Week
of August 19-25
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
10. For Fun
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1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
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WORLD
HERITAGE IDEAS: The United Nations lists some 700 cultural
treasures around the world as heritage sites. "But why limit
UNESCO's validating embrace to the realm of the physical? What
about manifestations of human genius that may be ubiquitous but
also happen to be intangible?" Like pizza, perhaps? The
Atlantic 09/01
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2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
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WHEN
THEY REALLY REALLY DON'T WANT YOU: Last week the
Scottish Ballet informed Robert North it wouldn't be renewing his
contract as artistic director. Now North has been told by the
Scottish government he has to leave the country within eight days
or he'll be thrown in prison... Glasgow
Herald 08/22/01
BOSTON
BALLET-BOUND? "Mikko Nissinen, artistic director of the
Calgary-based Alberta Ballet, resigned yesterday amid rumours that
he has been offered the equivalent post at Boston Ballet." National
Post (Canada) 08/18/01
- MIKKO
IN BOSTON? Is Finnish choreographer Mikko Nissinen about
to become artistic director of Boston Ballet? Last week
Nissinen quit as head of Alberta Ballet, and he's widely
assumed to be Boston bound. Boston will admit only that
Nissinen's been interviewed along with "several other
candidates." Boston Globe
08/24/01
WITHOUT
MISSING A STEP: With so many dance companies falling apart
when their founders are no longer there to guide things, it's
refreshing to see one that has made a seemingly effortless
transition. Hubbard Street Dance Chicago seems to be thriving
after Lou Conte, its director of 23 years, moved on. The
New York Times 08/20/01 (one-time
registration required for access)
TOURING
DANCER KILLED IN CARACAS: A dancer on tour in Caracas with the
National Ballet of Georgia was killed by bandits on his way home
after a performance this week. The death was the latest in a crime
wave that has swept Venezuela. New
Jersey Online (AP) 08/21/01
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3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
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MORE
MULTICULTURAL TV: Five years ago only one program appeared on
the most popular 20 TV show lists of both black and white American
viewers. Now there are nine, and some credit the change to
programming of more multi-racial casts. Philadelphia
Inquirer (AP) 08/24/01
NPR
DUMPS WILLIAMS: National Public Radio has dumped Juan Williams
as host of Talk of the Nation. He's had the job only 18
months, and the show's audience grew during that time. But it was
dropped in New York, and critics complained Williams often sounded
"distracted on the show. His last show will be August 30. Washington
Post (second item) 08/21/01
A
FOR-PROFIT BBC? "The idea that the BBC might go
commercial alarms many people, both inside and outside the
organisation. Yet the arguments for having a huge state-financed
corporation dominate the broadcasting business were formulated in
a different broadcasting era. Few hold today." The
Economist 08/16/01
SHORT-TIMERS:
Why do movies stick around for such a short time at local
theatres? It's a strategy "that floods a film onto more than
3,000 screens the first weekend, so that a studio can make lots of
money before poor word of mouth and bad reviews scare moviegoers
away. The result is that theater marquees are changing faster than
airport-departure monitors. More important, it's set up an unusual
cultural dichotomy: More people say there's nothing they want to
see, but Hollywood is making more money than ever. In fact, this
weekend it expects to break the summer box-office record of $3
billion." Christian Science
Monitor 08/24/01
MAYBE
WE CAN HEAD THEM OFF AT THE DVD: Competing movie studios have
at least one goal in common: stave off the Web pirates. But the
way they're going about it is drawing heavy criticism, because
"the movie industry has to learn a lesson that the music
industry failed to learn, which is that you have to put a service
out there that is high in quality and beats anything else that's
out there. You can't lock it up. If you treat your customers like
criminals, it just doesn't do any good." Chicago
Tribune 08/22/01
CENSORING
MOVIES: Australia is trying out some new movie censorship
proposals. "The guidelines suggest new restrictions on
nudity, violence, drugs and 'the inappropriate use of substances
that damage health or are legally restricted to adults.' Films
would be banned if 'reasonable adults' might be offended by the
sight of an actor who 'looks like a person under 18' being nude,
violent or taking drugs. The draft guidelines spell out a concept
of 'imitability' that could provoke consumer warnings or
censorship cuts: Dangerous or illegal actions within films or
computer games which are authentic or close to real life that can
be imitated by children." Sydney
Morning Herald 08/24/01
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4.
MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
RATTLE
AND BPO COME TO TERMS: "Sir Simon Rattle has been
confirmed as the artistic director of the Berlin Philharmonic
Orchestra, ending months of wrangles over the prestigious
appointment." Rattle wanted the job, but held off accepting
until the Berlin city government agreed to higher pay for the
musicians and independent-foundation status for the orchestra. He
begins the new job in September, 2002. BBC
08/22/01
WRITING
NEW BEETHOVEN: In 1810, Beethoven began writing an overture to
Macbeth, then later abandoned the project. Now a Dutch
composer and computer programmer has pieced together fragments
into an eight-minute piece which the National Symphony Orchestra
will premiere in Washington next month. But some
critics argue it's not Beethoven at all; it's simply "an
object lesson in Beethoven mania. 'There is no Beethoven overture
to Macbeth'" BBC
& Washington Post 08/23/01
MUSIC
SALES DOWN: Sales of recorded music were down by 10 percent
last year, says the recording industry. Digital downloading and
home-copies of CD's get the blame, they say. "An industry
study found that half of those questioned had downloaded music
from the internet in the last month, and 70% of those had burnt
the songs onto CD." BBC 08/21/01
CLASSICAL
ONLINE: So interest in classical music is waning, eh? How then
to explain the thousands of internet sites devoted to classical?
Classical fans have more access to music and information about the
music than ever before. There are signs that the internet is
building a new audience. National Post
(KCStar) (Canada) 08/21/01
MONEY
MATTERS: "As orchestras open their doors to players from
all over the world, they are losing their individuality.
Conservatories are forced to teach students to play not in
national styles but with a one-size-fits-all technique that will
allow them to get jobs anywhere. For orchestras from the former
Soviet Union, however, the globalisation of music – the same is
true for other forms of culture, too – has had an even more
unremittingly destructive effect. Good orchestras are the result
of many factors, but a prerequisite is money. Lots of it." The
Independent (UK) 08/22/01
ACCEPTING
GAY SINGERS: Why do some gay opera fans have difficulty
accepting gay singers? Countertenor David Daniels complains that
"the most opposition I get is from the gay community. There's
a lot of negativity from the gay community because I'm open, and
proud and honest. It's very bizarre. It makes no sense whatever.
Being gay affects my singing. It just does. That's a fact, and I
don't agree with people who say it's not." The
Guardian (UK) 08/23/01
WHY
MEDIOCRE MUSIC SUCCEEDS: "A large part of the symphony
audience likes comfortable music. It likes familiar music. It
likes repeating the same familiar music many times. And here we
have a composer who repeats familiar sounds, repeats familiar
feelings, and even repeats some of the familiar music that (except
for Agon) his audience already likes. He touches on safe and tasty
motifs from popular culture, even while his Greek themes make his
music seem like art. Happily for sponsors, its style makes it
sound like advertising. Even if he never gets to the Cleveland
Orchestra, he's bound to get somewhere." NewMusicBox
08/01
NAZIS
LOOTED VIOLINS: According to recently released American
military documents, the Nazis looted rare violins - including
dozens of Stradivari, Guarneri and Amati - during World War II.
"The instruments, confiscated by a special team who followed
German troops, were to be used in a proposed university in
Hitler's home town of Linz, Austria, after the war." BBC
08/20/01
MIGRANT
SINGERS: "Since the fall of Communism in Eastern Europe,
singers from the former Soviet Union, dissatisfied with conditions
back home or drawn by the lure of hard currency, have flooded
west, and it is widely thought that they have arrived just in time
to solve some of our own operatic crises. But will these East
Europeans ultimately change the shape of the operatic world, like
the American singers who seized the opportunities in postwar
Europe?" The
New York Times 08/20/01 (one-time
registration required for access)
REWRITING
AMERICAN: In the 20th Century, America produced a full roster
of classical composers, the equal of any in the world. But somehow
that isn't enough, and there's a revisionist movement working to
rewrite the what was important... The
Telegraph (UK) 08/18/01
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5. PEOPLE
http://www.artsjournal.com/Arts%20beat.htm#people
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
IT'S
A MONEY THING: Why did David Ross leave as director of San
Francisco's SFMOMA? It was money. Ross saw some opportunities for
himself to make some money. The museum's board thought Ross's
being the head of a website that sells art was a conflict. And, as
the economic downturn was affecting the museum, Ross was thought
not to be the person to get the museum through it. "David is
an entrepreneur - he comes up with 15 ideas an hour - and it's
hard for nonprofits to deal with that. Now he has come to a point
where there is an opportunity to go to a for-profit and benefit
financially from his ideas. We understand. When you tell someone
like David to stop, you destroy him." San
Francisco Chronicle 08/21/01
ARTS
CZAR STEPS DOWN: Evan Williams, Sydney's de facto arts Czar,
is retiring. "Williams was the boss of the bosses of the Art
Gallery of NSW, the Australian Museum, the Museum of Applied Arts
and Sciences (the Powerhouse), the NSW State Library, the Historic
Houses Trust, the Sydney Opera House, the State Records of NSW,
and the NSW Film and Television Office." Sydney
Morning Herald 08/23/01
BERKOFF
IN THE DOCK: Playwright Steven Berkoff is considered a genius
by some, a true original. "This is the dramatist who recently
declared that he should take over the National and fire all its
existing staff. This is the dramatist who has caused stir after
stir in the theatre, back in 1975 shocking Edinburgh by using the
c-word 29 times in the course of a 90-second speech. Now Berkoff
faces a damages claim for £500,000 from a woman, who cannot be
named, alleging that she was raped, assaulted and racially abused
by him." The Times (UK) 08/24/01
- BERKOFF
DEFENDS: Berkoff says the law should be changed so that
men like him couldn't be charged with rape. "It's the
most terrible thing that's ever happened to me, but it will be
resolved. It's ironic that it should happen now when everyone
is finally beginning to see that I am sensitive." The
Guardian (UK) 08/24/01
THE
GREAT ART SCAMMER: Michel Cohen was such a successful player
in the art markets that he could borrow $100 million to buy
paintings, with few questions asked. But he also couldn't resist
trying to double his money in the stock market, and when the
market crashed, he vanished with a lot of other people's money. National
Post (Telegraph) (Canada) 08/20/01
CLEVELAND
CURATOR LEAVES: Diane De Grazia is leaving the job of chief
curator of the Cleveland Museum of Art. "An expert on
17th-century European paintings and drawings, De Grazia came to
Cleveland from the National Gallery of Art in Washington. The
Plain Dealer (Cleveland) 08/22/01
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6.
PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
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DOWNLOADABLE
READING: E-pirates are ripping off books online. "More
than 7,000 copyrighted books are available for free on the
Internet, including works by J.K. Rowling, John Grisham and
Stephen King." CBC 08/22/01
WHAT'S
WITH THE CHICK LIT? Booker Prize favorite author Beryl
Bainbridge blasts the current "chick lit" genre of the Bridget
Jones variety. "It's a pity that so many young women are
writing like that. I wonder if they are just writing like this
because they think they are going to get published." The
Age (Melbourne) 08/24/01
HIT
THE ROAD JACK: "Two decades ago, the author book tour was
almost a novelty. Today it can be the deciding factor in a
book’s success. Touring has always been as much about selling
the author as the book. Turn the author into a traveling salesman,
and those personal appearances generate real sales—important
when a few thousand books can make a best seller—not to mention
media attention on local radio and television and reviews in the
local press." Newsweek 08/27/01
NY
PUBLIC LIBRARY GETS KEROUAC: The New York Public Library has
acquired Jack Kerouac's literary and personal archive. "The
archive, the largest Kerouac holding in any institution, contains
manuscripts, notebooks, letters, journals and personal items saved
from the time he was 11 until his death at 47 in 1969."
The New York Times 08/22/01 (one-time
registration required for access)
INDEPENDENT'S
DAY: While Canadian book superstore Chapters has been mired in
financial difficulties, and independent bookstores have been
closing at a frightening pace, one Toronto independent is
thriving. "Next month Book City celebrates 25 years in
business with five branches around Toronto employing 71 staff,
that move approximately 800,000 books and magazines
annually." Toronto Star 08/18/01
POLITICS
OF LITERATURE (AND CRITICISM): Why do we get the literature we
get today? "A lot of today's 'literary' writing is
repetitious, inexact, dull and clichéd. It is also highly
formulaic, as witness the success of overblown nurse novels like Cold
Mountain and The English Patient. But the most
important point . . . has to do with the failure of the critical
establishment. How can one explain reviewers gushing over trash
it's hard to believe they've even read? Why do literary awards so
often go to pretentious pulp?" Good
Reports 08/18/01
SLIPPERY
SLOPE? The California State University system has struck a
deal with an e-publisher to offer multiple copies of electronic
books at one time. "Previously, a single copy of an e-book
bought for an electronic-library could only be borrowed by one
reader at a time - just like a print book. But an the arrangement
with NetLibrary, half of the 1,500 e-books Cal State has purchased
– at no additional cost - will have unrestricted use for
multiple borrowers." Wired
08/21/01
WHO
RULES PUBLISHING: It's simplistic yes, but "there are a
handful of people whose influence affects your reading choices in
ways you never would've guessed. Each of them, to some degree,
represents his or her peers. But among the blockbuster authors who
help support entire publishing houses, powerful literary agents
who fight tooth and nail for their clients' deals, Hollywood
moguls who often bring us back to the books from which they made
their hits and gatekeepers you've probably never heard of,"
there is a small group of such powerful publishing figures.
Book Magazine 08/01
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7. THEATRE
http://www.artsjournal.com/Arts%20beat.htm#theatre
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BOYCOTTING
THE MAN: The American actors union Actors Equity is
urging a boycott of a traveling non-union production of The
Music Man. "While theatrical chestnuts like Cats
often tour with non-Equity casts, that rarely happens with the
first national tour of a new Broadway production." The
New York Times 08/22/01 (one-time
registration required for access)
A
LARGE PROBLEM: "When large characters do appear on
screen, they’re more often than not depicted as loveless,
over-eating objects of ridicule with flatulence problems.
'Overweight people are the last politically correct prejudice.
Those actors have every right to create those characters, but I
don’t think they’re as sensitive as they need to be.'"
New York Post 08/23/01
THEATRE
ON TV: A new six-part series on the history of theatre debuts
on America's PBS. "Pursuing its own areas of interest,
acknowledging its bias and incompleteness upfront, Changing
Stages manages a tough thing. It is general enough to appeal
to the masses (at least masses of liberal arts public television
types), yet specific enough to rope in avid theatergoers." Los
Angeles Times 08/24/01
EXPLAINING
THEATRE: Playwright Alan Ayckbourn spends a week trying to
explain how theatre works. "I reckon most people were
surprised that the conjurer should be so willing to give away his
tricks. But it is the mediocre artists who are defensive about the
way they work. Only the great are unafraid to make themselves
available." The Guardian (UK)
08/22/01
GOOD/NOT
GOOD: "In a way, a book comparing Stephen Sondheim's
career with Andrew Lloyd Webber's looks like an interesting and
sensible idea. But, on reflection, it just shows how hopelessly
slack any standards of judgment in this area are. It is a bit like
comparing Mozart with Salieri. Sondheim, at his best, is the
nearest musical theatre has come to producing a major imagination
since Kurt Weill's American musicals. Andrew Lloyd Webber is just
rubbish from beginning to end." The
Observer (UK) 08/19/01
STARLIGHT
DIMS: The London production of Andrew Lloyd Webber's Starlight
Express is closing after 17 years. "Starlight Express,
which opened in March 1984, is the second-longest-running musical
in West End history, after Lloyd Webber's Cats, which began
its run here in 1981. By the time it closes, it will have been
performed 7,406 times and been seen by more than eight million
people." Ottawa Citizen (AP)
08/21/01
THEATRE
AS EVENT: Some regular theatre-goers have a deep dark secret.
"Deep down they are appalled at the ineptitude that often
passes for theater these days and they hate themselves for
continuing to support it. They are embarrassed that there are no
21st-century O'Neills, that Tennessee is long dead and that the
theater they know doesn't measure up to the glories of the past.
Yet they still go. Even though they hate themselves for doing it.
And you know what? I hate them for it, too. Because in a real way
they create a climate where there is no theater culture in New
York, only theater events." The
New York Times 08/20/01 (one-time
registration required for access)
BETRAYING
THE PAST? So David Henry Hwang is updating Flower Drum Song
to remove offensive stereotypes for a Broadway-bound production.
"To remove every line left from the original book is akin to
repainting a work of art or rearranging a piece of classical
music. Taking another's thoughts and ideas and reworking them to
suit your own agenda is not being 'politically correct,' it's a
blatant attempt to go back in time and develop a new culture based
on concepts that didn't even exist at the time the piece was
created." San Francisco Chronicle
08/21/01
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8.
VISUAL ARTS
http://www.artsjournal.com/Arts%20beat.htm#visualarts
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SUING
RICHARD SERRA: Owners of a Richard Serra sculpture are suing
the artist to recover the piece. In 1989 the owners showed Serra
the piece they had bought, and he told them it was broken and
needed repairing, which he offered to do in return for a 50
percent share of the resale. The owners say though Serra took back
the work, they have been unable to get it returned despite
numerous tries. New York Post 08/22/01
GUGGENHEIM
DELAYS VEGAS OPENING: The opening of the Guggenheim and
Hermitage Museum outposts has been delayed three weeks to Oct. 7.
"There is no single reason for the date change," Thomas
Krens, Guggenheim Foundation director, said in a prepared
statement. "Rather, after arduous and careful analysis of the
construction and installation paths, and after consultation with
all of the construction managers and museum professionals working
on this project, we had come to the conclusion that there was a
real possibility that we might not be ready if we maintained the
Sept. 16 opening date." Las
Vegas Sun 08/23/01
- GOING
DOWNCULTURE: Hilton Kramer's not in favor of the modern
brand of museums - the Tates, Guggenheims etc. They are
trashing the traditional idea of the museum. Tate Modern, he
complains, is "a culture mall still pretending to be an
art museum but resembling—in spirit, in layout, and in noise
levels and general pandemonium—a cross between an airport
arrivals terminal and Times Square on a bad night." And
the Guggenheim? Well... New York Observer
08/22/01
CRUSHING
DECISIONS: The temples at Angkor, in Cambodia, are
archeological and architectural treasures. They also are slowly
being crushed by the jungle, which has closed in on them over the
past five centuries. Restoration poses a dilemma: "If the
trees are left in place, portions of the half-ruined structures
will eventually collapse. If the trees are removed, the structures
may also collapse." International
Herald Tribune 08/23/01
LOAN
OF PARTHENON MARBLES? The British Museum is discussing
temporarily loaning the Parthenon Marbles to Greece for the 2004
Olympics. "Greece said it was willing to discuss a compromise
under which it would get the 2,300-year-old artefacts - or if
necessary only some of them - on temporary loan. In return,
Britain would borrow masterpieces of classical antiquity never
seen here before." The Guardian
(UK) 08/20/01
OPENING
UP FRANCE: The French art market is about to open up.
"Nearly 450 years of protectionism for the country's 458
auction houses will disappear in a deluge of art sales in the next
few months dominated by the world's big two and the third-placed
pursuer, Phillips." The Guardian
(UK) 08/20/01
KEEPING
ART AT HOME: The French government has passed a law providing
for the government to buy art it considers national treasures to
prevent it from leaving the country. "If a work of art is
deemed of cultural importance and denied an export licence, within
the following 30 months, the government can make an offer to
purchase it on behalf of a public institution. Their offer will be
set at international market value." The
Art Newspaper 08/24/01
CHAGALL
FOR PEACE: The Jewish Museum in New York has received an offer
to return a 1914 Chagall painting stolen from the museum earlier
this year. Actually, it's more of a ransom note; the gist of the
one-page typewritten message says: " 'You get the painting
back when peace has been achieved between Israel and Palestine.'
The letter was signed by a previously unknown group, the
International Committee for Art and Peace." CNN.com
08/20/01
WHAT'S
WRONG WITH PAINTING: "Every few years, some art critic
takes pleasure in making people furious with the declaration that
painting is dead. But what does it mean for painting to die? I
think it's impossible to declare any form of art to be dead,
inasmuch as anything is allowed these days, but why is it that
painting isn't, in the most general sense, good anymore?"
The Stranger 08/23/01
THE
GREAT ART SCAMMER: Michel Cohen was such a successful player
in the art markets that he could borrow $100 million to buy
paintings, with few questions asked. But he also couldn't resist
trying to double his money in the stock market, and when the
market crashed, he vanished with a lot of other people's money. National
Post (Telegraph) (Canada) 08/20/01
NAME
VALUE: Typically, the value of an artist's work increases when
he dies. But Australian Aboriginal artist Turkey Tolson's work
presents a challenge to Christie's, which wants to auction it.
"In Aboriginal custom, particularly in the Central Desert,
where Tolson lived, a dead person's name should not be mentioned
or his or her image shown to his relatives, clan and wider
tribe." How to sell it then? Sydney
Morning Herald 08/24/01
LA'S
NEW LOOK: Los Angeles doesn't have a tradition of great public
buildings. But in the past few years, "Los Angeles' civic
landscape has undergone a startling transformation. As the
$1-billion Getty Center was opening its doors in 1997 in
Brentwood, construction was starting up on Frank Gehry's Walt
Disney Concert Hall and José Rafael Moneo's Cathedral of Our Lady
of the Angels - all major works by world-renowned architects. More
important, a sense of civic flowering has spread beyond a few
powerful downtown institutions." Los
Angeles Times 08/19/01
LOOKING
FOR KHAN: An archaeological team looking for Genghis Khan's
grave in Mongolia reported this week that they have found "a
walled burial ground 200 miles northeast of the Mongolian capital
that may contain the 13th-century conqueror's remains along with
priceless artifacts." Discovery
08/17/01
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9.
ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
REDEFINING
EUROPEAN ARTS FUNDING: All across Europe - even in those
places renowned as cultural hotbeds such as Austria, Germany,
Italy and Russia - state funding of the arts has been declining.
Arts companies have had to go hunting for other sources of funds. The
Economist 08/16/01
LEAVING
LONDON ALIVE: A few years ago London handed over the top jobs
of three of its most important cultural icons - the Royal Opera
House, South Bank and the Tate Modern - to foreigners.
"Surely these high-profile international appointments were
exactly the kind of acknowledgment London needed as the new centre
of the arts world - the capital of Tony Blair's creative Britain?
But now, within two and a half years, all three appointees have
unexpectedly rejected their London roles. What went wrong?" The
Observer (UK) 08/19/01
CULTURAL
COST OF DEMOCRACY: "In the 10 years since the collapse of
the Soviet Union and its ruling Communist Party, Russian culture
has been limping along, surviving such indignities as shrunken
budgets, distressed buildings and the onslaught of Western mass
culture. In the scramble to survive, many cultural institutions
have had to find commercial partners and, as Mr. Rozhdestvensky
argued, dumb down their offerings in order to get audiences.
Concert halls are booked with over-hyped, over-priced rock
performers; imitation Broadway musicals, starring pop stars, play
to sellout crowds. Film studios that once turned out prize-winning
movies now churn out video clips and television cop shows."
But is it all bad news? The New York
Times 08/20/01 (one-time
registration required for access)
THE
ROAD TO DIVERSITY: A major London arts funder suggests that
cultural diversity will play a role in its future funding plans.
"The consequences can be plainly foretold. Theatre directors
will be pressured in auditions to favour minority actors. A ballet
troupe conducting its end-of-season cull will have to watch ethnic
numbers or risk losing subsidy. Every string quartet will require
a black viola player to conform with population norms, every art
gallery a black madonna." The
Telegraph (UK) 08/22/01
BUSH
NAMES INTERIM NEA CHAIRMAN: Robert Sydney Martin will take on
the job after William Ivey leaves at the end of September. "A
veteran of the Bush tenure in Texas, Martin was the director and
the librarian of the Texas State Library and Archives Commission
from 1995 to 1999. After that, he was a professor and interim
director of the School of Library and Information Studies at Texas
Woman's University in Denton." Bush's search for a successor
to Ivey continues. Washington
Post 08/23/01
ANYONE
WITH A WEBSITE... "In 2001, everyone’s a critic, with
his own cute handle or year-end 10 Best list. The web is where
traditional criticism is democratized, where the élite meet
defeat at the hands of the cyber-rabble. You don’t need
experience, insight or a spell- check function (Note to all
websters: 'its' is a possessive, 'it’s' is a contraction), just
passion and a lot of spare time." Time
08/27/01
READING
THE CRITIC: So what is the critic supposed to add to an
artistic experience? Martin Bernheimer thinks that
"critic-haters, critic-bashers and critic-baiters have always
whimpered about the eternal quest for objectivity. It's a silly
quest, a futile ideal, an impossible dream." Andante
08/20/01
POWER-TRIPPING:
What's the most loathsome job in the world? How about being a
personal assistant to a Hollywood bigwig? "Add to these ugly
and illegal activities a steady diet of screaming (a widely
practiced, perfectly acceptable management technique),
credit-theft and blame-delegation, and you'll understand why I'm
less than surprised whenever I hear the war cries of suddenly
insurgent pipsqueaks." The
Guardian (UK) 08/24/01
SUPPORTING
THE ARTS: New York mayor Rudy Giuliani's "decency
commission" has recommended that "museums funded by the
city, such as the Brooklyn Museum and the New York Public Library,
should receive less money and that they should remove signs asking
entering visitors for donations." Here's what the individual
commissioners said... The Art
Newspaper 08/24/01
QUESTIONS
OF BEAUTY: There is reported to be a new movement in art which
demands "music with a melody, poetry that rhymes, paintings
and sculpture that look like something, architecture with
grace." What could be wrong with that? "Most obviously,
there is the rather smug consensus among these new traditionalists
that beauty is definable, and that their definition is the right
one." Washington Post 08/23/01
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10. FOR FUN
http://www.artsjournal.com/Arts%20beat.htm#forfun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
BANNING
BILL: A Bay Area artist created a sculpture of Bill Clinton and
a certain intern, entered a local fair, and won. He also won a
prize at the California State Fair, but the sculpture has been
banned from display. "No fewer than five representatives of the
Fair ruled Loose Lips unfit for exhibition, particularly
because of 'the location of Monica Lewinsky to the overall
position of the president.' In this, the sculptor was simply
striving for verisimilitude, giving the work educational
value." National Review 08/20/01
BURGER
BUGGING: The Glyndebourne audience had just settled on the
lawn for picnic lunch, waiting for the performance to begin, when,
"unmistakably, the smell of hamburgers, sausages and onions
wafted over the South Downs and Britain's most glamorous summer
opera festival was faced with one of the most embarrassing moments
in its long history. An opera goer had done the unthinkable. He
had constructed and lit a barbecue. For the staff his move
presented an excruciating dilemma." The
Independent (UK) 08/20/01
CELL
PHONE RAGE: Pianist Andras Schiff stormed offstage in
mid-performance at the Edinburgh Festival after getting irritated
at audience noises. "The Hungarian virtuoso was in the middle
of his recital of Fantasia in C minor when the noise from phones,
watches and the audience coughing became too much." He
returned after a few minutes. BBC
08/23/01
EVERYONE'S
AN ARTIST: An American scientist has developed a software
program that can transform anyone's photo or drawing into the art
of a master. "The program can analyse a digital photograph
and transform it into the style of any chosen artist. The software
was inspired when he began wondering whether a computer could
analyse an artist's style and then apply it to pictures." The
Independent (UK) 08/24/01
BEAUTY
MAY BE IN THE CHILDHOOD OF THE OBSERVER: Pawtucket, Rhode
Island, sent a gift to its twin town in England. The English did
not like it at all. In fact, they seem rather insulted by the
seven-foot statue. The seven-foot plastic statue of Mr. Potato
Head. ABC 08/20/01
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