Week
of April 8-14, 2002
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
10. For Fun
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1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
BUYING
RESPECTABILITY (BUT AT WHAT COST?): "A handful of
Russians have acquired fortunes of $1 billion and more in
the decade following the collapse of the Soviet Union. While millions
of their countrymen suffered collapsing living standards, declining
health and increasing alcoholism, a few made enough money to join
the ranks of the world's richest men. Now that these men have
money, they seek recognition. They want access to western-dominated
international business and international society [such as the
boards of major arts institutions such as the Guggenheim] and
are ready to pay for the privilege. But at what price and on what
terms should western institutions open their doors?" Financial
Times 04/08/02
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2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
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TAKING
CENTER STAGE: The rules of how dance and music interact may
be changing. "Up through the 19th century, classical music
composed for the concert hall remained off limits to ballet; instead,
house composers supplied accompaniments to order." For much
of the last century, the dancers were the sole focus, with the
music predictably supplied from the pit, or even from a recording.
Now, a new generation of choreographers are integrating sound
and movement in a variety of ways that bring the music (and the
musicians) to the fore. Los Angeles
Times 04/14/02
FROM
BALLET TO BROADWAY: Christopher Wheeldon is one of the hottest
ballet choreographers in the world right now. But can he transfer
his work to a Broadway stage? "I felt that some people were
trying to frighten me, because they were saying how tough a Broadway
show could be. I was told that when things got rough, it can be
unpleasant; that it's very rare that a team stays intact, and
[that] it ends up falling apart at the end."
Christian Science Monitor 04/12/02
ROYAL
BALLET'S DOWNTURN: Clement Crisp is depressed by recent turns
at London's Royal Ballet. Ballet companies are born with a genetic
make-up as potently formative as that of any human. The Royal
Ballet was given beliefs by Ninette de Valois: about a school
and a theatre, about roots in the nation's arts and in an older
repertory, which would encourage choreography. The Royal Ballet
conquered the world with a distinctive manner of dancing and dancemaking.
It is increasingly difficult to reconcile today's Royal Ballet
with its past. Is it, with preponderant foreign principals, still
the Royal Ballet? Why has the company's school failed to produce
talent as impressive as Tamara Rojo, Alina Cojocaru, Johan Kobborg,
Ethan Stiefel? Why no house choreographer, no musical director?"
Financial Times 04/12/02
- BUT
MAYBE IT'S TIME TO MOVE ON: The Royal's latest outing brings
"a welcome sense that the company, after a long stagnation,
is beginning to move forward." London
Evening Standard 04/11/02
MIDDLE
EAST DANCE: The Israel Ballet is celebrating its 35th birthday
this year, a feat many supporters consider as miraculous. It was
founded in 1967 by husband and wife team...
Jerusalem Post 04/11/02
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3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
NPR
REORGANIZES ITS CULTURAL COVERAGE: National Public Radio restructures,
cuts 47 jobs and refocuses its cultural programming and arts coverage.
Officials said the new approach would "break down barriers
between arts staffers and the news division - a barrier that cultural
staffers acknowledge existed within the NPR offices on Massachusetts
Avenue. The new approach will also be more eclectic."
Washington Post 04/12/02
ET
GO HOME: The movie ET was the biggest hit of its
day, breaking all box office records. But the rerelease of the
movie, with new and reworked scenes has been a disappointment
at the gate. "One possibility is that re-releases need to
be cult films. You need an in-built fan base. Just being a massive
hit is not enough." BBC
04/05/02
HEARING
ALONG WITH THE ACTION: America's TV networks introduce new
technology that allows blind people to follow along with action
on the screen. "The technology allows the user to turn on
a secondary audio channel, on which a narrator describes the action
during pauses in the dialogue. (All televisions made in the United
States since the early 1990's have such a channel.)"
The
New York Times 04/08/02
RIO
STRIKES BACK: Tourism officials of Rio de Janeiro plan to
sue producers of The Simpsons for portraying their city in a bad
way. "In the episode the Simpson father, Homer, is kidnapped
by a taxi driver, the family is assaulted by begging Brazilian
children on a beach, and the family visits Rio slums infested
by violent monkeys." Houston
Chronicle (Knight Ridder) 04/07/02
DOWNLOADING
HOLLYWOOD: Movie piracy is becoming a very big deal in the
digital age. "According to the Motion Picture Association
of America (MPAA), the industry already loses more than $3 billion
annually to the sale of illegally copied videotapes. Now, with
an estimated 350,000 digital movie files being downloaded daily
for free, and with that number expected to climb to a million
by year's end, digital film piracy is Hollywood's next nightmare."
Christian Science Monitor 04/12/02
THE
MEANING OF DIGITAL: The digital movie revolution is racing
along, with some predicting film will be obsolete by 2005. "The
new technology will change the way movies are made and the way
they look. The digital revolution will also alter programming
at cinema complexes. As well as movies, complexes will be able
to screen any event taking place around the world simultaneously
- concerts in New York, the Olympic Games in Beijing or Oscar
presentations." The
Age (Melbourne) 04/11/02
IN
GOVERNMENT WE TRUST? Judging by the TV schedule full of shows
about government, American bureaucracy is popular again. "Cynics
might note that these are basically the same dramas that used
to happen in hospitals, or law firms, simply transferred to government
settings. Throw up some columns, roll out some marble, drape a
few flags, and "The West Wing" is basically L.A.
Law in D.C. But that underestimates the power of setting.
The government is not incidental to these programs, it is essential."
Washington Post 04/07/02
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4.
MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
AFTER
HE'S GONE: Musicians of the Montreal Symphony seem unrepentant
that they provoked music director Charles Dutoit to quit the orchestra.
"In the past year or so it's become intolerable. The musicians
are constantly berated or they're insulted or there are sarcastic
comments." So what comes now for Canada's top orchestra?
"In terms of its international prestige, if it can't find
a conductor of high quality to replace him, a period of decline
will inevitably take place." Canada.com
(CP) 04/11/02
- ONE
LAST FUTILE PLEA: The Montreal Symphony is making a token
effort to get Charles Dutoit to reconsider his resignation.
"In a brief statement issued just after 8, the orchestra
said it would contact the conductor today in Pittsburgh and
ask him to reconsider the resignation he had tendered 24 hours
earlier. Yet the statement appeared to concede the inevitability
of his departure by expressing a desire to ensure 'a harmonious
transition in the artistic direction of the orchestra.'"
Montreal Gazette 04/12/02
- SO
WHOSE FAULT IS IT? Is Dutoit really the autocratic tyrant
one union boss has made him out to be? Are the MSO musicians
a bunch of thin-skinned crybabies who've dug themselves a hole
and fallen into it? And ultimately, how did the situation ever
get to this crisis point without someone, somewhere, noticing
and doing something about it? One critic is ready to start assigning
responsibility. Montreal Gazette
04/13/02
ANOTHER
ORCHESTRA IN THE RED: The Baltimore Symphony Orchestra has
become the latest in a long string of North American orchestras
to annoucne massive operating losses. The BSO is running a $1
million deficit, and will be looking to make cuts, but will continue
with plans for a tour of Japan this fall. Baltimore
Sun 04/12/02
THE
ACCIDENTAL CRITIC: Newsday's Justin Davidson hasn't been music
critic for long - since 1995 - and fell into the business accidentally.
But this week he won the Pulitzer for criticism. "The judges
praised 'his crisp coverage of classical music that captures its
essence.' Among the body of work receiving recognition were opera
reviews and a series of long feature stories on recent developments
in new music." Newsday
04/09/02
COMPETITION
MESS: Pasadena's new Rachmaninoff International Piano Competition
promised to be a different kind of competition, a competition
free of controversy. But the jury disqualified the pianist who
earlier in the week had been voted the audience favorite, and
publicly humiliated him by declaring him unprepared.
Los Angeles Times 04/08/02
- RIPPING
THE RACHMANINOFF: How much did Mark Swed dislike the new
Rachmaninoff International Piano Competition in Pasadena? Let
him count the ways. "What made me most uneasy Saturday,
however, was not a vulgar pianist collaborating with a crude
orchestra to produce studied excitement. After all, the Rachmaninoff
prize is not likely to mean much, one way or another. Rather
it was hard to respect any public presentation that demonstrated
such disregard for the audience and performers alike."
Los Angeles Times 04/08/02
MIXED
MESSAGES: Part of the trouble with the classical music profession
is that the recording industry seems to have a profoundly different
idea of what classical music is for than do its performers and
advocates. "While live music goes on being promoted as a
multicolored festoon of passion, thrills, bedazzlement and beauty,
the marketing of recorded music at a certain level is more and
more emphasizing the calming effect." In other words, orchestras
want to be exciting, while record labels want to help people fall
asleep. The New York Times 04/14/02
WHEN
THE CHICKENS COME HOME: Pop music deserves its current dire
straits. "Today's pop scene has very little to do with making
music: music is simply one of the pegs on which the New Instant
Celebrity is hung. All notions of quality and artistry seem to
have gone out of the window. By concentrating on short-term profits
from instant hit singles by a fast turnover of disposable pop
stars who are little more than karaoke singers, and all the major
labels trawling the same over-fished pool of international talent
by splashing out obscene sums of money for those few artists who
can notionally guarantee massive sales, the 'industry of human
happiness' is ultimately digging its own grave. The music business
has been cruising for this particular bruising for years."
The Independent (UK) 04/11/02
A
BEER AND A BUMP AND SOME BACH: There was a time when classical
music was not the stuffy, formal, tuxedo-clad beast that it has
become. Back in the day (the 18th century, actually,) classical
music was, y'know, popular. A 31-year-old Israeli cellist is taking
a stab at duplicating the effect, playing Bach in bars, clubs,
and all sorts of other places you'd never think of. Baltimore
Sun 04/13/02
THE
MAKINGS OF A CAREER: "Why do some splendid performers
enjoy major international careers and other equally splendid performers
do not? And how to explain why certain flashy performers have
thriving international careers, while more substantive performers
never seem to break out of a regional success? It may come down
to a certain temperament or drive that propels some artists to
popular success. A marketable image, or just an inexplicable something
that audiences connect with. The artist makes choices, too."
New York Times 04/11/02
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5. PEOPLE
http://www.artsjournal.com/Arts%20beat.htm#people
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ATTACKING
RALPH: Ralph Richardson's archive of personal letters includes
evidence of a nasty fight with novelist Graham Greene. "The
row was over Richardson's performance as a sculptor during rehearsals
of Greene's 1964 play Carving a Statue. The play flopped,
ending the novelist's 10 year run of successes in the West End.
Even in rehearsals, the archive discloses, Greene blamed Richardson
for not speaking the lines properly or understanding the part."
The
Guardian (UK) 04/09/02
BETTER
LATE THAN NEVER: "Montreal-born composer Henry Brant
has some advice for young artists of all sorts. 'Take care of
yourself until you're old enough to do your best work. That's
when everything becomes clearer what's important and what's less
important, and how to proceed.' Nobody could accuse him of failing
to heed his own advice: At the age of 88 he's in good health and
has just won a Pulitzer Prize for composition." The
Globe & Mail (Toronto) 04/13/02
CONDUCTOR
COLLAPSES, DIES ON THE JOB: "Leading Russian conductor
Mark Ermler, 69, died in Seoul on Sunday after collapsing during
a rehearsal for a concert by the Seoul Philharmonic Orchestra,
officials said. Ermler was associated with the Bolshoi Theatre
and Opera throughout his career and was its musical director until
2000. He became chief conductor of the Seoul Philharmonic in May
2000." Andante (Agence France-Presse)
04/14/02
SAINTED
BUILDER? Architect Antonio Gaudí is on the fast track for
sainthood by the Vatican. He's "an architect for people who
don't really like architecture. Gaudí too had a very long career
- he was still working when in 1926 he was hit by a tram and died
- and began with brilliantly inventive projects, but in later
life his work became ever more grandiose as the original delicacy
ripened and then finally curdled. But the truth is that the architect
has been turned into a sacred monster, casting a darkening and
ever kitscher shadow over the city he did so much to shape."
The
Observer (UK) 04/07/02
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6.
PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
THE
RIGHT TO A PRIVATE READ: The
Colorado Supreme Court has ruled that a Denver bookstore (the
Tattered Cover) owner does not have to provide police with a list
of people who bought a book on how to make illegal drugs.
"The high court declared that the First Amendment and the
Colorado Constitution protect an individual's fundamental right
to purchase books anonymously, free from governmental interference."
Wired
04/09/02
OPEN
LETTER TO OPRAH: "Naturally, I have heard a variety of
cynical theories about the real reason you're downsizing your
book club: Ratings for the book-themed shows are abysmally low.
Many authors - after months of isolation in dark garrets, scribbling
away - don't make scintillating guests. Or maybe you're just sick
and tired of the whole literature thing. If that was it, I wish
you'd simply leveled with us. Had you said, 'Look, folks, I'm
sick of reading novels all the time. I want a life. I want to
veg out and watch TV and paint my toenails, OK? Give me a break.
I'm not in high school anymore and there isn't a crabby old English
teacher breathing down my neck for me to finish `Silas Marner,'
OK?' I could've respected that." Chicago
Tribune 04/10/02
- OUT
OF BOOKS/OUT OF IDEAS: So Oprah's run out of books that
meet the test of quality for her book club. "There seems
something churlish and—dare I say it?—elitist about this majestic
dismissal. True, trendy academics have been issuing gnomic declarations
about the death of the novel for the last 30 years or so. But
Oprah? How could she and her staff have exhausted the range
of existing share-worthy fiction (including backlists!) in a
mere five years? One answer, of course, is that Oprah was selecting
a very special kind of fiction." Slate
04/10/02
FLEETING
FAME:
"The curious thing about bestsellers: their popularity is
often shorter than the span of their readers' lives. As Germaine
Greer rather sourly remarks of Lolita: 'Bestsellers are never
bestsellers for the right reasons.' In the end, though, it's the
ephemerality of the bestseller that's so fascinating. They are
such fragile flowers: the merest waft from a passing new trend
consigns them to outer darkness." The
Telegraph (UK) 04/10/02
DE-LINKING
AMAZON:
Thousands of websites link to Amazon.com promoting sales of books
they care about. Now, to protest Amazon selling used books alongside
new ones, the Authors Guild is urging webmasters to take down
their Amazon links. "We believe it is in our members' best
interests to de-link their websites from Amazon. There's no good
reason for authors to be complicit in undermining their own sales.
It just takes a minute, and it's the right thing to do."
Wired
04/09/02
WHEN
CRITICS COLLIDE: Critics disagree all the time, of course.
But rarely has opinion diverged so completely over Richard Flanagan's
Gould's Book of Fish. According to the New York Times' Michiko
Kakutani, this is "an enthralling story", a "remarkable"
and "astonishing" book, "a wondrous, phantasmagorical
meditation on art and history and nature". Peter Craven's
review in The Age, on the other hand called it "a monstrosity
of a book. I cannot believe that a novel like this has been put
before the public with such a mishmash of verbal collisions, such
lapses of judgment and such evasions of pace". At least they
have opinions? The Age (Melbourne)
04/09/02
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7. THEATRE
http://www.artsjournal.com/Arts%20beat.htm#theatre
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A
LAW TO HELP PLAYWRIGHTS: A law is being proposed in the US
Congress that would give playwrights greater bargaining rights
with producers. Currently, "playwrights must negotiate for
themselves with unions or other groups to get plays produced.
They commonly are offered take-it-or-leave-it contracts. Because
playwrights own copyrights to their work, they have been considered
since the 1940s independent contractors to producers instead of
employees with collective bargaining rights. The new legislation
would allow them to negotiate and enforce contracts with producers
collectively." Nando
Times (AP) 01/10/02
MAY
WE SUGGEST 'THE PANIC ROOM'? "Great composers are in
short supply. Top-flight lyricists are an endangered species.
Male singing stars are as elusive as four-leaf clovers. But even
in a challenging age for new talent, the Broadway musical can
still count on one endlessly renewable resource: the movies."
The New York Times 04/14/02
WHEN
ROBERT ASKED LARRY: Robert Brustein asked his friend Larry
Gelbart to write a new adaptation of Lysistrata. Gelbart agreed,
but in the script he delivered "the sexual references were
so voluminous and repetitious that they put off several of the
participants" so Brustein pulled the script . "Gelbart
declared himself a victim of political correctness, and now, amid
bruised feelings on all sides, there are two competing musical
adaptations of Lysistrata moving ahead, one by Mr. Brustein
in Cambridge and one by Mr. Gelbart in New York."
The
New York Times 04/11/02
BROADWAY
REVIVAL: By most accounts, it's been a pretty lackluster season
on Broadway. But heading into the home stretch, a new group of
plays has just opened and things are suddenly looking up. Newsday
04/12/02
ACTORS
UNION URGES BOYCOTT: Actors Equity union has asked its members
to boycott the annual National Broadway Touring Awards this year.
"The union has indicated it is unhappy with the league's
policy of not differentiating between Equity and non-Equity productions
on the road," and non-union touring productions are particularly
rankling the union this year. Backstage
04/10/02
ANOTHER
SCOTTISH THEATRE DOWN:
Glasgow has seen its third theatre company close this year because
of lack of money. Whose fault is it? Maybe the Scottish Arts Council.
"All three companies were losers in the most recent round
of three-year funding applications, making their positions unsustainable
in a market-place allegedly controlled not by the work produced,
but by boxes ticked." Glasgow
Herald 04/09/02
GOING
YOUNG:
London's National Theatre has been slammed for not appealing to
younger audiences. To address the charge, the theatre is "staging
13 world premieres, building a studio theatre, converting conventional
auditoriums, and giving permission to take a beer into the show."
The
Guardian (UK) 04/10/02
PARKS'
EXCELLENT YEAR: As Suzan-Lori Parks’ Topdog/Underdog
wins this year's Pulitzer for drama, the play opens on Broadway.
It's been a good year for Parks. She won the 2001 MacArthur
Fellowship, known by many as a “genius grant,” and the 2000 Guggenheim
Fellowship. Broadway.com
04/08/02
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8.
VISUAL ARTS
http://www.artsjournal.com/Arts%20beat.htm#visualarts
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
NEW
TWIST ON THE TURNER:
"The Turner prize. It's hard to think of anything more of
our cultural time in its capacity to inspire vitriol and curiosity,
each condemnation generating new publicity, another twist to the
spectacle, more people who want to go and see for themselves.
This year, there's something new. For the first time, a nomination
form for the Turner prize is being published in a national newspaper.
The
Guardian (UK) 04/10/02
THE
BMA'S DIRECTOR SPEAKS: The British Museum is an unwieldy institution
to try to run. "No issue is clear cut, every one compressed
into a gritty snowball of money, art, politics and ethics, tossed
between governments, curators, media and sometimes the public.
Cup of tea too pricy? Great Court stone the wrong colour? Galleries
closed (though each is open part of every day and any can be opened
on request)? Blame the director." London
Evening Standard 04/11/02
WHAT
HATH GUGGENHEIM WROUGHT? When the Guggenheim launched not
one but two satellite museums in the cultural wasteland of Las
Vegas, critics clucked, art aficionados rolled their eyes, and
everyone agreed that the project was doomed. Unfortunately for
the Guggenheim, which is facing severe financial shortages, the
naysayers appear, so far, at least, to be correct. "Far from
'bringing art to the masses,' the Guggenheim has brought corporate
branding to an anticipated public that has thus far failed to
show up." The New York Times
04/14/02
SELLING
TO THE MASSES: The Glasgow Art Fair is "about to invite
the public, and their wallets, inside. The Art Fair, now in its
seventh year, is hugely significant for raising awareness of art
and, more importantly, selling it. Last year a record 15,000 visitors
came through the doors, and takings came in at more than £500,000,
an average of £13,300 each for the 40 galleries represented. While
this is encouraging for Scotland’s art economy, it is tempered
by the fact that the highest prices are generally commanded by
artists who are, not to put too fine a point on it, dead."
The Scotsman 04/10/02
A
BIENNIAL THAT SHOULD KNOW BETTER: Art biennials are everywhere
these says. But "in the process, the exhibitions themselves,
once key cultural events, have become almost routine, with the
same cast of star artists featuring again and again like players
on the tennis circuit. The Sao Paulo biennale is old enough
to know better. Modelled on that of Venice, the first and oldest
in the world, it was the brain child of Italian immigrant turned
business man and patron of the arts."
Financial
Times 04/11/02
WHERE
WILL THE CRITICS GO?
America has a strong tradition of art criticism. But "few
institutional structures have existed, however, to support and
legitimize the profession. The number of publications critics
can write for has decreased along with pay, which has declined
from a onetime industry standard of $1 per word. At the same time,
the Internet has not proven to be a significant new space for
independent art criticism." American
Art 04/02
WHAT
AILS THE NATIONAL: One critic sees disturbing signs of London's
National Gallery in a steep decline. "The National Gallery
is beginning to die, and the tragedy is that it is being killed
off. It began to ail in 1998, when it was decided, without any
public airing of the consequences, that the gallery's collection
would no longer grow as the art of painting itself grew, but would
be terminated at 1900." New
Statesman 04/08/02
DEREGULATED
BUT HARDLY FREE (THE MARKET, THAT IS): The French art market
has been opened up to international auction houses. But so far
the biggest change has been an increase in fees the French auctioneers
charge. "In the short term this situation is resulting in
a massive transfer of value from collectors and dealers to the
auction houses." The
Art Newspaper 04/05/02
SUNSET
FOR THE PAINTER OF LIGHT? "Thomas Kinkade's annual meeting
with the men and woman who have invested heavily to open Thomas
Kinkade Signature Galleries nationwide is supposed to be a feel-
good affair, with the millionaire artist outlining his plans for
new works and Kinkade-themed projects. But this year, according
to gallery owners and insiders at Kinkade's Morgan Hill company,
Media Arts Group, the focus will be on increasingly slack demand
for Kinkade's output and persistent rumors that Kinkade is angling
to take publicly held Media Arts private."
San Francisco Chronicle 04/07/02
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9.
ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
THIS
YEAR'S ARTS PULITZERS: Newsday classical music critic Justin
Davidson wins this year's criticism Pulitzer. Henry Brant wins
the music Pulitzer, Carl Dennis wins for poetry, and Suzan-Lori
Parks wins the drama award for Topdog/Underdog. The New
York Times has a good
collection of background links on the winners.
Pulitzer.org 04/08/02
GLOBAL
DOMINATION? WHAT GLOBAL DOMINATION? "We have been hearing
a good deal about how American mass culture inspires resentment
and sometimes violent reactions, not just in the Middle East but
all over the world. They continue to insist that Hollywood, McDonald's,
and Disneyland are eradicating regional and local eccentricities
- disseminating images and subliminal messages so beguiling as
to drown out competing voices in other lands. Yet the discomfort
with American cultural dominance is not new. On the contrary,
the United States was, and continues to be, as much a consumer
of foreign intellectual and artistic influences as it has been
a shaper of the world's entertainment and tastes."
Chronicle of Higher Education
04/08/02
MYTHS
OF THE WIRED EDUCATION: Does technology improve the quality
of higher education? That's been the theory. But "recent
surveys of the instructional use of information technology in
higher education clearly indicate that there have been no significant
gains in pedagogical enhancement." The
Nation 04/11/02
COPYRIGHT
GRAB: Proposed legislation in the US Senate would regulate
the ability to copy and distribute anything digitally. The legislation
is backed by large media companies like Disney, but opposed by
consumer groups and the open source community. "This represents
an incremental power grab on the part of these media companies.
It threatens to make all free and open-source software efforts
criminal." San Francisco Chronicle
04/08/02
FRESH
BLOOD: With the European Union making migation between European
countries easier, there is some trepidation in the UK. But the
last great influx of foreign artists had an enormous, positive
impact on the country. "Our most cherished institutions,
even the culture that some people believe to be under threat,
would not be as robust or as worth preserving if Britain had not
opened its borders to foreign artists and arts administrators
60 years ago." London
Evening Standard 04/08/02
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10. FOR FUN
http://www.artsjournal.com/Arts%20beat.htm#forfun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
LITERARY
PRODUCT PLACEMENT: Writer Jim Munroe has a new book. In it,
he mentions a number of corporations. So he decided to bill the
companies he names $10 each for "product placement,"
just as they do in the movies. So far no takers. "A lot of
people think it was this big promotional thing, and it obviously
brings attention to the book and the issues in the book, but for
me, it was a pretty natural thing. When I was going through the
manuscript, to edit and revise it and stuff, I was like 'Man,
I wish I didn't have to mention all these corporations.' It sort
of bugged me that I was mentioning them ... But the whole point
of the book is to draw attention to the fact that we're totally
corporatized, but at the same time I'm also mentioning all these
corporations." Ottawa
Citizen 04/07/02
ELVIS
HAS LEFT THE BUILDING: UCLA is close to Hollywood, so you'd
maybe expect when the school reached out to name an "artist
in residence" it might turn in a pop culture direction. But
Elvis Costello's artist-in-residence gig hasn't exactly paid off
for the university. Barely in to the job, Costello has left to
work on an album, and the residency has been put on hold. "A
ballet based on Shakespeare's A Midsummer Night's Dream
with orchestral music composed by Costello for the Italian dance
company Aterballeto, originally planned for this summer, is probably
not going to happen at all because of scheduling conflicts, though
the music may be performed in another context."
Los Angeles Times 04/10/02
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