2002 Nov
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Jan 7-13 2001
archives
2000 archives
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1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Issues
10.For Fun
1.
SPECIAL INTEREST
-
A
REVOLUTION IN MOVIE-MAKING: Sure high definition movie projection
makes for a better quality viewing experience. But when it's
widely used two years from now, it will also change the way
movies are made: "If you buy quality 35mm stock and then
process it, you can be looking at costs as high as $1,800 a
minute. With HD, it's about two bucks a minute depending on
where you bought your tape. And a film print generally costs
anywhere from $1,200 to $1,800. Billions of dollars get blown
in prints. Digitally, you can bounce a signal off a satellite
right to the projector. So the accounting side of this is very
impressive." Chicago Sun-Times
11/12/00
-
BETTER
LIVING THROUGH MUSIC: There's a growing body of science
that shows sound has a very pronounced effect on the body. The
big challenge is finding the right mix of sounds and music that
works for you. Music created specifically for relaxation is
often lumped together derisively by detractors as New Age or
metaphysical music. But the reality is that the types of recordings
that fall under this banner are incredibly diverse, though they
are almost exclusively instrumental (if you don't count the
chanting). Globe and Mail (Toronto)
11/07/00
-
WRITING
ABOUT WRITING AIN'T WHAT IT USED TO BE: The modern literary
biography is wrapped in a paradox. "Only famous writers
attract biographies, writers who are famous because their writings
are. But the more space a literary biographer devotes to discussing
an author's writing, the less commercial the biography will
seem to be, to those who decide which books to publish and push.
It looks as though the word is out that readers will happily
read about famous writers as long as they don't have to be troubled
much about what they wrote." London
Review of Books 11/00
2.
DANCE
- THE
MALE DANCER PROBLEM:
It's still difficult to be a male ballet dancer what with the
social stigmas and stereotypes. But "in many ways, things
look better than they did 15 or 20 years ago: New York's School
of American Ballet (SAB) and the school of the Dance Theatre of
Harlem boast higher male student enrollment than ever before,
and the number of gifted male dancers currently onstage indicates
that more men are feeding into the pool, probably at younger ages."
Village Voice 11/08/00
- WORKING
TO PRESENT DANCE: "Theaters now hire companies not just
to perform but to participate in residencies, outreach and barter
programs as well. In the New York area, for example, the College
of Staten Island offers residencies in which rehearsal space is
exchanged for performances in its five theaters. Theaters are
also paying increased attention to audiences.
New York Times 11/12/00 (one-time
registration required for entry)
- THE
SUCCESSFUL GHOUL: The Royal Winnipeg Ballet is the oldest
continually performing ballet in North America. But five years
ago it had a crushing $1 million debt and its subscriber list
had dwindled to 3000. Then it found "Dracula"...
The Plain Dealer (Cleveland) 11/09/00
3.
MEDIA
- RIGHT
TO WATCH: "A new British poll on film censorship suggests
four out of five viewers would rather censor their own viewing,
rather than watch poorly cut films. The study, Making Sense of
Censorhip, found that three quarters of those surveyed thought
cuts in movies shown on television were the least appropriate
methods of controlling content." BBC
11/09/00
- RELUCTANT
REFORM:
Hoping to avoid federal regulatory action after recent scoldings
from the Federal Trade Commission, the nation’s largest film trade
group has agreed to beef up its enforcement of the movie ratings
system with such measures as selective screenings of adult-themed
trailers and audience education. Inside.com
11/08/00
- BETTER
VIEWING AT HOME? The movie box office in New Zealand is down
almost 10 percent this year compared to last. Why? "It’s
those new-fangled DVD things, apparently. The ones parallel-imported
straight to your neighbourhood video store. So by the time some
films show up at the local multiplex, DVD queue-jumpers have already
seen them." New Zealand Herald
11/09/00
- RADIO
THAT NEVER FADES: Digital radio is almost here. "If all
goes well, the 115 million U.S. commuters stuck in their cars
for half a billion hours every week will soon be able to pick
and choose exactly what they want to listen to— usually without
commercials— and the sounds will never fade away, no matter where
they drive, coast to coast. Beginning in the middle of next year,
all the major auto makers will begin building cars with satellite
radio receivers as standard equipment, appearing first in luxury
models." Discover 11/09/00
4.
MUSIC
-
BUY
AMERICAN? Leonard Bernstein was a trailblazer. And yet,
"since Bernstein's passing in 1990, at 72, none of the
Big Five American orchestras has appointed an American music
director. Of the other leading U.S. orchestras, only the San
Francisco Symphony, which is thriving under Michael Tilson Thomas,
and the Atlanta Symphony, which recently named Robert Spano
as its music director, have dared to engage native sons."
Chicago Tribune 11/12/00
- THE
ESSENTIAL COPLAND: Aaron Copland would have turned 100 years
old this week. "Ten years after Copland's death, and 29 after
Stravinsky's, the latter seems secure as one of the seminal figures
of 20th-century music. Copland's position is more provincial,
his reach only barely extending beyond the Americas. But Copland
made it respectable to be a composer of art music in America."
Dallas Morning News 11/12/00
- UNDERSTANDING
COPLAND: "All in all, there were roughly five Coplands,
some of them overlapping. He was a Stravinskian modernist
of the 1920s, a folk-inspired populist from the 1930s through
the '50s, an even more modernistic 1960s serialist, a Hollywood
film composer who won an Oscar for 1949's The Heiress, and,
in the most encompassing characteristic of all, a musical
dramatist. In all guises, Copland is, more than ever, a fixture
in the American musical landscape." Philadelphia
Inquirer 11/12/00
- TROUBLE
AT CARNEGIE HALL: The staff tumult at Carnegie
Hall since its new director took over become nastier. "Maybe
the Carnegie staff has not done its job and is being told so in
no uncertain terms. Yet having observed the people who seem to
be fleeing pell-mell from the building, I find that notion hard
to believe. Another possibility is that Americans take more kindly
to persuasion than to command and obedience. Resistance to strongly
expressed authority is in our nature; in fact, it is why we happened
as a country." New York Times
11/12/00 (one-time registration
required for entry)
- PULLING
MUSIC APART: Thousands of musicologists converge on Toronto
to dissect the elements of music. "The paradox is that Western
thinking about music has provided the field's lingua franca at
the very moment that Western art music is considered least central."
New York Times 11/11/00 (one-time
registration required for entry)
- A
ROYAL MESS: London's Covent Garden is in total disarray and
not getting better any time soon. How'd it get in this mess? "
'It is brutally run by some deeply insensitive people, but to
say there is a Mafia at work here is to credit them with too much
organisation,' said one well-known tenor."
The Scotsman 11/09/00
- THE
PROBLEM WITH KISSEN: Pianist Evgenny Kissen was a star when
he burst onto the concert scene 10 years ago at the age of 19
and dazzled the music world. He's still wildly popular with audiences
"But if Kissin is more popular than ever, music critics at
several important newspapers have fallen out of love with him.
These critics report that Kissin is playing worse, instead of
better, as he gets older." Public
Arts 11/09/00
- WHAT
YOU CAN LEARN FROM CONDUCTORS: "Can you learn to manage
a business by conducting an orchestra? A conductor's leadership
and the musicians' interactions produce an immediate result for
all to see. Business results are more difficult to interpret because
it takes more time to judge the outcome of initiatives. Still,
all knowledge workers face the same pressures to succeed. Helping
musicians overcome their doubts and fears and adapt to new ideas
is one of the principal tasks of their manager - their conductor."
The Globe and Mail 11/07/00
- DECOMPOSING:
The original musical notes JS Bach wrote on manuscript paper are
fading away. "Experts say the iron- or copper-based ink and
cloth paper he used contained or produced sulfuric acid over the
years. As a result, Bach's very notes are disappearing in a slow-burn
chemical reaction - literally eating themselves right off the
page." High tech conservation efforts are underway.
CNN.com 11/07/00
Plus:
New
technology allows masterclasses where pupil, teacher and audience
might be in different cities ~ Daniel
Barenboim's dispute with the Berlin government over funding
of Barenboim's Staatsoper has gotten out of hand ~ A
record collection of more than 40,000 recordings of Italian
music has been donated by a Toronto family to the Canadian Museum
of Civilization ~ Leonard
Slatkin makes his debut as chief conductor of the BBC Orchestra
~ Britain's
top two opera company jobs are currently up for grabs ~ The
Royal Opera House will develop its first Bollywood opera - a
version of Turandot ~ Three
new orchestras are being created in financially strapped South
Africa.
5.
PEOPLE
-
UPDIKE
AT 68: John Updike is 68 and contemplating his life's profession.
"There is a dumbing down of fiction, don't you think? In
so many other areas there is dumbing down. People are impatient
with any attempt of the novel to pry apart their expectations
or surprise them, challenge them. Make them look up a word,
think over a prejudice. I think, yes, by and large people read
less and maybe they read less intelligently, because they read
less and there are more alternatives." Baltimore
Sun 11/12/00
-
WILDE
ABOUT OSCAR: On the 100th anniversary of his death, Oscar
Wilde is everywhere in London. His grandson is the biggest keeper
of the Wilde flame. He "seems to tread a fine line between
a personal crusade to defend the family honour and a belief
in the strict observation of factual accuracy."
London Evening Standard 11/10/00
-
MACKINTOSH'
S HOME DESTROYED: Producer Cameron Mackintosh's home has
been destroyed in a fire. BBC 11/06/00
6.
PUBLISHING
- BUT
E-PUBLISHING WAS SUPPOSED TO CHANGE ALL THIS: E-publisher
MightyWords sent notices to the 5000 authors whose work it carries.
Half of them are to be kicked off the site and the other half
will have their royalties reduced. "MightyWords' decision
fits neatly in the trend of downsizing dot-coms. In other words,
e-business stinks as usual. But it's significant in the world
of bookselling, where self-published authors are getting a wake-up
call. If they didn't realize it already, they're largely out there
on their own." Wired 11/10/00
- PUBLISHER'S
CLEARING HOUSE: Publisher Random House says it will now share
all revenue from e-books 50-50 with authors. Some predict this
may become the industry standard. Other e-publishers are not so
sure: ''They've laid tracks that are very unwise. I think it's
a huge mistake on their part.'' Inside.com
11/10/00
- MARGARET
ATWOOD WINS BOOKER PRIZE
for her tenth novel, "The Blind Assassin." Toronto’s
Atwood had been shortlisted for the award three times previously.
BBC
11/07/00
- SETTING
STANDARDS: Everyone agrees that e-books are the road to the
future. But "the industry is nowhere near establishing a
common e-book format that will permit consumers to read any e-book
on whatever device they happen to own." Until that happens,
it's likely to be rocky time for e-publishing. Publishers
Weekly 11/07/00
- PARSE
THIS: A Ph.D student from the UK goes to Yale for courses
in literary criticism and reports from the front lines: "I
am struck by the thought that literary criticism - at least as
it is practised here - is a hoax. And the universities that offer
it, and the professors who in America earn large salaries teaching
it, are fraudulent, wittingly or not." New
Statesman 11/06/00
Plus:
A
NEW MEDIA FIGURE OF STAGGERING PROPORTIONS: Dave Eggers has
become a hero of the New Media, he and his friends publishing books
and the literary magazine McSweeney's pretty much on their own terms.
Is this how the New Media world was supposed to happen or is Eggers
a passing flash? New York Magazine 11/07/00
7.
THEATRE
- COLOR
BIND: The number of minority actors in theater productions
on Broadway is dwindling - and most of those working are either
in choruses or race-specific parts, rarely getting a chance at
major roles. "A report by Actors' Equity shows a sharp dip
in the number of minorities on stage. In musical productions,
nonwhite casting was 19.3 percent during the 1999 season, down
from 31.2 percent the year before. In nonmusical productions,
the numbers for 1999 - the last time such a study was conducted
- were even more bleak, with only 7.2 percent of casts drawn from
ethnic minorities, down from 8.5 percent in 1998."
Seattle Times (New York Daily News) 11/07/00
- A
TOUGH WEEK ON BROADWAY:
Shows closing, new shows jockeying for theatres... New
York Post 11/10/00
- PLAYWRIGHT
OF THE DAY: "Patrick Marber's lean, darkly funny writing
has led some to dub him the heir to Pinter. Marber scorns the
comparison - "Most younger writers are influenced by Pinter;
I'm as much influenced by Stoppard and Oscar Wilde."
The Guardian (London) 11/09/00
- SAVING
MUSICAL THEATRE: "In an era when people who care bemoan
the state of musical theater and wonder where future shows will
come from, Hal Prince and his grown chidren are committing their
prominence, connections and expertise to support and call attention
to a new generation of composers." New
York Times 11/09/00 (one-time
registration required for entry)
- HONORING
THE MAN AND THE METHOD:
The family of the late acting teacher Lee Strasberg, founder of
"the method" and cofounder of the legendary Group Theatre,
plans to commemorate the centennial of his birth this year by
producing a season of new plays by emerging playwrights in Los
Angeles. Times
of India (Reuters) 11/08/00
- A
HISTORY OF THE THEATRE: Theatre is a vanishing art - that
is, once produced on a stage it recedes into memory, and even
a film of a performance can't truly capture its essence. So how
do you produce a TV history of the theatre? "Sir Richard
Eyre, doyen of British theatre, has produced a history of 20th-century
stagecraft. He says it won't please everyone.
The Independent (London) 11/07/00
8.
VISUAL ARTS
- BUILDINGS
YOU HAVE TO LOVE: Has London gone back to the sixties? "London
is again a swinging world capital, we have a Labour Government
that wants to "modernise", the economy just goes on
booming, billions of pounds are promised on roads programmes,
immigration has returned as a political issue and architects can
do no wrong. Today, Government ministers fall over themselves
to praise new buildings and the public flock to each new excitement.
As in the Sixties, it is no longer fashionable to be sceptical
about modern architecture." The
Telegraph (London) 11/12/00
- OXBRIDGE
BUILDING BOOM: There's a building boom going on the campuses
of Oxford and Cambridge. "Cambridge and Oxford are both as
much modern architectural zoos as ancient seats of learning. A
glance at the roll call of architects building new colleges and
faculties, and extending old ones, in the two cities shows how
jealously they observe and mimic each other's activities."
The Sunday Times (London) 11/12/00
- A
DOWN MARKET: The Picasso might have sold for $55 million,
but otherwise this week's art auction sales in New York were major
disappointments. Some 40 percent or more of the artwork failed
to sell. New York Times 11/10/00
(one-time registration required
for entry)
- BLOCKBUSTING:
Are museum blockbuster shows ruining museums? One art historian
believes so. "Masterpieces are shunted around the world,
often against the advice of conservation departments, primarily
to bring prestige to the lenders, publicity to the sponsors and
paying customers to the host institutions. Small or penurious
institutions are deprived of their treasures, and objects which,
for one reason or another, cannot be lent are increasingly neglected:
less and less attention is paid, for example, to large pictures
and artists who specialised in them." The
Economist 11/10/00
- RECORD
SALE: A rare Picasso from the artist's blue period sells at
auction for $55 million. The price is a record for the artist
at auction and the fifth highest price for any work at auction."
New York Times 11/09/00 (one-time
registration required for entry)
- THE
BRITISH MUSEUM'S NEW GLORY: The fuss, in recent months, has
been all about the British Museum's use of the wrong kind of stone
for its new portico. "Yet now the scaffolding has been removed,
it is evident that the critics have simply latched on to one mistake
and failed to perceive the greater glory of the whole. Norman
Foster’s treatment of the Great Court wonderfully ennobles the
austere Greek Revival architecture of Sir Robert Smirke."
The Times (London) 11/07/00
- CLEMENT
GREENBERG'S COLLECTION: "The persistent fascination with
Greenberg, who died in 1994, extends to his art collection, the
acquisition of which was announced last month by the Portland
Art Museum in Oregon. Comparing the Greenberg acquisition, the
second- largest in the museum's history, to "going from zero
to 60 miles an hour," museum director John Buchanan added,
'I am a great believer that museum collections are built by collecting
collections'." New York Times
11/07/00 (one-time registration
required for entry)
Plus:
Matisse
sells at auction for $17 million ~ British
museums will receive an extra £46 million over the next three
years from the government ~ Is
post-Wall German art different from art in the West? ~
Frescoes
nearly 2,000 years old have been unearthed near Pompeii in the remains
of what experts say may have been an ancient luxury hotel ~ Artists
who think they are up-to-date, just because they use digital technologies,
are making a "critical error ~ India's
Ajanta paintings, which easily rank among the world’s most precious
heritage sites, are being restored (but also maybe damaged) ~
Japanese researchers
plan to conduct the first ever DNA analysis of the 3,300-year-old
mummy of Tutankhamen ~ Guggenheim
officials eye Rio de Janeiro as site of their next outpost.
9.
ISSUES
- CURE
FOR INSOMNIA: "Sleep is the least desired effect of orchestras,
ballet companies, theatre troupes and opera ensembles; nevertheless,
it is a common phenomenon in concert halls and theatres everywhere.
Many of showbiz's most influential powerbrokers are well-known
shut-eye artists. Afterward, when they go backstage to congratulate
the cast, they can truthfully say, 'Your performance tonight was
invigorating'." National Post
(Canada) 11/11/00
- WHAT'S
SO BAD ABOUT QUALITY? Time Magazine's Robert Hughes happily
proclaims himself an elitist. "What I'm going to talk about
is the idea of quality in art, which is a concept which over the
last 25 years has taken a hell of a beating. Really good art is
much more interesting than really bad art, and there's a lot of
the latter and not a lot of the former. The idea of preferring
high, articulate, demanding and beautiful experiences from the
visual or aural or any other arts is seen as absolutely nuts.
But is it damagingly elitist to prefer good baseball to bad baseball?''
Dallas Morning News 11/08/00
- DREAMS
OF DESTRUCTION:
The quarterly magazine City Journal solicited plans from three
architects to envision completely leveling and then rebuilding
Lincoln Center from the ground up, instead of the performing arts
center’s pending redesign. "The suggestion, however tongue-in-cheek,
that the world's biggest and busiest performing arts complex be
razed like Ilium left Lincoln Center at least officially nearly
speechless." New
York Times 11/08/00
(one-time registration required for
entry)
- ARTS
INCUBATOR: San Jose has copied an idea used in the high-tech
start-up world for arts funding. The plan goes like this: "Bring
representatives of arts, neighborhood and social services groups
together for a day; feed them good food and good ideas; let them
listen, schmooze and think. At the end of the day, ask them for
their ideas. Then pick the best and fund them - quickly."
San Jose Mercury News 11/06/00
- A
NEW CLASS OF TEACHER: "Affluence, once the preserve of
the entrepreneurial class and the corporate sector, has now come
to academe. Six-figure salaries, which used to be restricted to
college presidents and a few senior faculty members in business
and engineering, are no longer uncommon. The stock-market boom
of the past two decades, rising home values, two-earner households,
and external sources of income from royalties, lecture fees, and
other sources have all given the academic world a new taste of
prosperity." Chronicle of Higher
Education 11/06/00
Plus:
Australia's
performing arts groups have a problem with diversity ~ Some
theatres are selling large portions of their tickets online
tickets online ~ Can
a dealer sell the original artwork used for films, books, or
comics?
10.
FOR FUN
- A
COPYCAT SHOW: A gallery called the Outrageous Art Gallery
in Edinburgh claims "to have used a worldwide network of
forgers to produce exact copies of works displayed in the Scottish
Colourists exhibition" currently on display at Scotland's
National Gallery of Modern Art. Curators at the museum are not
at all happy. The Guardian (London)
11/06/00
- WHAT
TO DO WITH BBC2? The head of Britain's BBC2 wants reform,
and says maybe the broadcaster ought to be a little more like,
oh, say, the London Telegraph. What's that you say? asks Norman
Lebrecht. In that case, I've got a few tips for you. (more than
a few, actually) The Telegraph (London)
11/06/00
- IN
THIS CORNER...THE BATTLING TOSCA: The rock 'em sock 'em World
Wrestling Federation has become one of the major sponsors of the
Connecticut Grand Opera & Orchestra's Education Program. "It
would seem like there are a lot of differences, but there are
facets of both that are the same. They perform on a stage, we
perform on a stage. They have a story line with good and evil,
greed and jealousy, just like we do. The only difference is they
solve things through singing, we solve things using various household
objects such as tables, chairs or ladders." Hartford
Courant 11/10/00
- WHY
HAS VAN GOGH'S STORY NEVER BEEN MADE INTO AN OPERA? "I'm
not one of those people who considers opera the catch-all cure
for everything, but I've been backstage at enough of them to know
that van Gogh, even on his worst days, would have fit right in.
His temperament seems to be the soul of opera. Besides his reputed
volatility, there's his ability to find soaring emotional resonance
in things others consider mundane. Had van Gogh lived long enough,
he'd have found opera." Philadelphia
Inquirer 11/07/00
- HOW
TO MAKE MUSIC BORING: Almost 4,000 musicologists from around
the world gathered in Toronto in the largest musicological gathering
in history to present about a thousand academic papers. "Classical
music is failing an awful lot of people. Boring concerts and lack
of classical music programs in the schools are partly to blame.
But so is boring musicology. Granted, I only heard a handful of
papers over the weekend. But almost all of them - whether on pop
or classical music - were jargon-laden, intellectually trivial,
poorly written and atrociously delivered."
National Post (Canada) 11/07/00
- GIOTTO
OR NOT GIOTTO: Two months ago a team of scientists in Italy
announced they had reconstructed a skeleton found 30 years ago
under the Florence Cathedral. It was Giotto, they said. Now an
an American art historian who led excavations under the cathedral
in the 70s has written to the church's cardinal to debunk the
claim. "For heaven's sake, your eminence, do not treat it
as Giotto. You risk blessing and honouring the bones of a fat
butcher." The Guardian 11/06/00
- SAVING
WINNIE THE POOH: In Winnipeg, Canada "children are breaking
open their piggy banks, seniors are dropping off $20 bills and
well-heeled Winnipeggers are brandishing their chequebooks so
the city can buy the large oval-shaped painting of A. A. Milne's
famous bear, honey pot in paw, at Sotheby's auction house in London
next week." Winnie was inspired by a black bear bought in
Ontario in 1914 and named after the buyer's hometown of Winn-ipeg."
The Globe and Mail (Toronto) 11/11/00
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