Week
of June 2-8, 2001
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
10. For Fun
ARTSJOURNAL
EXTRA
BETTER
LIVING THROUGH ART: Its economy in
shambles, its system controlled by criminals, some are proclaiming
that Russia is finished as a force in the world. Russian art, on
the other hand, after a difficult decade, seems to be doing better
and better. Can Russia-the-country learn some lessons from
Russia-the-art? ArtsJournal.com
06/06/01
1.
SPECIAL INTERESThttp://www.artsjournal.com/Arts%20beat.htm#specialinterest
SALMAN
RUSHDIE ON THE EVILS OF REALITY TV: "The television set,
once so idealistically thought of as our window on the world, has
become a $2-shop mirror instead. Who needs images of the world's
rich otherness, when you can watch these half-familiar avatars of
yourself - these half-attractive half-persons - enacting ordinary
life under weird conditions? Who needs talent, when the unashamed
self-display of the talentless is constantly on offer?"
The Age (Melbourne) 06/07/01
YOU
GOT RHYTHM: Research with a bunch of finger-tapping volunteers
shows that people do have an innate sense of rhythm, and can
adjust to changes in tempo which are too subtle to be perceived
consciously. The next step is to see if these findings explain why
musicians in a group can synchronize so well. The
New Scientist 06/03/01
2. DANCEhttp://www.artsjournal.com/Arts%20beat.htm#dance
THE
ROYAL BALLET'S NEW DIRECTION: After 15 years, London's Royal
Ballet has a new director. Ross Stretton is loading up his first
season with new works by choreographers, many of whom are new to
the company. The Times (UK) 06/06/01
PHILLY
DANCES: In the mid-90s it looked like modern dance might be
finished in Philadelphia after three important choreographers
closed their companies and left. But instead, dance is thriving,
with new companies, a rejuvenated audience and a lively mix of new
choreographers. Philadelphia Inquirer
06/03/01
A
NEW PATRON FOR ENGLISH NATIONAL BALLET: The Duke of York -
"better known for his action-man associations, a passionate
devotion for golf and a figure more suited to an operatic
baritone" - will succeed the late Princess Diana as patron of
the English National Ballet. The Times
(UK) 06/06/01
3.
MEDIAhttp://www.artsjournal.com/Arts%20beat.htm#media
PBS
MAKES AN EFFORT: America's Public Broadcasting Service
announced what it called a major programming shake-up for the
coming fall season. Changes include a new free-flowing documentary
program which sounds an awful lot like public radio's "This
American Life," and a slot for some vaguely defined
"reality TV." Even with the changes, however, PBS still
isn't taking any serious chances to attract new viewers. Nando
Times (AP) 06/08/01
THE
CASE OF THE FAKE BLURBS: Just why would Sony make up blurbs by
a fake critic to hype its movies? And why such lame blurbs at
that? Does anyone really pay attention to those unfailingly
positive snippets from critics published in movie ads? Critics
know the worth of their opinions don't they? MSNBC
06/06/01
- MOVIE
FANS SUE SONY: Sony has now repeatedly apologized for
creating a fictitious blurbmesiter to hype Sony movies. But
that's not good enough for two movie fans, who are suing Sony
for "deceptive, unfair and unlawful business
practices." They mean to hurt Sony.
Inside.com 06/08/02
RUNNING
IN PLACE: Is the Australian Broadcasting Company sinking?
Management is deserting, and "ratings have dropped by 20 per
cent since the start of the year, and the national broadcaster now
has a low 13 per cent share of the audience in five capital
cities, down from an all-time high of 24 per cent." Why?
ABC's schedule is essentially the same as it was five years ago.
The Age (Melbourne) 06/04/01
"R"
- KISS OF DEATH: A new study says that movies receding an
"R" rating "can lose as much as 40 percent of
potential opening-weekend earnings because of stricter compliance
with the R rating's ban on viewers under 17 who aren't accompanied
by a parent or guardian." Boston
Herald (AP) 06/04/01
NATIONAL
EXPOSURE: Why does Los Angeles' public television station
produce so little national programming? "Sitting in the
nation's film and television production capital, not to mention
its second-largest TV market, KCET contributes relatively little
original programming to PBS's national schedule. Its 45 hours in
fiscal 1999 were approximately one-fifth of what PBS's top
producer, WNET in New York, provided." The New York
Times 06/03/01 (one-time registration
required for access)
4.
MUSIC http://www.artsjournal.com/Arts%20beat.htm#music
CATCHING
A PLAGIARIST: In the world of new music, plagiarism can be
hard to detect, and harder to prove. Composers borrow themes from
each other and from their own previous works all the time, and who
is to say where the line is drawn? And since most new music is not
widely heard, many experienced musicians may be unaware that a
plagiarized work has been performed elsewhere under a different
name. In Washington, D.C., it took a member of the audience to
catch a composer's deception. Washington
Post 06/07/01
TOWER
SQUEEZES CLASSICAL INDIES: Record store giant Tower Records is
trying to set new terms for small independent labels of classical
music. The chain has been losing money, and now it wants the
labels to wait longer for their money. The indies say the changes
would ruin them. The New York Times
06/07/01 (one-time registration
required for access)
LOOKING
AHEAD: Ottawa's recent "Strings of the Future
International String Quartet Festival" made a point of
celebrating not only the classic sound and unique musical mesh of
the form, but the time-honored tradition of pushing the limits of
what two violins, a viola, and a cello can do. The future may
sound very different than what we're used to, but quartets plan to
be around, regardless. Philadelphia
Inquirer 06/07/01
REMAKING
THE ROYAL OPERA: "Over the past four years a succession
of chief executives has pledged to improve access to the Covent
Garden: cheaper seats, schools' nights, TV relays, giant screens
in the piazza. And, to greater or lesser degree, they have
failed." What makes new Royal Opera chief Tony Hall think he
can do better? The Guardian (UK)
06/06/01
- AN
ENCOURAGING START: "As though flourishing a mission
statement of consumer choice and value for money, Hall has
produced a schedule that is by far the richest since Georg
Solti's opening season in 1961." The
Telegraph (UK) 06/06/01
FINALS
LIST FOR CLIBURN RAISES EYEBROWS, AND HACKLES: Six finalists
have been picked in the Cliburn Piano Competition, but the judges'
choices were far from popular. "Flash will beat class every
time," complains one critic. "Some of the choices are
obvious," says
another. "But some prompt the inevitable 'What on earth
were they thinking?'" You can judge for yourself; audio
clips of performances at the competition are available on line
[Real Audio required], and another site provides biographies
of all the competitors and the judges. And to wrap it up, there's
the Cliburn
Competition site as well. Dallas
Morning News & Fort Worth Star-Telegram 06/05/01
- LOUDER
FASTER... After listening for a week to pianists in the
first round of the Van Cliburn Piano Competition, critic Scott
Cantrell has some suggestions for wannabe competitors -
playing loud and fast might get you applause - but applause
isn't everything... Dallas Morning
News 06/03/01
MIGRANT
LABOUR: "British oboists, cellists, opera singers and
ballet dancers are alleging that cut-rate and, many argue,
second-rate performers from the former Soviet bloc threaten to
cost British performers their livelihood." The
Globe & Mail (Canada) 06/03/01
WHERE
ARE THE BUYERS? Canadian recording companies are holding
emergency meetings next week to discuss a dramatic drop in CD
sales. What has happened? "Hundreds of thousands of music
lovers are now using technology that punctures the formerly
airtight box that bonded recording artist with record labels,
retailers and customers. They aren't hard to find. Give them the
protection of anonymity and they will tell you their stories of
plundering." The Globe & Mail
(Canada) 06/03/01
DOWNMARKET:
The Pittsburgh Symphony is feeling the effects of Wall Street's
downturn. "The PSO's endowment was a robust $133 million
going into this fiscal year. The size of the endowment put the
organization in the top 10 for American orchestras. As it nears
the end of its fiscal year on Aug. 31, however, the endowment fund
has dropped to $113 million." Pittsburgh
Post-Gazette 06/03/01
5.
PEOPLE http://www.artsjournal.com/Arts%20beat.htm#people
CRACKING
THE TIC CODE: Jazz pianist Michael Wolff has achieved no small
measure of success, and has done so despite a disability that has
sidelined countless other performers. Tourette's Syndrome is one
of the most misunderstood conditions out there, but in the
eccentric world of jazz performers, Wolff has had no trouble being
accepted. Washington Post 06/08/01
READY
TO PILE ON? As a critic, James Wolcott is brutal in his
assessment of others - especially other critics. Now he's about to
release a book. A novel. About a cat. Revenge, anyone? New
York Magazine 06/04/01
A
GAY PLAY? REALLY? NY theatre critics Ben Brantley and John
Simon were guests on Charlie Rose last week, when the conversation
took a bizarre turn: " 'There's a type of play that Ben likes
that I don't,' Simon said. 'For lack of a better word, I would
call it the homosexual play.' Brantley looked stunned. 'I don't
quite categorize it like that,' he replied. 'Well . . . sometimes
categories creep up on one without one's even realizing that
they're there,' lectured Simon." New
York Post 06/06/01
BEING
PHILIP GLASS: "You spend your whole life pining for the
moment when you can play as much music as you want to, and write
as much as you want to, and interact and collaborate with anyone
you want to, practically -- and it's taken me 40 years to get to
this point from the time I was a student -- and the trouble with
it is that it's a very demanding but very exciting life."
CNN 06/04/01
6.
PUBLISHING http://www.artsjournal.com/Arts%20beat.htm#publishing
THIS
YEAR'S HOTTEST PUBLISHING PHENOM? Jabez - it's a kind of
"anti-self help book. "Since November, The Prayer of
Jabez has sold 4.5 million copies, zooming to the top of
myriad best-seller lists." What's the attraction? "It
may be that the Jabez craze is driven not so much by our
insatiable desire to be richer, thinner, more significant - but by
our exhaustion in the effort." The
New Republic 06/06/01
ORANGE
PRIZE WINNER: Australian novelist Kate Grenville wins the
Orange Prize, the UK's richest fiction award, worth £30,000, for The
Idea of Perfection. Margaret Atwood, who had previously won
the Booker Prize had been the favourite. BBC
06/06/01
- GENDER
WAR: The Orange Prize for Literature goes to "the
best English-language book authored by a woman and published
in Britain." But this year, administrators of the prize
decided that a parallel all-male jury would be created to come
up with its own list of finalists, but that only the decisions
the all-female jury would count. "It's at this point that
most people intelligent enough to read and write, or at least
to blink their eyes, might begin to suspect that establishing
two competing juries, one male and one female, for the same
award was a surefire headline-grabbing publicity stunt
designed to morph into a headline-grabbing gender war."
Ottawa Citizen 06/04/01
E-BOOKS
FORGOTTEN? At this year's BookExpo, traffic was brisk in the
print-book areas. But "it was a different scene in the area
referred to by many conference goers as the Internet Ghetto.
Business on publishing's new frontier was quiet and the number of
exhibitors was way down, from 120 in 2000 to 80 this year. Last
year, all anybody talked about was e-publishing. This year, the
subject was as rare as an out-of-print book." Wired
06/04/01
BOOK
SALES DOWN: "Despite a healthy economy and the popularity
of J.K. Rowling's novels about a kid wizard, sales of general
interest books dropped 3.3% in the USA last year, according to an
industry study." USAToday
06/04/01
HOW
TO RUIN THE AUSTRALIAN BOOK INDUSTRY: Australia proposes to
change its copyright laws and admit books published in other
countries without tariff. "But if Australia becomes an open
market, the Australian publisher will have to compete with
American and British editions of the same book. Safe inside their
own copyright territory, the Americans and British get Australia
as a bonus. They don't even have to pay the author for this new
market, because of the firmly entrenched practice of paying export
royalties." Sydney Morning Herald
06/04/01
7.
THEATRE http://www.artsjournal.com/Arts%20beat.htm#theatre
LET'S
CANCEL THE TONYS ON TV: So this year's Tony broadcast's
ratings went up. "In principle, the show's mix of artistic
celebration and commercial improvement sounds great. If the Tony
telecast could bring bigger audiences to Broadway without doing
more harm than good, who would complain? But it can't. The Tony
telecast diminishes what the Tony awards celebrate, and a great
deal more besides, and ought to disappear before it can do so
again." The New Republic 06/06/01
SHOULD
AWARDS BE DITCHED? There are too many awards. They encourage
all the wrong sorts of behavior. So "should there be a
moratorium on theatre awards? Is the whole process corrupt,
commercial, absurd? Are there just too many awards? Or is
award-granting a real service to the theatre community and to the
public at large?" Backstage
06/07/01
ENGLISH
RULES: "The language of international commerce is
perceived as cosmopolitan, cool and attractive to a younger,
increasingly sophisticated audience - which is why it is used to
advertise everything from cigarettes to high fashion."
Theatre too. Frankfurt's English Theatre is thriving - in fact
it's the cool place for Germans to hang out.
Frankfurter Allgemeine Zeitung 06/08/01
PRODUCERS
PRODUCES: True to predictions, The Producers walked away with
most of the trophies at Sunday night's Tony Awards. Producers
won a record 12 Tonys. "The show had already broken two
Broadway records, selling more than $3 million worth of tickets
the day after it opened and drawing 15 Tony nominations, beating
the previous record, held by Company in 1971." The
New York Times 06/04/01 (one-time
registration required for access)
- STRONGEST
LINK: " 'Voting people off the island' is part of
what Tony voters have done by giving The Producers
every one of the record 12 Tonys for which it was nominated -
the small island of Manhattan doesn't have room for everyone.
For some shows, closing notices will not be long in waiting.
For a few besides The Producers - Proof, 42nd Street
- awards will lead to profitable tours into that larger world
for which Broadway is the tryout." Pittsburgh
Post-Gazette 06/04/01
GOODBYE
BRITS: "The success of The Producers and 42nd Street
surely marks the last rites of the doomy, gloomy through-sung
British blockbusters that conquered the world in the Eighties and
kept on running for most of the Nineties. The joy in New York at
getting back to what it has always done best is everywhere
apparent, not least at Sunday night's Tony Awards ceremony at
Radio City Music Hall." The
Telegraph (UK) 06/05/01
HUGHES
QUITS: By most accounts, over the past four years Doug Hughes
had reinvigorated New Haven's Long Wharf Theatre as its artistic
director, and had ambitious plans for the future. But Monday he abruptly
resigned, citing an "unworkable" relationship with the
chairwoman of the board of trustees. It's a tangled story some are
having difficulty swallowing. Hartford
Courant 05/06/01
I'LL
REVIEW WHEN (IF) I WANT TO: The Auckland Theatre Company had
announced a new policy where special "media night"
performances of new plays would be held for critics. But reviewers
for New Zealand's publications - including the NZ Herald -
protested, insisting on being able to see whatever performances
they wanted. So the theatre has backed down. New
Zealand Herald 06/04/01
DEFENDING
THE RSC: The Royal Shakespeare Company's Adrian Noble has been
taking heat for his plans to restructure the company. "Noble
envisages a revitalised Stratford that is a mecca for artists, a
centre of scholarship and a place that offers audiences flexible
performance spaces. He vehemently justifies the new system on both
practical and philosophical levels." The
Guardian (UK) 06/04/01
8.
VISUAL ARTS http://www.artsjournal.com/Arts%20beat.htm#visualarts
VIENNA'S
BOLD AMBITION: Vienna's new contemporary arts center is
ambitious - "in its ambitions this project is right up there
with Tate Modern, the Bilbao Guggenheim and the Getty Center: an
international focus for the arts on a scale that only few
institutions and metropolitan spaces can aspire to." Financial
Times (UK) 06/08/01
TATE
MODERN - SUPERSIZE ME? Tate Modern wants to double in size?
"Tate director Sir Nicholas Serota wants more space because
there are living artists out there, especially in America, who are
reaching a certain age and are 'looking for places where their
work can be seen': Elsworth Kelly, for example, or Robert
Rauschenburg, or Jasper Johns. The hope is to seduce them with
beautiful expanses of new gallery, so the Tate can have many
versions of its room of paintings given to them by Mark Rothko."
London Evening Standard 06/06/01
THE
CRITICS HATE IT: Critics are piling on the design for the new
World War II memorial on the National Mall in Washington DC.
"Friedrich St. Florian's design for the National World War II
Memorial diminishes the substance of its architectural context.
The design does not dare to know. It is, instead, a shrine to the
idea of not knowing or, more precisely, of forgetting. It erases
the historical relationship of World War II to ourselves. It puts
sentiment in the place where knowledge ought to be." The
New York Times 06/07/01 (one-time
registration required for access)
MARTHA
STEWART IN THE SMITHSONIAN? Nothing against rich people - but
should money allow you to choose what goes into a museum? The
Smithsonian seems to be in a conflict of judgment as big donors
get a very large say in some new projects. Washington
Post 06/05/01
BATTLE
FOR THE STORY OF A NATION: Australia's recently-opened
National Museum attempts to tell the history of the country, and
it has been generally praised by critics for being surprisingly
candid. But documents obtained by the Sydney Herald show that
deciding how that story would be told and what would get into the
museum was a fierce behind-the-scenes battle. Sydney
Morning Herald 06/05/01
WHAT
TO DO WHEN IT'S STOLEN? "Selling stolen art in the
auction business is, unfortunately, nothing new. At issue is the
degree of liability an auction house has if it is learned that
they have sold stolen goods--or at least goods to which the title
is in dispute - and what the unwitting buyer can claim in
recompense. In other words, how financially responsible should an
auction house be when it fails to provide the kind of rigorous
background check that can ensure buyers they aren't buying hot
art?" Forbes.com 06/04/01
MIES
BACK IN FASHION: After a decade and a half in which Ludwig
Mies van der Rohe has been "the juiciest target of those who
attribute the physical alienation of American cities, at least in
part, to the glass-and-steel high-rises on which he was the
supreme authority," the architect is suddenly hot again. Why
now? Perhaps it's a reaction to "frustration in some quarters
with the blob-and-matchstick work of the post-Gehry generation of
architects." ARTNews 06/01
WHAT
TO CLEAN? Experts are piling on in condemning the Ufizzi's
plan to clean Leonardo's Adoration of the Magi. "It's
ridiculous. I have not the slightest idea why they want it
cleaned. These are the first sketches and first ideas that the
master put down with his brush, and who is to say which of these
lines were really his?" The
Telegraph (UK) 06/03/01
ART
IN THE SLUMS: When Jacobo Borges proposed a new museum in one
of the worst slums of Caracas, critics said few would come to such
a bad location to see art. "But six years later, the Jacobo
Borges Museum is one of the most celebrated in South America - and
not just because the neighborhood is bad." Atlanta
Journal-Constitution 06/03/01
TECH-SAVVY:
"Instead of taking place on the margins, in out-of-the-way
galleries with the requisite electrical outlets, technologically
based art, which now includes digital projects, has increasingly
become the main course." San
Francisco Chronicle 06/03/01
9.
ISSUES http://www.artsjournal.com/Arts%20beat.htm#issues
A
MATTER OF RESPECT? In March, a federal judge in San Antonio
ruled that the city had illegally eliminated funding of an arts
group because city officials didn't like the views the group
expressed. Was the decision a "victory for freedom of
expression" or is it "judicial over-reaching,"
interfering with the right of the city to determine who gets
support? "This ruling helps educate us all to see just what
is the role of art in speaking for those who are different or
express unpopular views." Dallas
Morning News 06/04/01
OUTSIDE
PERSPECTIVES: The Irish Arts Council and a partnership
including the Irish Times and the national airline are bring
critics from outside Ireland to observe and comment on Irish
culture. Irish Times 06/03/01
AIDS
AND THE ARTS: AIDS has had an enormous impact on artists.
"But the epidemic's toll on the arts can't be measured only
by the sum of lost artists, their unfinished projects and unmet
potential. A climate marked by caution, accommodation and a
sometimes gutless superficiality is also part of the disease's
legacy." San Francisco Chronicle
06/03/01
SANTA
FE THEATRE: "Santa Fe's newest performance space is also
one of its oldest. The 70-year-old Lensic Theater - a film and
vaudeville palace that became a mainstay for generations of local
movie-goers - has been reborn" as a performing arts venue.
Backstage 06/07/01
A
LITTLE CULTURAL DEBATE: As the British election gets closer,
the Conservatives and Labour parties are duking it out over arts
policy. Labour says the Conservatives' "under-investment,
misplaced priorities, and lack of organisation held back access
and excellence" during the Thatcher years. Conservatives say
arts policy under Labour has become too bureaucratic and
controlling. The Art Newspaper
06/01/01
10.
FOR FUN http://www.artsjournal.com/Arts%20beat.htm#forfun
"MANNING"
SPEAKS OUT: Recently, Sony Pictures was forced to admit that
several glowing quotes being used to market its movies came from
"David Manning," a nonexistent critic. A Boston
journalist has tracked Manning down in the zen ether, however, and
finds out that "you're better off not existing. You think
Roger Ebert exists? At this point, he's just a concatenation of
pixels." Boston Herald 06/07/01
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