2002 Nov
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March
4-10 Feb
25-Mar 3 Feb
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11-17
Feb
4-10 Jan
28-Feb 3 Jan
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Jan 14-20
Jan 7-13 2001
archives
2000 archives
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1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Issues
10.For Fun
1.
SPECIAL INTEREST
-
SQUABBLING
OVER MARTHA GRAHAM: Legal wrangling over the ownership of
Martha Graham's choreography. A few weeks ago it seemed like
a settlement had been made to revive the Martha Graham Company,
but that may now have fallen through. The dance company's board
is also exploring whether Graham heir Ron Protas actually owns
the dance works. Village Voice 11/28/00
-
WHY
WE STILL CELEBRATE BACH: "More than any other
composer, Bach revealed within this language the immense power
of the small detail, the significance each motif could have
within the tonal language: he can make his contemporaries seem
insipid. Nevertheless, in addition to the grand and even startlingly
original effects of his imagination conceived throughout his
life, he was able to demonstrate the latent expressive force
that resided in pure craftsmanship, in a simple technical competence
that amounted to genius."
New
York Review of Books 12/21/00
-
THE
MYTH OF FIRST PERFORMANCE: There's always been an aura about
"The Premiere" of a new piece of music, a sense that,
most often with the composer present or involved in some way,
that a first performance provides some special window into a
work. In reality though, "far from receiving an absolute
truth, those present at these revelations were more often given
half-glimpses of unpolished works in their infancy. That is,
when they could hear the music at all." The
New Republic 11/27/00
-
THEATRE
IN AUSTRALIA: "In the 1970s and early 1980s Australian
theatre was seen as part of an integral social debate about
national identity and self confidence. The advent of serious
arts funding came out of clearly articulated statements on the
importance of the arts, and our politicians were well versed
in the reasons why a funded arts environment was important to
a social system. The arts were seen as a necessary expense,
like roads or water." Now we should enjoy the rewards.
Sydney Morning Herald 11/29/00
-
JERUSALEM'S
OWN SPACE NEEDLE? An "almost 500-foot-tall tower rising
above the old city that will have a restaurant close to the
top and a synagogue for only 36 at the very top" is being
planned for one of the world's most historic cities. Why is
it necessary to mar the view of the city with a modern monstrosity?
The Idler 11/28/00
-
CEZANNE
AS BUSINESS MODEL: "University of Chicago economist
David Galenson charts the sea change from artistic tradition
to reinvention, using the auction prices of paintings as his
measure of value. Correlating the price of a work of art with
the age of the artist at the time of the painting's execution,
Galenson mapped the patterns of success and innovation over
the past century in art history. His essays describe French
and American painting, but their relevance is much broader."
Salon 11/28/00
2.
DANCE
-
THE
ROYAL WINNIPEG'S REVOLVING DOOR: The Royal Winnipeg Ballet
has had three artistic directors in eight years. And, with the
dismissal late last week of Andrew Wilhelm-Boyles, three executive
directors in the same period. What's happening to one of Canada's
great dance companies? National
Post 11/29/00
- CONTRACTING
TO DANCE: The Australian Ballet postpones a major work and
schedules it for the opening of its 2001 season, then discovers
its contract to perform the work has run out. "The contract,
believed to date from 1986, stipulated that for 10 years the Australian
Ballet had the rights to stage the work in-house, that is, without
a repetiteur. After that, a new contract would need to be renegotiated
and a repetiteur flown out to re-stage the work." Sydney
Morning Herald 11/20/00
- DRIVING
EDWARD VILLELLA: In the 15 years since he founded it, Edward
Villella has turned Miami City Ballet into a respectable, successful
company. "But Villella, though exhausted by years of overwork
and in failing health - he has a bleeding ulcer and underwent
his third major hip operation last May - keeps pushing toward
new peaks. It's almost as if the closer he gets to the mountaintop,
the harder he drives himself - and the more frustrated he becomes
at not reaching it." Miami Herald
11/19/00
- PILOBOLUS
AT 30: When Pilobolus debuted 30 years ago, few knew what
to do with them. They stripped down movement and "spent more
time clinging to one another, and disguising their bodies than
doing what passed for dance - doing steps across the floor. The
men had taken virtually no dance technique classes. Pendleton
didn't even know how to point his feet, for goodness sake. But
audiences loved it. And so - though more cautiously - did the
critics." Orange County Register
12/03/00
3.
MEDIA
- NEW
TV ARTS CHANNEL: Britain's first satellite arts channel debuted
this weekend, promising to "absolutely delight and astonish
its viewers by offering a respite from the non-stop incestuous
mash of pish and tosh - gardening, cooking, interior design -
screened these days by the BBC and ITV."
The Telegraph (London) 12/02/00
- IN
SEARCH OF AN AUDIENCE: Will the new arts channel succeed
in finding an audience? "This is laudable, an attempt
to fight the forces of dumbing down, but will it work? Is
art the same kind of thing as food or shopping, something
that can be presented as a niche broadcasting commodity?"
Sunday Times (London) 12/03/00
-
WITHOUT
THE SOAP SELLERS: The history documentary "A People's
History" on the history of Canada has exceeded all viewership
projections and has become the most-watched documentary in Canadian
history. But the series producer complains "Nothing will
be financed unless it can be demonstrated to sell pop or soap.
It just won't happen. The marketplace will not, operating by
its own laws, produce what is necessary and good for our children
and our society.'' Toronto Star
12/01/00
-
HOME
MOVIES:
Out of fear that a Napster-like program could soon make free
movies available over the internet, major Hollywood studios
are exploring ways to distribute their films to PC users over
the Web. "The movie studios are quickening their pace because
they do not want to find themselves in the same boat as the
recording industry." Inside.com
(Reuters) 11/30/00
-
ABC
STAFF PROTESTS: Australian Broadcasting Corporation staff
walked off the job this week in a vote of no confidence in managing
director Jonathan Shier. The Age
(Melbourne) 11/30/00
Plus:
It's
been a bad year for movies both on the screen and at the box
office.
4.
MUSIC
- THE
MYTH OF FIRST PERFORMANCE: There's always been an aura about
"The Premiere" of a new piece of music, a sense that,
most often with the composer present or involved in some way,
that a first performance provides some special window into a work.
In reality though, "far from receiving an absolute truth,
those present at these revelations were more often given half-glimpses
of unpolished works in their infancy. That is, when they could
hear the music at all." The New
Republic 11/27/00
- OPERA
BROADCASTS CLOUDY? The Metropolitan Opera Saturday broadcasts
begin their new season this weekend. But there is anxiety about
the future. Texaco has sponsored the Met broadcasts for 60 years,
the longest continuous sponsorship in America. The company has
recently merged with Chevron though, and neither company will
commit to the future. Hartford Courant
12/01/00
- TENOR
OF THE WORLD: "Ben Heppner, a Canadian gentle giant of
44, is that rare bird - and, rarer still, he can not only sing
the notes, but sing them with musical sensitivity and intelligence
too, as well as making a fair stab at acting them out on stage."
The Telegraph (London) 11/30/00
- SO
MUCH FOR THE WOMEN'S MOVEMENT: Three years ago women in rock
music dominated popular music. But in the past year there's been
a backlash. ''Lilith didn't rock. It was like, `OK, women want
to go off and do women's music.' But how can men identify with
this? Especially young men? They were accepted at Lilith, but
they weren't really welcome. And I think it's partly responsible
for what's happening in rock now. The music is loud and rude and
crude. Guys can relate, but women can't. There's definitely a
backlash against women in the rock world.'' Boston
Globe 12/03/00
- MUSIC
THAT SHOCKS: Some might be scandalized by the music and behavior
of some of today's musicians. But "rock musicians of today
take note: There's little you've done that wasn't already taken
care by your predecessors in early-17th-century Italy."
The Globe & Mail 11/29/00
- OPERA
IS EXPENSIVE, NOT WASTEFUL: Scottish Opera's financial crisis
has got a bad name, say the company's proponents. "There's
this myth of profligacy. We don't waste money in opera. It is
expensive because there are so many people involved. The money
is spent on a lot of very creative personnel." Glasgow
Herald 11/29/00
- WHY
WE STILL CELEBRATE BACH: "More than any other composer,
Bach revealed within this language the immense power of the small
detail, the significance each motif could have within the tonal
language: he can make his contemporaries seem insipid. Nevertheless,
in addition to the grand and even startlingly original effects
of his imagination conceived throughout his life, he was able
to demonstrate the latent expressive force that resided in pure
craftsmanship, in a simple technical competence that amounted
to genius."
New
York Review of Books 12/21/00
- EARLY
MUSIC: "In 1912, Thomas Alva Edison, the inventor of
the phonograph, funded a massive talent search throughout Europe,
with the hope of finding some outstanding artists to record for
his own Edison Record Company. More than 300 singers agreed to
make two-minute cylinders to give Edison some idea of their voices."
Public Arts 11/27/00
- WHAT'S
WRONG WITH TRYING TO BE THE BEST? Baritone Thomas Allen is
tired of the charges of elitism being hurled at London's Royal
Opera House. "If you want excellence, you can't escape élitism.
It's the same with football. Cream rises to the top. Manchester
United wants the best and works hard to get it. It's nearly as
expensive and impossible to get into a great football match as
into an opera house." The Observer
(London) 12/03/00
- POLITICS
OF WORLD MUSIC: "In the days before World Music, the
Music of Africa series of 10 LPs, recorded in Africa and introduced
by Hugh Tracey, were one of the few ways the general listener
might encounter African music. But throughout the surge of international
interest in African music in the Eighties and the world-music
boom that followed, Tracey's name was barely mentioned. Not only
did his ethnographic approach seem antiquated, Tracey himself
was an embarrassment - a colonial figure who had distorted the
music for his own purposes and allowed himself to become a tool
of apartheid." The Telegraph
(London) 12/02/00
Plus:
Paris
Opera technicians strike for more money and better conditions
~ Is
London's Royal Festival Hall the "seediest concert hall
on earth" and if so, why? ~ Ronald
Wilford, one of the most powerful figures in the classical music
industry, is stepping aside as Columbia Artists Management top boss
~ British
songwriters launch a campaign to convince people that free music
on the internet is harmful to the business ~ Toronto's
main concert hall, Roy Thompson Hall, is to get an acoustical
makeover ~ Madonna's
web concert found an audience of nine million ~ Australian
Chamber Orchestra "looks set to end the year $900,000 in
the red ~ Despite
Napster record sales are booming ~ Argentina's
National Symphony Argentina's National Symphony is wrapping
up its season.
5.
PEOPLE
-
KENNEDY
CENTER HONORS: The Kennedy Center honors Placido Domingo,
Chuck Berry, Mikhail Baryshnikov, Clint Eastwood and Angela
Lansbury. The Washington Post pofiles each. Washington
Post 1/03/00
-
THE
UNRETIRING ROSTROPOVICH: Since he left the directorship
of the National Symphony five years ago, Rostropovich hasn't
slowed down. He still gives 100 performances a year, he teaches,
and the foundation he started with his wife has provided about
$5 million in medicine, food and equipment to children's hospitals
and clinics in Russia." Los
Angeles Times 11/29/00
-
FAUX
WILDE: A recording, long thought to be the only one of Oscar
Wilde, probably isn't. "Experts have analysed the recording
using the latest techniques, and have concluded it is likely
to be a forgery." BBC 11/30/00
-
CHAPLIN
THE COMPOSER:
When Charlie Chaplin won an Oscar for his movie "Limelight,"
it wasn’t for his acting but for composing the film’s original
score - a talent few of his fans are aware of. "Perhaps
because he was so multifaceted - a comic actor of extraordinary
imagination, an untiring, perfectionist director, the co-founder
of United Artists - it seems unfair that Chaplin had one more
talent. But, though it is largely overlooked today, the creator
of the ‘Little Tramp’ was an accomplished musician who wrote
soundtracks for nearly all of his films." The
Guardian (London) 11/27/00
6.
PUBLISHING
- UNCERTAIN
TIMES IN CANADA: Canada's two book superstore-chains are locked
in battle as Indigo makes a hostile bid to buy Chapters. Both
the chains are losing money. And with the threat of US booksellers
trying to get in the Canadian market, the book industry in Canada
is entering the all-important holiday season with much intrepidation.
Globe & Mail (Toronto) 11/30/00
- THE
PROBLEM WITH PUBLISHING: "The real problem is not books
but publishing, or publishing as we have known it. Free trade,
globalization and the Internet are having their disruptive way
with what once was a profession that operated like a gentleman's
intellectual club. Ironically, the country that appears to be
suffering the most from consolidation of the publishing industry
is the United States. Even more ironic, the country best equipped
to withstand the global behemoths may be Canada."
The Globe & Mail (Toronto) 11/27/00
- CANADA'S
OVER-ACHIEVING WRITERS: The Canada Council spends $18 million
a year subsidizing Canadian writers. Despite average sales of
a fiction title of 2,500-3,000, Canada has produced a long list
of important writers, led most recently by Margaret Atwood and
Michael Ondaatje "If you look at the Canadian track record
in supporting publishing and literature, it is an incredible investment,
and we have wonderful success stories that are recognizable and
undeniable." The Globe &
Mail (Toronto) 11/29/00
- CART
BEFORE THE HORSE?
It’s somewhat surprising the publishing industry is still betting
millions on the future market for e-books, given the dismal performance
of the CD-ROM and the fact that reliable e-book technology is
still in development. Nevertheless, authors, publishers, online
distributors, and e-book middlemen are feverishly trying to stake
their claims in the new digital landscape. "Everyone at the
table has an eye on someone else's plate, even before the food
has arrived." New
York Times 11/27/00
(one-time registration required for
access)
- TRASHING
SUSAN SONTAG: Was the selection of Susan Sontag's "In
America" as the winner of this year's National Book Award
a mistake? Daniel Halpern thinks so. " 'In America' is such
a bad book that it seems possible that even its nomination - to
say nothing of its victory - is the result of some sort of conspiracy,
or at least of a mistake resulting from the particularly baffling
handwriting of someone at the National Book Foundation."
The New Republic 11/21/00
- WIN
THE NATIONAL BOOK AWARD AND SELL...233 COPIES? Susan Sontag's
"In America" sold only 233 copies for the week ending
Nov. 19, "which would reflect only a few days of award
buzz. 'In America' - which has received mixed reviews - has
sold only 3,972 copies since being published in January. Chances
are, the award will raise that number, but to judge by the
halfhearted reception Sontag got at the ceremony, the book
inspires mixed feelings." Inside.com
11/27/00
PLUS:
Book
revenues
for America's four largest bookstore chains rose 6.3%, to $1.59
billion, for the third quarter ~ Association
of American Publishers proposes e-book standards ~ Stephen
King discontinues publishing his serialized on-line novel because
not enough people were paying for it.
7.
THEATRE
- "SEUSSICAL
THE MUSICAL" OPENS
on Broadway and the early reviews aren’t pretty: "Whoever
the many chefs were, the finished product is a flavorless broth."
New
York Times 12/01/00
(one-time registration required for
access)
- LACKING
FOR TALENT: "There isn't much wrong with the new
musical "Seussical" that a comparatively small earthquake
could not put more or less right." New
York Post 12/01/00
- ON
THE CONTRARY: " 'Seussical the Musical',' has matured
into a sleeker, more confident show for its Broadway bow."
Boston Herald 12/01/00
- THE
SEUSS INDUSTRY: The Grinch and "Seussical" are
only the beginiing of a flood of Seuss-based projects in the
wings to be brought to life. New
York Daily News 12/01/00
- INVESTING
IN THE BIZ: Two of the producers of "Rent" on Broadway
are plowing some of the millions they earned on the show back
into the business. They propose to build a new Off-Broadway performing
arts center. "The proposed eight-story building will include
two state-of-the art off-Broadway theaters (one with 499 seats,
the other with 450), dance studios, rehearsal halls, office space
and condominiums. The cost of the project is $15 million."
New York Post 12/01/00
- MACKINTOSH
TO QUIT PRODUCING: Superstar
musical theatre producer Cameron Mackintosh has announced he won't
be producing any more new musicals. "Mackintosh, one
of the greatest creative and financial mainstays of musical theatre
for three decades, says he is winding down and will in future
produce only revivals." Sydney
Morning Herald 11/28/00
- SPACEY
HELPS THEATRES: Actor Kevin Spacey has been using his financial
success and fame to help out theatre companies. "I think
it's unfortunate that people use theater as a stepping stone to
film and then they don't come back. I never viewed it that way."
The New York Times 11/28/00
(one-time registration required for access)
8.
VISUAL ARTS
- TURNER
WINNER: This year's Turner Prize goes to a photographer for
the first time. The £20,000 prize, which has specialized in controversy
in recent years, was awarded to Wolfgang Tillmans, a "German
whose special line is taking pornographic homosexual pictures."
The Telegraph (London) 11/29/00
- TIFFED
OFF AT THE TURNER: What is it about the Turner Prize?
Why are we fascinated by it? The
Independent (London) 11/26/00
- EVEN
BETTER THE SECOND TIME? Controversy precedes the awarding
of this year's Turner Prize after charges that one of the
finalists plagiarized from a science fiction book cover.
The Times (London) 11/28/00
- PLAYING
IT SAFE FOR TURNER: Tillmans, "is on the fashionable
cusp between photography, art, and fashion, and was a safe
choice." Financial Times
11/30/00
- THE
ABC's OF THE TURNER PRIZE: "For all its outrageousness,
once an artist is nominated for the Turner Prize, they become
part of the establishment." Here's an annotated guide
through the workings of the Turner. The
Scotsman 11/30/00
- GUGGENHEIM
MAKES DEAL WITH NYC FOR NEW MUSEUM: The Guggenheim Museum
has reached an agreement with New York City on the site for its
new $678 million 520,000-square-foot Frank Gehry-designed museum
complex in Lower Manhattan. New
York Daily News 11/28/00
- LEGACIES:
Why did New York mayor Rudolph Giuliani (not a politician
particularly known for his love of visual art) go out of his
way to get $67 million to the Guggenheim Museum for a new
downtown museum? Financial
Times 11/29/00
- NEW
GUGGENHEIM NOT CERTAIN: For the $678 million project to
go forward, the City Council has to sign off on it, as do
the state and federal governments.
New York Times 11/29/00 (one-time
registration required for access)
- GUGGENHEIM'S
BIG FUNDER? Ohio exec pledges $170 million to the project,
which would be the largest ever donation to an American museum.
The Plain Dealer (Cleveland) 12/01/00
-
NEW
YORK'S DISAPPOINTING FALL SEASON: For the first time in
memory, collectively the major museum shows in Manhattan are
a flaccid, uninspired disappointment. "Perhaps it's an
anomaly. Certainly it's the first time in memory that not a
single big fall show will be remembered as being of more than
cursory artistic significance."
Los Angeles Times 11/29/00
-
WHAT
MUSEUMS WANT: What exactly do museums want today? New
York's fall schedule of shows at major museums is perplexing.
"The lineup of fall shows suggests that museum professionals,
driven by the desire to be financially secure, wildly popular
or socially relevant, opt for one of two alternatives: exhibitions
that look like upscale stores, or exhibitions that look
like historical society displays."
New York Times 12/03/00
(one-time registration required for access)
- DESIGN
TRIUMPH:
The controversy that plagued the British Museum every step of
its redesign - including the public outcry over its use of the
wrong kind of stone in its new $97 million portico - seems to
have finally subsided. "To visitors to the Great Court, this
storm in a wine goblet will mean little if anything. In 10 years,
few will know or care what all the fuss was for. What they will
know, instead, is one of the most extraordinary covered squares
to be found in any city, ancient or modern. The
Guardian (London) 11/27/00
- NOT
SO FAST:
Just a few years ago the internet was being touted as likely to
revolutionize the world of art sales. Its success hasn’t been
nearly so pervasive, but "even the skeptics did not predict
the problems that have since assailed art and antiques online
sites." The
Telegraph (London) 11/27/00
- EXCLUSIVITY
SELLS:
Online auctions were supposed to transform the world of art
sales, democratizing the bidding process and thus driving
up prices. "But so far, that hasn't proven to be the
case." Wired
11/30/00
PLUS:
Venice's
third worst flood in the last 100 years endangers priceless
art ~ Sotheby's
and Christie's plan to pay part of their class action settlement
with coupons ~ New
plans by the American Association of Museums and the Association
of Art Museum Directors to find art stolen by the Nazis ~ Austrians
consider returning paintings by Gustav Klimt stolen during the Nazi
era ~ Australian
art market may be cooling down. China
plans to spend $60 million on a new museum to house a treasure trove
of relics being saved from the giant Three Gorges Dam ~ .A
long-lost statue of Christ made by Michelangelo has been discovered
in a small church outside of Rome.
9.
ISSUES
-
WORLD
ARTS CONFERENCE:
A major international conference
with delegates from 60 countries has gathered in Ottawa to talk
about protecting "the vitality of many of the world's cultures
which are currently threatened by the dominance of U.S. popular
culture, and a globalizing economy which is turning national
cultures into commercial commodities." The
Globe & Mail (Canada) 12/01/00
- THE
POLITICS OF ANONYMOUS GIFTS: These days it seems like corporate
"adver-donors" want to get as much advertising out of
a donation to the arts as they want to help the arts. But there
are still those who support the arts out of a sense of wanting
to do something worthwhile. Just why do people give anonymous
gifts? Hartford Courant 12/03/00
- AS
BAD AS ALL THAT? Is American culture going to the dogs? Morris
Berman thinks so: His book "Twilight of American Culture"
paints "a copious chamber of cultural horrors: corporate
publishing and the death of small bookstores, New Age platitudes
and spiritual nostrums, ignorant college students and their jargon-ridden
post-modernist mentors ... you get the idea. For blame, Berman
trots out The Usual Suspects: globalization, corporate domination,
endless greed, insidious marketing, the media circus, and of course,
the stupidity and gullibility of the American public." Really?
The Idler 11/27/00
- BRINGING
ARTS TO EDUCATION: Every study shows that children who receive
instruction in art and music are more focused, get better grades
and score higher on standardized tests than children who don't.
So it was something of a small triumph for sanity when the National
Endowment for the Arts and the U.S. Department of Housing and
Urban Development earlier this month announced a $4 million pilot
program to help bring arts instruction to kids living in public
housing. Baltimore Sun 11/28/00
- A
DAY WITHOUT ART:
Artists and theater groups in Singapore have declared December
29th "No Art Day" as a protest against the government’s
restrictive censorship laws. "For 24 hours participants will
refrain from making art, appreciating art, consuming art, engaging
art, administering art, or any other activity that might be interpreted
as an 'encounter' with art." Times
of India (AP) 12/01/00
- THE
NEW CAPITALISM: "With Russia’s government strapped for
cash, the country’s sprawling network of great arts institutions
is being forced into the unfamiliar world of commerce. The Russia
Museum is one of the winners, organising an ever-expanding network
of souvenir shops, a web site, and this year a record 15 foreign
exhibitions. None of this has come easy to Russia’s museums and
theatres. For 70 years the former Communist regime paid their
entire budget, and also taught that private enterprise was a sin."
The Scotsman 11/27/00
10.
FOR FUN
-
DON'T
LEAVE HOME WITHOUT IT: Identification, that is. Luciano
Pavarotti tried to check in at a Sheraton Hotel in Padua, Italy,
but forgot his ID. The hotel refused to check him in. "Unfortunately,
in Italy, we are required by law to ask patrons for proper and
valid identification. We did everything we could to help him.
We called the police for help - to try to get identification
for him." New York Post 11/28/00
-
POE'S
MYSTERIOUS CODE: For 159 years, a cryptogram, offered by
Edgar Allan Poe, has baffled puzzle solvers. "Solving it
became the holy grail of the art, with Poe fanatics convinced
it would unlock a secret message from beyond the grave."
Now a Toronto software engineer has cracked the code, and it
turns out that... The Globe &
Mail 11/300/00
-
LEONARDO'S
TOPLESS MONA LISA: Did Leonardo paint a suacy topless Mona
Lisa? The Italian press has been hailing "the topless Gioconda",
a nude pastiche of Leonardo's Mona Lisa that art historians
now claim was copied from an original by the Florentine master
himself. The painting is known as Monna Vanna, and experts argue
that "Leonardo painted a lost saucy parody of the Mona
Lisa for his patron Giuliano de Medici. The
Guardian (London) 11/28/00
- AN
EXPENSIVE CHANGE OF HEART: An
Australian art collector puts up a painting valued at $1 million
for auction, but then has a change of mind and decides to donate
the work, by an important Aussie artist, to the National Gallery.
The change of heart may cost him though - he's still liable for
Sotheby's seller's commission, estimated to be as mush as
$200,000. The
Age (Melbourne) 11/28/00
-
UNLIKELY
BENEFACTOR: Russia's struggling Sakharov Museum, which "aims
to promote the ideas of human rights and civil society,"
has been offered a boost from an unlikely source. Boris Berezovsky,
the industrialist accused of embezzling $1 billion from Aeroflot
airlines and who fled the country last month, has given the
museum $3 million. Moscow
Times 12/01/00
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