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For What It's Worth

Michael Rushton on pricing the arts

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Scalpers

May 19, 2013 by Michael Rushton 6 Comments

I got mine for just twelve pounds!

The Observer reports that scalpers (or touts) are making a killing on tickets for the Proms: One unofficial online site is offering seats for the Doctor Who-themed Prom on 14 July for £500, compared with the official flat-rate price of £12. A ticket for the first night on 12 July is offered for £400, against an original value of £38. It is not just fans of the Proms who will be disappointed this summer. Many events in the coming months have already sold out – including the Rolling Stones' Hyde Park concert – with the only tickets available … [Read more...]

The economic impact of everything: a response

May 16, 2013 by Michael Rushton 20 Comments

I will present a thoughful comment from my previous post in full, since it is worth addressing in depth: Respectfully, so what if “many, many firms will approach government with the same claims” of job creation and economic impact? So what if every living organism announces what economic benefit they bring to the universe? Whereas you see in it something bad, mendacious or even destructive, I would argue that this is precisely one of the kinds of information we want. Note my use of the words: “one of the kinds.” It should never be only metric … [Read more...]

Amazon and economic impact: either/or

May 15, 2013 by Michael Rushton 2 Comments

The Daily Telegraph reports: Amazon’s UK operation generated £4.2bn of sales last year, but it used a subsidiary in Luxembourg to help it reduce its corporation tax bill in the country to just £2.4m in 2012. According to documents filed at Companies House, the company received £2.5m in government handouts over the same period. Also: The Seattle-based company would not say which investments the UK Government has helped with, but last year it opened a new distribution plant in Hemel Hempstead, creating 600 jobs, promising to open three more … [Read more...]

On special showings for seniors

May 13, 2013 by Michael Rushton 1 Comment

would you like a cuppa?

At the Freakonomics blog, Daniel Hamermesh reports on pricing at his local cinema in suburban London: Every Tuesday they show a recent movie (e.g., Lincoln is showing on May 21) and charge only £3 ($4.60).  Moreover, you get “free tea, coffee and biscuits!” Such a deal—so how can they make money off this, or is it just altruism by the theater owners toward us old folks? The movie costs no extra rental, and the only variable costs are the wages of the one or two workers who sell the tickets and make the eats.  The fixed costs—of the movie … [Read more...]

How student discounts work

May 5, 2013 by Michael Rushton Leave a Comment

show your i.d.

Student discounts are offered many places - in restaurants, theaters, tuxedo rentals - and in both the commercial and nonprofit sectors. Nonprofits might want to discount student prices on equity grounds, giving them a break because they have less disposable income. But commercial firms offer these discounts too. It might be to try to gain loyalty to the brand that will extend beyond the customer's student years. But it also could be simple price discrimination, recognizing that students have different demand patterns than graduates. How to … [Read more...]

Why a lottery?

May 2, 2013 by Michael Rushton 2 Comments

everybody must get stoned

The Daily Telegraph reports on a new offer by the English National Opera: Fans buying tickets to see the ENOs most popular performances will be given the chance to win the best seats in the house under the new “secret seats” scheme. The gamble could also see them end up with the worst seats, although organisers promise no view will be restricted and no ticket will be worth less than £25 ordinary sale price. The scheme was launched as part of a new season announced yesterday, as the ENO aims to redress a financial deficit in … [Read more...]

What do we talk about when we talk about the economic impact of the arts?

April 30, 2013 by Michael Rushton 5 Comments

multiplier

In the news from Britain in the past week has been a speech by Culture Minister Maria Miller on the arts and the economy in the UK - the full text is here. Commentary has ranged from the concern about putting too much emphasis on the economic, to how we ought to define cultural industries in the contemporary world. I would like to focus on what linkages the Minister sees between culture and the economy. As Tim Harford notes, the speech is a bit of a jumble, so let us try to untangle some of the knots. I see three kinds of ways to think about … [Read more...]

Strategic gaps in the paywall

April 26, 2013 by Michael Rushton 1 Comment

paywall? what paywall?

At Slate, Matt Yglesias reports that advertising revenues are down, but subscription revenues are up, at the New York Times: I've been skeptical about digital subscription models for a long time, but I'm turning into a believer. A key change has been the development of technological means of making the paywalls actually pretty porous, which turns them into more a form of price discrimination than anything else. A well-designed paywall attracts revenue from hardcore fans of a website while still making it possible for casual fans to read the … [Read more...]

Today in concession fares

April 25, 2013 by Michael Rushton 2 Comments

what did you pay?

Laura Pedersen of the New York Times reports: A packed crosstown 86th Street bus going west. A man and a child who looks to be about 4 are sitting side by side. A large older woman seated nearby belligerently says, “You didn’t have to pay for that child, so you must hold it on your lap.” The man politely replies, “You paid only a senior half fare, so you can only use half a seat.” Conversation over.     … [Read more...]

Why are tickets for rock concerts so expensive?

April 24, 2013 by Michael Rushton 20 Comments

play 'fever dog'!

Artsjournal links to a CBC story on the prices of concert tickets: Whether it's Justin Bieber or the Rolling Stones that fans want to see in concert, they'll likely be paying dearly. "At first, we only spent $350. Then, the next time, we spent $450," 16-year-old Bieber fan Cara Corbett and her best friend Tyra Bright told CBC News. "This year, it was like $650 and I was like 'I'm done ... I'm not spending any more.'" Back in the 1970s, a ticket to a Rolling Stones concert in Toronto cost around $8. Tickets for the band's upcoming … [Read more...]

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Michael Rushton

Michael Rushton taught in the Arts Administration programs at Indiana University, and lives in Bloomington. An economist by training, he has published widely on such topics as public funding of the … MORE

About For What It’s Worth

What’s the price? Everything has one; admission, subscriptions, memberships, special exhibitions, box seats, refreshments, souvenirs, and on and on – a full menu. What the price is matters. Generally, nonprofit arts organizations in the US receive about half of their revenue as “earned income,” and … [Read More...]

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