2002 Nov
19-24 Nov
11-18 Nov
4-10 Oct
28-Nov 3 Oct
21-27 Oct
15-20 Oct
7-14 Sept
30-Oct 6 Sept
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16-22 Sept
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July 22-28 July
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24-30
June 17-23
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27-June 2
May 20-26
May 13-19
May 6-12 April
29-May 5 April
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8-14 April
1-7 March
25-31 March
18-24 March
11-17
March
4-10 Feb
25-Mar 3 Feb
18-24 Feb
11-17
Feb
4-10 Jan
28-Feb 3 Jan
21-27
Jan 14-20
Jan 7-13 2001
archives
2000 archives
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1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Issues
10.For Fun
1.
SPECIAL INTEREST
-
MIXED
MESSAGES: Okay, so "The Grinch" movie is a hit.
But isn't it ironic that the very message of the original Dr.
Seuss story - that Christmas isn't about stuff - has been subverted
by the movie's marketers? "For weeks now, merchandising
tie-ins to the film have contributed to that acquisitiveness,
emphasizing to the public that Christmas does, indeed, come
from a store." Hartford Courant
11/19/00
-
WHERE
THE MONEY IS: It's become fashionable to deride the big
money in art. "But what's so special about art? People
seldom climb into pulpits to lament that commodity broking,
or insurance, or even interior decoration has become 'too money
orientated'. Why is it that art alone is polluted by the appearance
of cash in more than moderate quantities? And what, for that
matter, is so very awful about largish rewards being handed
out even for 'silly' works of art? More tragic things happen
in the world than foolish artists getting undeservedly enriched."
The Telegraph (London) 11/25/00
- HOW
WE MAKE CULTURE: Is there such a thing as "the culture?"
"In some ways our thinking about nature on the one hand and
'the culture' on the other has undergone a reversal within a matter
of decades. It used to be that the cultural aspect of ordinary
reality was, by definition, the part most amenable to human transformation,
whereas the natural aspect was seen as having a dynamic of its
own, which was largely out of our hands. 'The culture' is today
the more fearsome realm, or at any rate the more convenient scapegoat,
and the notion that we have only limited influence over it appears
to be widespread." The Atlantic
11/00
- AN
"INFORMATION MAP OF THE WORLD": New online encyclopedias
turn to users as contributors, hoping to create real-time maps
of all of current human knowledge. One site has 60,000 contributors
from 90 countries. "These sites appear at a time in the Internet's
history when its utopian ideals linger as tenuously as the fun
money investors doled out over the past two years."
The Standard 11/20/00
2.
DANCE
- DRIVING
EDWARD VILLELLA: In the 15 years since he founded it, Edward
Villella has turned Miami City Ballet into a respectable, successful
company. "But Villella, though exhausted by years of overwork
and in failing health - he has a bleeding ulcer and underwent
his third major hip operation last May - keeps pushing toward
new peaks. It's almost as if the closer he gets to the mountaintop,
the harder he drives himself - and the more frustrated he becomes
at not reaching it." Miami Herald
11/19/00
- CONTRACTING
TO DANCE: The Australian Ballet postpones a major work and
schedules it for the opening of its 2001 season, then discovers
its contract to perform the work has run out. "The contract,
believed to date from 1986, stipulated that for 10 years the Australian
Ballet had the rights to stage the work in-house, that is, without
a repetiteur. After that, a new contract would need to be renegotiated
and a repetiteur flown out to re-stage the work." Sydney
Morning Herald 11/20/00
3.
MEDIA
-
FILM
ON THE VERGE OF A NEW ERA: "Recent breakthroughs in
technology have made it possible to capture movies using high-definition
digital video cameras with fidelity akin to that of 35-millimeter
film and to project them digitally in theaters with no loss
of image quality." What will that do to the art form?
New York Times 11/26/00 (one-time
registration required for access)
-
RUN
AWAY TO CANADA: Last year about $10 billion in movie production
business left Hollywood for elsewhere. About 80 percent of it
ended up in Canada. And with a threatened writers' strike in
California, the number of "runaway" productions should
increase next year. Say the Canadians: "People are showing
up here with work and asking us to do it. I don't know how that
is runaway production if a producer has $3. 5 million to make
a movie of the week and he comes here and suddenly has $4.5
million." San Francisco Chronicle
11/26/00
-
HITCHCOCK
AND ART: A new show in Montreal ponders Alfred Hitchcock's
ties to the other arts. "The general idea is that Hitchcock
has a great culture in literature but also in art, and sometimes
he transposes to cinema some of the solutions that have been
found by surrealist and symbolist artists." CBC
11/21/00
- HOLLYWOOD
POWER RANKINGS: Who are the movies' most powerful figures?
The Hollywood Reporter poll ranks the most influential people
in the industry. "The nebulous concept that is 'power' is
given a vivid, if indirect, illumination; and 'power' is such
an important by-product in Hollywood. It's not merely the power
to make profitable movies, which in turn generate more power,
but power as trophy, which is very important to the industry's
amour propre." The Age (Guardian)
11/20/00
- THE
PROBLEM WITH ART MOVIES: "Despite the diminishing profits
of art house movies - once known as "independent" films,
now usually called 'niche' or 'specialty' or 'low-budget' - a
tidal wave of them continues to flood the market. The result is
that very few ever find an audience, no matter how good they are."
Washington Post 11/20/00
Plus: So
far this year's Oscar race
is lacking much buzz ~ A
record 46 films have been entered in the Best Foreign Picture
Oscar category.
4.
MUSIC
- TOO
CLOSE TO HOME: It's another month-and-a-half before Ken Burns'
new 19-hour documentary on jazz is scheduled to be broadcast.
But already the critics are lining up to take shots. Burns says
he's not fazed: "I'm prepared for the criticism, I care about
it...but I didn't make this film for the jazzerati."
Chicago Tribune 11/26/00
- WAGNER
ON ITS OWN TIME: It's a staple of aesthetics that great art
should have no dispensable parts, no padding or extra material.
Wagner's operas are filled with lots of dispensable bits that,
paradoxically, can't be dispensed with. One paces oneself during
Wagner, expecting events and reactions at a fundamentally different
rate. And this pacing produces part of the hypnotic effect: anticipation
and relief are extended, heightening the effect of both."
Washington Post 11/24/00
- SO
MUCH FOR THE NAPSTER THREAT: This year four recordings have
sold 1 million copies in their first week of release. In the previous
history of the music inductry, only two albums ever generated
those kinds of initial sales. "Why the sudden increase of
records achieving what not long ago was considered an impossible
dream? Part of the answer is the overall growth of the music business,
which soared from sales of $7.5 billion in the U.S. in 1990 to
$14.5 billion last year, according to the Recording Industry Assn.
of America. But mostly it's marketing."
Los Angeles Times 11/21/00
- BOCELLI
GAINING ON THE CRITICS: "Andrea Bocelli's fans have snapped
up the new recording despite mixed reviews in the press. Some
writers think the recording is an abomination, even in principle;
others, including this listener, have heard sophisticated musical
impulses and genuine feeling in his singing. Internet opera chat
groups have turned nasty, with some lambasting Bocelli as a pop
singer who has no business defiling the temples of operatic art.
The fact is, however, that Bocelli became a pop singer wholly
by accident, and all his life he has wanted to sing opera."
Boston Globe 11/24/00
- HIP-HOPPING
ALONG: "Born three decades ago on the streets of the
Bronx, condemned by the establishment for its encouragement of
violence and misogyny, hip-hop has survived to become a major
component of American and world culture and a billion-dollar industry."
Chicago Tribune 11/24/00
- AN
IMPOSSIBLE JOB: Why would anyone want the job of running London's
Royal Opera House? The place has run through five directors in
as many years. The board is feisty and meddlesome, and the public
isn't so well disposed towards the company. "What that leaves
for the ROH chief executive is little more than shuffling schedules
and making sure the floors are swept. Most people who want to
run an opera house do so with a view to having some influence
on what happens on stage - inserting a fancied singer here, a
favourite ballet there." The
Telegraph (London) 11/22/00
- LAMENTING
A BRILLIANT PARTNERSHIP: Arthur Sullivan was made famous and
very rich by his collaboration with William Gilbert. And the musical
plays they wrote are still performed 100 years after Sullivan's
death (the anniversary of which is this week). So why did he die
believing he had wasted his life and cursing his partner?
The Times (London) 11/21/00
Plus:
The
Scottish Opera is a financial
mess and not getting help ~ The
Beatles' "Yesterday" has been named by Rolling Stone
and MTV as the most popular song since 1963 ~
Singer
Charlotte Church and her manager settle in the middle of their
court battle.
5.
PEOPLE
-
REM
KOOLHAAS: "His architecture is bracing and unsettling
and even though nothing he has done yet has had the same popular
impact as Frank Gehry's Guggenheim, he is clearly going to be
the next big thing." The Observer
(London) 11/26/00
-
STILL
STANDING: Arthur Miller is about to open another play on
Broadway. And he's about to turn 85. "Over the years, the
critics have been all over the lot when it comes to judging
Miller's work. But in 1984, the critics and the public began
re-examining Miller. And most of them liked what they found.
So when he accepted the Tony for 'Death of a Salesman' last
year, it wasn't without a sense of well-earned, well-honed,
irony - a sense that he's been one of the victims in 'The Crucible'
who finally got the chance to put his torturers on trial."
Boston Globe 11/26/00
-
DEATH
BY DIFFERENT INFECTION: "For decades, it has been widely
assumed that Oscar Wilde died from syphilis, acquired as an
Oxford undergraduate, although this notion has been questioned
over the years. Research published today by two medical experts,
in the run-up to the 100th anniversary of Wilde's death, says
a chronic ear infection that spread to his brain was responsible
for the death." Glasgow Herald
11/24/00
-
THE
UNPREPOSSESSING NOBEL WRITER: Just who is Gao Xingjian,
the Chinese writer who won the 2000 Nobel for literature? "Mr.
Gao has 18 plays, 4 works of literary criticism and 5 books
of fiction to his name, but his entire oeuvre has been banned
on the Chinese mainland since 1985, while his best-known novel,
'Soul Mountain,' a lyrical account of a long journey through
the Chinese backlands, has so far been published only in Taiwan,
Sweden, France and Australia." New
York Times 11/20/00 (one-time registration
required for access)
-
ART
OF EDITING: "Robert Gottlieb's near-legendary status
in the publishing world owes much to sheer anomaly. Running
Simon & Schuster, and then Knopf, he had just two interests:
the books he edited and the books he balanced (''What people
forget about Bob,' says Charles McGrath, editor of The New York
Times Book Review and Gottlieb's deputy at the New Yorker, 'he
was a terrific businessman'). Boston
Globe 11/21/00
6.
PUBLISHING
- THE
FUTURE OF LIBRARIES: With all these commercial online reference
services, will librarians become obsolete? 'We know that libraries
can provide authoritative information, both online and offline.'
And we feel that the only thing stopping us is the fact that patrons
aren't coming to the library much anymore.' A new project is attempting
to make the library an even more vital research source than ever
before." Wired 11/24/00
- A
MATTER OF CREDIT: A Montreal novelist has come forward to
charge that she co-wrote the book that won this year's Governor
General award for non-fiction and was promised recognition she
didn't receive. Nega Mezlekia, author of Notes From the Hyena's
Belly, denies the claim. "I hired her because I was worried
about the formal aspects of my work. She would try and change
things, but I don't think she was doing it out of spite, but because
she didn't understand the book. She didn't have a sense of humour.
She was always telling me that the book will never see the light
of day." National Post (Canada)
11/24/00
- ‘TIS
THE SEASON TO SLANDER:
It seems everyone has a hero to debunk these days, as biographies
of famous figures pour out of publishing houses this fall. "Most
of the personages currently exposed have little in common except
the compulsion or determination of their biographers to manhandle
or mishandle them." New
York Times 11/23/00
(one-time registration required for
access)
- SEE
YOU IN THE FUNNY PAGES...ER, GRAPHIC NOVELS: Comic books (or
"graphic novels" as they're now being called) are hot.
"More than a few of these works not only tap into a burgeoning
post-20th-century self-referential nostalgia, they also manage
brilliantly to bridge the ever-widening chasm between visual and
print generations. Thus, the ascendancy of the graphic novel becomes
less about economics and more about the intertwined abstractions
of demographics and esthetics. A fusion of styles and fascinations
has facilitated the maturation of the comic book into a smart,
funny, haunting work of literature with effects." The
Globe & Mail (Toronto) 11/21/00
- WORDS
AND MEANING: "Though the enterprise of literary criticism
is a vast and infinitely complicated one, it all begins in a very
familiar and basic experience. I read a text, perhaps Shakespeare's
Sonnet 94 ("They that have power to hurt and will do none"),
find a deep pleasure in doing so, and want to explain my experience
to others, sometimes enabling one of them to find the same kind
of experience. I believe that I understand Shakespeare's poem,
and I want to test my understanding against other people's views,
perhaps even to enrich it as I deepen my insights in response
to theirs." Philosophy and Literature
10/00
7.
THEATRE
-
THE
COST OF "RESTORATION": The Shubert company, Broadway's
biggest and richest landlord, has announced it will add a $1.25
"facilities charge" to the cost of every ticket for
shows opening after January 1. The company says it needs the
money for preservation and maintenance of its theatres. The
company stands to make as much as $1,900 for each performance
or $60,000 per month per theatre. New
York Post 11/24/00
-
LEARNING
FROM THE MASTERS: "Compared to other art forms, theatre
has been slow to tap into the vast reserves of experience and
expertise within its senior ranks. There's a long-standing tradition
of musical virtuosi having regular teaching assignments in between
performances; whereas, as Peter Hall has observed, theatre 'tends
to be divided into two distinct camps: busy professionals and
those who teach'." A program in London's West End tries
to change that. The Independent
(London) 11/24/00
-
MANHATTAN
ON BROADWAY: One of New York's most venerable non-profit
theatres makes a play to take over the deteriorating Biltmore
Theatre on Broadway. "The Biltmore would make Manhattan
Theater Club productions Tony-eligible, which brings national
exposure and a potential boost to ticket sales. The Biltmore
will allow the theater club to have an orchestra pit for the
first time, and fly space for scenery. New
York Times 11/22/00 (one-time
registration required for access)
- THE
WHIFF OF FLOP IN THE AIR: A few short months ago, "Seussical"
the musical looked like the season's sure-fire hit on Broadway.
But when it opens next week "it arrives a wounded animal,
bloodied by brutal out-of-town notices and months of backstage
gossip, with the moniker 'troubled' clinging to its hide like
a tick. It has a new director, set designer and costume designer,
and an entirely new physical production. Its book has been substantially
revised, and its budget has soared from $8.5 million to $10.5
million." New York Post 11/22/00
-
THE
REPLACEMENTS: What happens when a hit show has to replace
its star? The New York Post follows around an actor preparing
to step in to "Cabaret." New
York Post 11/26/00
Plus:
Agatha
Christie's "Moustrap approaches its 20,000th performance
in London ~ Trevor
Nunn says he won't seek a new term as head of London's National
Theatre when his contract expires in 2002 ~ Al
Pacino might be the first of some Hollywood stars to appear
onstage at London's Old Vic ~ A
small-city tour "Sound of Music" couldn't make an
agreement with Equity, the actors' union. So it went non-union and
began the tour.
8.
VISUAL ARTS
-
STOLEN
PAINTING RETURNED: Washington's National Gallery is returning
a painting to the heir of a collector from whom the painting
was stolen by the Nazis. "The painting, 'Still Life with
Fruit and Game' by Flemish artist Frans Snyders, depicts a large
basket of colorful fruit on a red tablecloth, surrounded by
dead game, including birds and a small deer." New
York Times 11/20/00 (one-time registration
required for access)
-
ALL
ABOUT CONTEXT: The Museum of Modern Art's new temporary
digs outside Manhattan promise to change the context of the
art and the experience of seeing it. New
York Times 11/26/00 (one-time
registration required for access)
-
IN
DEFENSE OF THE "DIFFICULT":
In a televised lecture (excerpted here) on the state of contemporary
art, Tate Modern Director Nicholas Serota champions work that
is transgressive and beyond immediate understanding. "For
me, the undoubted shock, even disgust, provoked by the work
is part of its appeal. Art should be transgressive. Life is
not all sweet." The
Independent (London) 11/23/00
-
CAPITOL
PLAN: A $265 million plan to expand the US Capitol building
in Washington is taking shape. The large 588,000 suqre-foot
addition will be underground. "The Capitol Visitor Center,
containing auditoriums, a museum-size exhibition hall and space
for future congressional use as well as the usual visitor facilities,
will be the biggest and most significant addition to the Capitol
in nearly a century and a half." Washington
Post 11/22/00
-
PT
BARNUM OF ART: In the first half of the 20th Century Chick
Austin brought a showman's touch to American art. "Not
only did Austin promote artists like Picasso, Balthus, Mondrian
and Dali when they were virtually unknown in the United States,
but he also amassed an important collection of masterworks (especially
Baroque painting, Dutch still lifes and Poussin) on view at
the Atheneum to this day. Alfred Barr, the founding director
of the Museum of Modern Art, told Austin: 'You did things sooner
and more brilliantly than any one'." New
York Observer 11/22/00
-
SWISS
BANKS AND THE HOLOCAUST: Swiss banks plan to distribute
$1.25 billion in reparations to Holocaust survivors. "Until
just recently, Swiss bankers were demanding impossible-to-produce
death certificates and other documentation before they would
pay out claims." But many of the survivors or their heirs
are contesting the settlement. New
Jersey Online 11/20/00
Plus:
Restoration of Michelangelo's "Moses" is being done
live over the internet ~ Some
of America's ealiest paintings - believed to be 1,100 years
old - are discovered in a cave in Wisconsin ~ A
member of Hitler's art team says art for Hitler's private museum
was all obtained legally and none of it was stolen ~
Attorneys representing the 100,000 plaintiffs who sued Sotheby's
and Christie's for price fixing stand to make $27 million for their
work after negotiating a $512 million settlement ~ Controversy
over bones believed to be Giotto's continues
~ Chagall's
hometown in Belarus finally honors the artist
~ Archeologists
who rescued the Turkish town of Zeugma, a
2,000-year-old Roman garrison on the banks of the Euphrates,from
floodwaters last summer are now calling Zeugma, a "second Pompeii."
An
artist creates work for a Palm Pilot. But is it art?
9.
ISSUES
- REASONABLE
PROTECTIONS: "Citing 'significant legal limitations'
and 'substantial and unsettled constitutional questions,' FTC
Chairman Robert Pitofsky concluded that the agency would face
considerable difficulties bringing cases against Hollywood under
existing federal trade laws." Los
Angeles Times 11/22/00
- CONSIDER
THE ARTIST MANAGER: Artists have no problem with paying managers
commission when they [the artists] aren't earning money but as
soon as they do, some of them become resentful, forgetting the
blood, sweat and tears you have put in over the formative years.
Every manager dreams of discovering and nurturing that talent,
not out of vanity but through entrepreneurial ambition. They have
careers to pursue, but people seem to think they are doing it
for fun." The Observer (London)
11/26/00
- THE
POLITICS OF ART: There's a federal election going on in Canada,
but none of the candidates or parties seems to want to talk about
culture or the arts, a $22 billion industry in which the government
has some major investments. Ottawa
Citizen 11/24/00
- IF
THE SELLER PROFITS FROM OUR WORK, SO SHOULD WE: Australian
artists want a percentage of the sales price when their work is
sold at auction. To reinforce the "request" they've
announced a 12 month moratorium on allowing images of their work
to be reproduced in auction catalogues unless the auction house
pays a five percent copyright fee. The
Age (Melbourne) 11/22/00
- NEW
ARTS COMPLEX FOR DALLAS: Dallas unveils plans to build a $250
million performing arts center downtown. "The latest plan
calls for a 2000-seat lyric theater for the Dallas Opera and other
musical groups, and an 800-seat theater to replace the temporary
Dallas Theater Center stage on Flora Street."
Dallas Morning News 11/22/00
- BRITAIN'S
LOTTERY WINNINGS: Britain's lottery funding for the arts has
recently come under fire for some of its dodgier projects. But
"for the first time since the great days of Victorian self-confidence,
Britain has been pouring money into what you might call cultural
assets. Museums, galleries, stadiums, botanical gardens, new and
refurbished public buildings have been popping up all over the
country. The idea behind the National Lottery was that it would
finance all those good things that often get squeezed out of government
budgets." The Economist 11/16/00
10.
FOR FUN
- BETTER
THAN SEX: The music revolution is here. “ 'MP3' — the most
commonly used format for downloading music from the Internet —
has now overtaken 'sex' as the most frequently searched term online."
The Times (London) 11/24/00
- BEATLEMANIA:
"Nearly 40 years after the original John, Paul, George and
Ringo began their popularity is such that there are now some 2,000
Beatle tribute bands – lookalikes, soundalikes or just plain wannabelikes
– all touting for gigs." The
Independent (London) 11/20/00
- THE
REVIEWER-PROOF SCROOGE: It's "Christmas Carol" time
of year again. "Oh, please, Father Christmas, put a stake
in its heart! Put it on a boat to Hong Kong! Give those annoyingly
noble Cratchits a winning lottery ticket and let them have all
the oranges they want! Cook their geese, flame their puddings,
and please, burn their chestnuts into ashes."
Washington Post 11/26/00
- MICHELANGELO'S
ANATOMY: Scholars have argued for years over the unusual misshapen
appearance of the left breast of Michelangelo's marble statue
'Night'. Experts have agreed that its unusual appearance is intentional
and not due to an error but art historians and plastic surgeons
have argued that it reflects the artist's supposed lack of interest
in, or unfamiliarity with, the nude female figure. Now, experts
propose that Michelangelo deliberately set out to portray a woman
with breast cancer." The Independent
(London) 11/26/00
- IT'D
BE DIFFERENT IF IT WAS GREAT ARCHITECTURE: It will cost $1.5
billion to repair New York's crumbling Lincoln Center. So instead,
why not just tear it down and start over? "It’s time to start
thinking hard about tearing down Lincoln Center and building up
a new, much better one—an architectural masterpiece that will
signal New York City’s miraculous recovery over the last decade
and its renewed confidence that it will be the capital of the
twenty-first century as it has been of the twentieth."
City Journal 11/00
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