist 05/07/02
WHO
CONTROLS INNOVATION: The current debate about how copyright
adapts to the digital world is being won by the traditional media
players at the expense of new innovators. "They've succeeded in
making Washington believe this is a binary choice - between perfect
protection or no protection. No one is seriously arguing for no
protection. They are arguing for a balance that avoids the
phenomenon we are seeing now - one where the last generation of
technology controls the next generation of industry."
BusinessWeek 05/06/02
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2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
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GRAHAM
- FORCING THE ISSUE: Dancers of the former Martha Graham
Company are performing this week for the first time since the
company shut down in 2000. Rights to Graham's choreography are
still in dispute in the courts, and dancers say they're performing
not to force the rights issue but because they want to keep the
work alive. Others fear the dispute will only be further
deadlocked. "This is going to impale the dance community on
the horns of a dilemma. I see it as a no-win situation."
Newsday 05/06/02
SAN
FRANCISCO BALLET AT CROSSROADS: San Francisco Ballet is 70
years old - America's oldest dance company. The season just ending
was one of pleasant surprises and surprising disappointments. With
some major retirements coming up, SFB is at a crossroads.
San Francisco Chronicle
05/05/02
FOOT
FETISH: Chris Wheeldon is "one of the few choreographers in
the world today excited by classical ballet. While his European
colleagues run amok in soft-shoed philosophising and radical
revisionism, Wheeldon carries the torch for classicism. He does it
mostly in America, his adopted home, but he’s now back in his
native Britain to make a ballet at Covent Garden." The
Times 05/10/02
PORTRAIT
OF THE NEW ARTISTIC DIRECTOR AS A YOUNG MAN: Mikko Nissinen
blows into town as the new director of Boston Ballet. It's a rock
star performance, meeting the staff, the dancers and the company's
supporters. Can he make them forget the company's recent turbulent
times? ''I'm in a great time in my life. I have a fantastic job.
I'm one of the youngest directors of the major companies anywhere
in the world. Isn't that great? I'm going to be around for a long
time.'' Boston
Globe 05/07/02
TURNING
A BACK ON BALLET: Adam Cooper was a star of London's Royal
Ballet. He played the grown up Billy Elliott in the movie. Then he
gave up ballet for musical theatre. Why? "I felt trapped at
the Royal Ballet. It is such a tiny world and there is so much
snobbery. Some people think ballet is the only important form of
dance, and some dance critics perpetuate that view by the kind of
work they cover. But there are so many more areas of dance to
explore. I very much wanted to use all of myself, not just a tiny
part." The
Guardian (UK) 05/07/02
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3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
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ARTHOUSE
BLUES: Movie attendance goes up in Britain, but audiences for
arthouse films are shrinking. One solution? The government will
spend £17 million on the arthouse circuit. Some complain it's too
little too late. Good movies are pricey, the prime demographic of
yesteryear has abandoned art films, and advertising is expensive.
Maybe independent film is dying? The
Guardian (UK) 05/08/02
WHY
CANNES MATTERS: Cannes "has become the world's largest
yearly media event, a round-the-clock cinematic billboard that in
1999 attracted 3,893 journalists, 221 TV crews, and 118 radio
stations representing 81 countries. And then there are the films.
For many film people, a first trip to Cannes is kind of a grail, a
culmination that tells you, whether you're a journalist with a
computer or a film-maker walking up the celebrated red carpet to the
Palais du Festival for an evening dress-only screening, that you've
arrived." The Guardian (UK)
05/10/02
DEFYING
THE CENSORS: The Australian Classification Review Board banned
the graphically explicit French film Baise-moi last week,
even though the movie has been showing in Australian cinemas for
over a month. The decision has prompted an outcry, and several
cinemas are continuing to screen the film in defiance of the order. The
Age (Melbourne) 05/12/02
MORE
THAN JUST GAMES: Video games are quickly becoming the
entertainment of choice for much of the electronic world. They make
"more money than the movie business (£10.3 billion last year
to the film industry’s £8.2 billion). In the UK we spend more on
games than we do on videos or cinema tickets and it is expected that
sales of games will soon surpass sales of music too. Despite this
success, video games have spent much of the last 40 years being
maligned as a low-brow form of entertainment. But now, it seems,
video games may at last be about to gain at least a degree of
acceptance from the art world." The
Scotsman 05/08/02
WHAT'S
REAL? "The quest for cinema truth has existed since the
early days of Russian Kino-Pravda; but the idea flourished in the
Sixties, mainly because of the advent of light- weight cameras and
sound recorders, and fast film requiring minimal lighting. Modern
digital cameras mean that cinema truth and its offshoot, reality
television, are, in practical terms at least, more tenable than
ever. And yet, paradoxically, there is nothing real about what
passes for reality television today." New
Statesman 05/06/02
A
FILM FOR ALL SEASONS: As the "summer movie season"
pushes earlier and earlier into May, many movie studios are
abandoning the idea of seasons for movies. "Opening movies in
what used to be regarded as the off-season is an inevitable result
of the studios placing more of their bets on 'franchise' pictures -
that is, pictures with sequels - and other so-called event movies
that typically benefit from heavy buzz and marketing."
Orange County Register (WSJ)
05/05/02
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4.
MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
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DIGITAL
DOWNLOADING HELPS MUSIC SALES: A new report says that
experienced digital music downloaders are 75 percent more inclined
to buy music than the average online music fan. "This shows
that while the RIAA (Recording Industry Association of America)
and IFPI (International Federation of the Phonographic Industry)
continue to scapegoat file sharing for their problems, all
reasonable analysis shows that file sharing is a net positive for
the music industry." Wired
05/05/02
THE
PROGRESSIVE: "Does music (or any other art) really move
forward? Yes, it changes, as time moves on. But can we really call
those changes progress? What would progress be, anyway? Which
aspect of art would be progressing?" If you allow for the
idea of progress, "then why won't sophisticates lose interest
in anything earlier? Why won't Mozart sound too simple, once
you've heard Brahms? Why won't Brahms himself sound too simple
after we've heard Schoenberg?" NewMusicBox
05/02
NO
MET FINALE FOR PAVAROTTI: Luciano Pavarotti, the 66-year-old
tenor who has been rumored for some time to be winding down his
career, cancelled his final scheduled appearance at the
Metropolitan Opera in New York this weekend on less than two hours
notice, saying he was ill with the flu. Met general manager Joseph
Volpe reportedly pleaded with the famed tenor to at least put in
an appearance before the sellout crowd, but Pavarotti refused. He
had also skipped a performance earlier in the week, prompting a scathing
story under the screaming headline "Fat Man Won't
Sing" in the New York Post. Rising young Italian
singer Salvatore Licitra stood in, to much acclaim. BBC
05/12/02 & New York Post 05/10/02
WHY
NO ONE SINGS ALONG AT SYMPHONY HALL: "Classical music's
advocates in the cultural marketplace must contend with the fact
that the clichés of the concert hall are much more familiar than
the content of the music itself. Everybody knows them: the
pianist's tails draped over the piano bench, the conductor's
flipping forelock, the orchestra tuning, etc. But when the music
starts, I would contend that only a handful of members of the
audience have any idea what to expect — or, in the case of
Beethoven's Fifth, know what's coming after the first few
bars." Is this a failure on the part of educators and
performers, or does it speak to the enduringly complex quality of
the music? Andante 05/10/02
NOT
A CLUE: Last fall three of the world's largest music companies
finally got online with a music download service. It's been a big
bust. It doesn't offer as many songs as the free sites, it can't
transfer files efficiently and there have been all sorts of
glitches. And for all this you're supposed to pay. And people
aren't. So now some retooling. “The first offering was too clunky
and too consumer unfriendly to hold much hope for its success. So we
are going to go back, and we will come out with a 2.0 product which
will be more consumer friendly, easy to use. ... This is a business
of trial and error.” MSNBC
(WSJ) 05/08/02
DEATH
BY MARGINALIZATION: Is jazz still a potent and evolving art form
or has it become a museum piece? With its most popular artists
sticking to old times and experimenters marginalized, jazz is none
too healthy these days. Maybe the definition of what can be called
jazz needs to expand. But the places to try out new jazz is
shrinking... San
Francisco Weekly 05/08/02
MASS
BAD TASTE: Charles Spencer is all in favor of lists - especially
lists that rank pop songs. But this week's Guinness Poll that ranked
Bohemian Rhapsody as the best single of all time..."The poor
misguided fools! How could they possibly think that such poncily
portentous, sub-operatic claptrap was the greatest single of all
time? Thunderbolts and lightning, very very frightening' indeed. For
goodness sake, you deluded saps, get a grip." The
Telegraph (UK) 05/10/02
CARVING
OUT A LIVING AMONG THE OLD MASTERS: The conventional wisdom
among string-playing musicians is that if you're not playing on an
expensive old instrument, preferably Italian and at least 200 years
old, you're just never going to amount to much. But today's luthiers
would disagree, and some musicians are starting to come around to
the idea that a new instrument can have a power and resonance that
the old masters never conceived of. One rural fiddlemaker's
experience with the strange and mysterious world of the violin (and
viola, cello, and bass as well) may not be typical, but it says much
about the future of the industry. Minneapolis
Star Tribune 05/12/02
WE'RE
LISTENING: A new study of who listens to classical music shows
a broad listenership. "Nearly 60 percent of 2,200 adults
polled at random said they have some interest in classical music,
and about 27 percent make classical music a part of their lives
'pretty regularly,' according to a study commissioned by the
foundation. Nationally, 17 percent said they attended some kind of
classical-music concert in the previous year. About 18 percent
listen to classical music on the radio daily or several times each
week." Philadelphia
Inquirer 05/07/02
COLOSSEUM
CONCERT: Rome's Colosseum is to stage its first concert in 200
years. Ray Charles is "headlining Time for Life on 11 May, an
event dedicated to promoting global harmony. He will be joined by
artists from around the world including Algerian pop star Khaled
and Argentina's Mercedes Sosa." BBC
05/07/02
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5. PEOPLE
http://www.artsjournal.com/Arts%20beat.htm#people
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LIVINGSTON
BIDDLE, JR, 83: Livingston Biddle Jr. helped draft legislation
to create the National Endowment for the Arts and was its chairman
from 1971-81. "As endowment chairman, he ran interference
with Congress and the public over complaints about funding of
controversial subjects and combined his experience and savvy in
government and the arts to increase the base of support for the
arts. He helped work out relationships between federal and state
art efforts, worked to keep politics out of the endowment and
fought for support for minorities in the arts and for bringing
arts to the handicapped." Washington
Post 05/05/02
DRABINSKY
RETURNS? Canadian theatre impressario Garth Drabinsky is
accused of perpetrating a fraud of $100 million before his company
Livent collapsed a few years ago. But that isn't stopping the
dsigraced showman (who can't set foot in the US because he'd be
arrested) from plotting a Broadway comeback. He plans to bring The
Dresser back to New York. The
New York Times 05/06/02
SUPER
SLAVA: Is Mstislav Rostropovich one of the great cellists in
history? "The former music director of the National
Symphony Orchestra in Washington, D.C., for 17 years has been
awarded more than 40 honorary degrees and more than 90 major awards
in 25 different countries, including the Presidential Medal of
Freedom and the Kennedy Center Honors in the United States." Christian
Science Monitor 05/10/02
MURRAY
ADASKIN, 96: Murray Adaskin, one of Canada's most prominent
composers, has died in Victoria at the age of of 96. "Adaskin,
born in Toronto to a musical family on March 26, 1906, had a
distinguished and varied career that spanned most of the 20th
century. One constant was a passion for Canadian culture."
The Times-Colonist (Victoria)
05/08/02
DIVA
DREAMS: Soprano Joan Sutherland is 75. "It's nice to be
remembered. But the whole opera thing has changed from top to
bottom. It has all changed. Even the way that the productions are
geared. I'm glad I finished when I did. I might have done a few
walkouts." Did she ever think about singing again? "Only
once since 1990 has Sutherland thought to let it rip one last time.
A year or two after her retirement, her husband was flying home from
Canada and 'I decided to surprise him'. But after a day's strenuous
vocal exercises she found herself coughing and choking. 'So then I
really did give up'." The Guardian
(UK) 05/08/02
EXIT
INTERVIEW: Departing Lincoln Center chairman Beverly Sills says
''When I came here as chairman eight years ago I was promised that
it would be a three-day week with five-hour days. It was never that,
not from the first week. It was five-day, sometimes seven-day weeks,
and the days sometimes went from 7:30 in the morning to 11:30 at
night.'' But the worst time was probably the most recent. "In
the past 18 months, Lincoln Center has seen the resignations of
three successive presidents and its real estate chairman. City Opera
is threatening to leave the Center altogether. Media reports have
been rife with tales of tense, even screaming, board meetings (which
Sills and others insist are exaggerated or false)."
Boston Globe 05/06/02
SVETLANOV,
DEAD AT 73: Yevgeny Svetlanov, one of Soviet Russia's
most-enduring conductors, has died at the age of 73. Russian
president Vladimir Putin "wrote in a message to Svetlanov's
wife, Nina, that the musician's death was an 'irreplacable loss for
all of our culture'." Two years ago Svetlanov was
"dismissed from his post conducting the State Symphony
Orchestra after Culture Minister Mikhail Shvydkoi said he was
spending too much time conducting overseas."
Yahoo News (AP) 05/05/02
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6.
PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
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TOP
OF THE WINDMILLS: A poll of leading international authors names
Don Quixote as the best work of fiction ever. "Miguel de
Cervantes's 17th-century novel about a knight crazed by reading too
many romances about chivalry, who goes on a mad quest accompanied by
his levelheaded servant, was comfortably ahead of Proust's Remembrance
of Things Past in the poll of 100 writers from 54 countries. It
eclipsed the plays of Shakespeare and works by authors from Homer to
Tolstoy." The
New York Times (Reuters) 05/08/02
BOOK
SALES SOAR: The first quarter was a blockbuster one for the book
trade. "The largest gain was in adult hardcover, where sales
moved up nearly 61% over the first quarter of 2001, while children's
hardcover sales had a 47.8% increase. Trade paperback sales were up
almost 25% and children's paperback sales increased 31.2%. Mass
market paperback sales were ahead 20.5%." Publishers
Weekly 05/07/02
HARRY
DELAYED? Harry Potter fans have been eagerly awaiting the
September release of the next installment of the boy wizard's
adventures. But JK Rowling has "still not delivered the
manuscript for the book to her publishers and has refused to give
any hints about when it will be ready. But unless it is completed
within the next few weeks, her publishers, Bloomsbury, will fail
to meet their target publication date of September this
year." The
Scotsman 05/08/02
READING
CUTS: Several American newspapers have reduced their books
coverage. And at least some of them haven't logged many complaints
by readers. "I defy you to find any newspaper research that
shows book sections at the top of the list of what people want to
read." US
News & World Reports 05/05/02
- COLD
TYPE: Canadian newspapers are making even deeper cuts in
books sections than US publications. "Book pages seldom,
if ever, make money. Even though newspapers pay shockingly low
fees to reviewers, book pages are often a loss leader because
the advertising from publishers and retailers cannot support
the cost of the pages." Ryerson
Review of Journalism Summer 02
FIGHTING
BOOK THEFT: Each year 100 million books worth £750 million are
stolen off UK bookstore shelves (true crime books are most stolen,
reports one bookseller). Now some possible high tech tagging help in
cutting down theft. "Unlike the acoustic magnetic tags attached
to CDs, DVDs and videos, which set off an alarm unless they are
deactivated before the customer leaves the shop, the tags contain a
silicon chip which can carry a large amount of information and an
antenna able to transmit that information to a reading device."
BBC 04/30/02
IS
CENSORSHIP ALL BAD? Yet another silly book flap over an attempt
to ban To Kill A Mockingbird for its use of the word 'nigger'
is sparking discussion at the offices of Canada's National Post.
In a discussion with two editors, the paper's cultural writer puts
forward the unpopular notion that "the so-called
intelligentsia... are too quick to slap around ordinary people who
have entirely authentic concerns about the effect of language and
even ideas on their constituencies." Also, is censoring Harper
Lee somehow more egregious an offense than censoring Agatha
Christie? National Post (Canada)
05/10/02
YOU
MEAN THERE ARE OTHER WAYS TO SELL BOOKS? One of the U.K.'s
leading writers has lashed out at British booksellers who, she
claims, have sacrificed diversity and range of stock for massive
displays featuring guaranteed best-sellers like the Harry
Potter series. One of the bookshops singled out by A.S. Byatt
has responded that while it certainly makes a point of marketing
the big-name titles, it also stocks fully half of all books
currently available in print. BBC
05/10/02
NOT
THAT ANYONE STILL CARES, BUT... A settlement has been reached
between Houghton Mifflin, publisher of the Gone With the Wind
parody The Wind Done Gone, and the estate of original Wind
author Margaret Mitchell, nearly a year after the last court
challenge ended. The original gripe was ostensibly over copyright
infringement and freedom of speech, but, like most things, it
turned out to really be about money. Nando
Times (AP) 05/09/02
INSPIRING
SALES: While some general interest publishers have been cutting
back, inspirational/religious books have surged recently. "The
books range from the serious Christian, Jewish and Buddhist (and
lately some Muslim) works through New Age buckle-down about
self-help to stuff that would embarrass P. T. Barnum. For many
readers apparently, these books bring a kind of religion to those
who don't want a traditional one. Whatever, secular publishers are
into it heavily." The New York
Times 05/09/02
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7. THEATRE
http://www.artsjournal.com/Arts%20beat.htm#theatre
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RSC'S
FINAL BARBICAN BOWS: The Royal Shakespeare Company has wrapped
up its final performances at the Barbican Centre in London, amid
much confusion and controversy over its continued presence in the
UK's capital city. The decision to vacate the Barbican was made by
recently resigned director Adrian Noble, and some observers
suspect that the direction of the RSC will be due for reevaluation
once a new management team is in place. BBC
05/12/02
GOING
HOLLYWOOD: London's West End theatre scene is rivaled only by
New York's Broadway in prestige, and lately London is taking a
page from the Big Apple's book of ticket-selling strategy.
Hollywood stars with a yearning for the 'legitimate stage' have
been infesting Broadway for years now, and this season, the
phenomenon of the movie-star stage play has made the leap across
the pond. Certainly, stars like Madonna and Gwyneth Paltrow (both
of whom, it should be pointed out, can effect convincing British
accents) will do great box office, but is the trend towards using
Hollywood stars even remotely good for theatre? Many think not. The
Guardian (UK) 05/11/02
END
OF AN ERA: After 21 years playing in London, Cats, the
longest-running show in West End history, is closing. "The
houses were still very good, but it's an expensive show to run.
There comes a point when the margins don't make sense any
more." For the last show, some 150 of the show's alumni
performers will take part, including the original cast.
BBC 05/08/02
TONY
NOMINATIONS: The musical Thoroughly Modern Millie led
Tony Nominations Monday with 11. "The show, based on the 1967
movie musical of the same title, was followed by another new
musical, Urinetown: The Musical and Stephen Sondheim's Into
the Woods, which will compete in the musical revival category.
Both received 10 nominations each. For best musical, Millie
and Urinetown will be competing against Mamma Mia! and Sweet
Smell of Success." The
New York Times 05/07/02
PSSST
- WANNA HOST THE TONYS? Nathan Lane, Steve Martin, Angela
Lansbury and Whoopi Goldberg have all said no to serving as host of
this year's Tonys, and organizers are getting nervous. "Theater
people still smart at the memory of the infamous 'hostless' Tonys
three years ago, a telecast that was widely considered a fiasco.
'We're scrambling to line someone up, but so far, we're
stuck'." New York Post 05/08/02
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8.
VISUAL ARTS
http://www.artsjournal.com/Arts%20beat.htm#visualarts
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BRITISH
MUSEUM CRISIS: "Annual visits to the British Museum have
dropped alarmingly, it seems. For years they hovered at around 5.6
million, making the museum second in popularity only to Blackpool
Pleasure Beach among free attractions. And with the completion of
Foster’s Great Court, and the opening of the hallowed Reading
Room to yobs like me, the figure was expected to rise to six
million in time for the 250th anniversary next year. Instead it
has slumped to 4.6 million. Seventy years after Ira Gershwin
penned his great line, the British Museum really does seem to have
lost its charm." The Times (UK)
05/08/02
CLUTTERED
ATTIC: The Smithsonian National Museum of American History is
the third most-visited museum in the world. But a new report says
the museum is so cluttered and disorganized it needs a a complete
reorganization. "As it is now, the museum does not seem to
meet any obvious test of comprehensibility or coherence. Indeed,
in the most basic physical sense, visitors frequently have
difficulty orienting themselves. Even some curators who have spent
their entire professional lives in the NMAH building get
lost." Washington
Post 05/08/02
A
RELATIONSHIP WITH ART: "Art is glamourous, but how good a
time do we really have when we are actually standing in front of a
picture looking at it? If we dutifully try to look at all the
pictures we are probably going to get rather bored. This is not
because the pictures have nothing to offer us, but because the
timing is wrong. We tend to be too polite with pictures. To have a
good time looking at them we need to be a bit more imaginative in
the questions we ask, we need - as with other people - to take a bit
of a risk if we are going to become more intimate."
The Age (Melbourne) 05/06/02
SURREAL
JUDGMENT: Fifty years ago the director of the Glasgow Art
Gallery spent the museum's entire annual acquisition bufdget - £8,200
- on just one painting - Salvador Dali's Christ of St John of the
Cross. "It was, said everyone with a voice, a 'waste of
money'. The press foamed at the mouth in condemnatory headlines.
Rate-payers were incensed by the action of the GP turned art expert.
Students at Glasgow School of Art petitioned for his sacking, and
the eminent Augustus John derided the cost of the acquisition of a
work by a living artist as 'wilfully extravagant'." Fifty years
later the painting is the most-reproduced religious-themed work of
the 20th Century and worth £25 million to £100 million...
The Scotsman 05/05/02
HIPPER
THAN THOU: Scottish artist Toby Paterson has won the Beck's
Futures Prize. "The prize has been described by the Face
magazine as 'a whole lot hipper' than its much-derided competitor,
the Turner Prize, and is seen by some critics as the best yardstick
for gauging the merits of emerging contemporary artists. A
self-confessed lover of the urban environment, all of the artist’s
work relates to architecture, particularly the modernist era of the
1950s." The Scotsman 05/08/02
RECORD
PRICE FOR SCULPTURE: "Constantin Brancusi's 1913 gold leaf
portrait "Danaide" set a world record for a sculpture sold
at auction tonight, fetching $18.2 million at Christie's in the
first of the major auction houses' annual spring sales."
Washington Post (Reuters)
05/09/02
IS
THE ART MARKET HEADED FOR A FALL? Recent auction sales have been
going through the roof, thanks in large part to a few greatly sought
after works. But some observers are concerned that the world of art
sales could be headed for territory all too familiar to anyone who
spent the last few years digging out from the NASDAQ collapse.
Still, for the moment, times are good for sellers, and though they
may regret it later, no one seems too concerned about the bubble
market at the moment. International
Herald Tribune (Paris) 05/11/02
ART
WITHOUT A HOME: "Much has been said recently about the
rights and wrongs of art being removed during wars from one owner or
country to another. Yet the long history of such appropriations is
rarely mentioned. It may be that Rome's pillage of Corinth in 146
B.C., or Venice's of Constantinople in 1204, now seem irrelevant
because the spoils cannot be identified or because they have come to
be associated with their new home. (The four horses of St. Mark's is
a case in point). But even when we know the fate of the booty, we
accept the outcome after enough time has passed: in the long run,
art has no permanent home." New
York Times 05/12/02
BUILDING
PROTECTION: The National Park Service has a plan to protect the
Washington Monument from the "evildoers." "Under the
pretext of protecting the monument against truck bombs and other
forms of vehicular assault (jet airplanes don't seem to have crossed
its radar screen), the service has come up with a bizarre plan that
could end up presenting the Mall with an unexpected new treasure,
the Leaning Monument of Washington, or perhaps - even better! - with
81,120 tons of New England granite spattered all over the Mall. The
service wants to replace the Jersey barriers that now surround the
base of the monument with two sunken walkways, 12 feet wide and
walled in stone." Washington
Post 05/06/02
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9.
ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
WHO
OWNS PUBLIC ART? A Seattle artist is suing the Seattle Symphony
for using a picture of his public art project in a brochure. Though
public art is paid for with public money, artists generally still
own the copyright. For artist Jack Mackie, the issue is less about
money than how images of his work are used. Morning
Edition (NPR) [RealAudio link]
05/07/02
COUCH
POTATOES: A new study says Brits rarely get off the couch in
their free time. "According to a survey commissioned by the
European Union 70pc of people not only shun watching traditional
high culture such as plays, but do not even bother to attend a
football match, sing in a choir or play a musical instrument."
Western Mail (Wales) 05/08/02
TOO
MUCH REMEMBRANCE? "Are we in danger of 9/11 overload?
Sometimes it seems as if every Off Broadway theater company, every
musician, every artist wants to weigh in." Are such tributes a
measure of the country's resilience and respect for the dead, or
merely another example of Americans' innate belief that nothing is
more important than we are? Or are real Americans sick of the whole
thing, even as the media continue to try to whip the viewing/reading
audience into a frenzy of grief and anger? New
York Times 05/12/02
THE
CLAP TRAP: "Even as we all complain that everybody talks in
movie theatres these days, anecdotal evidence suggests we are
becoming more deferential during live performances.
Nineteenth-century audiences used to come and go at will and chat
during plays and operas, while musical producers had to include loud
numbers at the top of Act II to lure crowds back from the
intermission. And opera buffs who liked a particular aria thought it
quite permissible to interrupt a performance with persistent calls
for a mid-show encore. Try that today, and you would probably be
greeted with a chorus of huffy ssshhhhs and dark glares. Who invents
all these rules anyway?" The
Globe & Mail (Canada) 05/09/02
NAJP
FELLOWS ANNOUNCED: Winners of arts journalism fellowships at
Columbia University for 2002/2003 include New
Republic theatre critic Robert Brustein, Boston Globe architecture
critic Robert Campbell, Village Voice editor Robert Christgau, and
New York Times cultural critic Margo Jefferson. NAJP
05/07/02
CULTURE'S
JUST A FRILL? The state of Massachusetts is facing a budget
crisis. Among the proposals to deal with it is a cut in the
Massachusetts Cultural Council budget - "from just over $19
million this year to about $10 million. On a percentage basis, it
is one of the largest cuts proposed for any agency in the state.
The council distributes more than 7,000 grants for exhibitions,
concerts, and cultural education programs. Most of the groups that
receive funding from the council would face cuts of up to 50
percent next year." Boston
Globe 05/08/02
THE
RIGHT TO SURVIVE: Like many, American artist Lowry Burgess was
outraged at the Taliban's destruction of the Bamiyan Buddhas last
year. "His despair and outrage has moved him to create what
might be called conceptual art: a manifesto urging the
international community to prevent such destruction from ever
happening again. Burgess sat down and wrote a statement calling
for international protection of sites and artifacts embodying
cultural memory, not just in wartime (as guaranteed in the Hague
Accords), but at all times. He's calling it the Toronto Manifesto:
The Right to Historical Memory, and his goal is no less than to
see it adopted internationally." Philadelphia
Inquirer 05/05/02
UNDERFUNDING
BY INCOMPETENCE: The government of Italy has allocated more
money for arts and culture. Only one problem - it's not being
spent. "A combination of incompetence and red tape have led
to the absurd paradox that more money than ever is available for
the arts, but 65% of the funds allocated to the cultural sphere is
not being spent." The
Art Newspaper 05/03/02
PLAYING
WITH FREE SPEECH: Are computer games speech? One judge rules
yes. Another has ruled no. If the no side is upheld "that could
be a disaster for anyone who wants to see games evolve into a medium
every bit as culturally relevant as movies or books. It is, of
course, indisputable that the world of gaming is replete with titles
that have little redeeming value, just as it is true for every other
artistic medium. But as Medal of Honor and other games demonstrate,
computer gaming has created a new means of conveying complex,
relevant ideas. One more uninformed ruling, and the potential of
this medium could be curtailed even further, by legislators with
elections to win, and ideologues who've pincered it from both sides
of the political spectrum. The stakes really are the future of free
expression." Salon
05/06/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
10. FOR FUN
http://www.artsjournal.com/Arts%20beat.htm#forfun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
RIGHT
WAY ART: A Los Angeles artist tired of getting lost on a
downtown freeway decided to alter the official sign, adding
directions. He "designed, built and installed an addition to an
overhead freeway sign - to exact state specifications - to help
guide motorists." The alteration stayed up for 9 months until
it was discovered by highway workers tipped off by a local newspaper
column. "The point of the project was to show that art has a
place in modern society - even on a busy, impersonal freeway. He
also wanted to prove that one highly disciplined individual can make
a difference." Los Angeles Times
05/09/02
EVER
HEARD OF... Is it just an illusion that service in book shops is
getting worse? Hmnnn... At one London bookseller, "I ask if he
knows of a book called The Colour Orange by Alice Walker.
'Let's put the title in and see what comes up,' he says. There is no
exact match, but there is a book with the words orange and colour in
the title and then a lot of symbols. 'Could that be it?' he says and
pushes the screen round. It is about metallurgy. I tell him that I
think it's a novel. 'Is it possible you've got the wrong title?' he
asks. I concede that it is. There follows a stumped silence."
The Guardian (UK) 05/07/02
BOMBS
COME IN MANY GUISES: A recent production of Mozart's Idomeneo
at the Paris Opera was a bit unconventional. It featured an
"Act I ballet with a dancing jellyfish attacked by Greek
soldiers and then being comforted by nuzzles from a seahorse.
Idomeneo's sacrifice of his son, Idamante, was foreshadowed by the
simulated slaughter of a goat while dancing mermaids provided
levity." And the critics? "Critical reaction was, in some
quarters, incredulous. How could this happen in a major opera house?
How could a conductor of Ivan Fischer's caliber have such judgment
lapses as a stage director? Didn't anybody try to tell him?" Andante
05/07/02
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