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Michael Rushton on pricing the arts

New Rushton Working Paper on Equality and Public Funding for the Arts

March 26, 2023 by Michael Rushton 1 Comment

A short, low-tech paper available for free download here on SSRN.

The abstract:

Suppose a reasonably wealthy country did not have an arts council that granted public funds to select artists and arts organizations. Would it be advisable to create one? One reason to do so, which comes from economic analysis, is that there might be market failures in the arts, whether public goods or, more likely, positive externalities, such that public subsidy would generate a more efficient allocation of resources. Another reason, although inconsistent with the economist’s axiom of de gustibus non est disputandum, would be to pursue the highest achievements in excellence in the arts regardless of citizens’ cultural tastes, and as a counterweight to the mass-consumption aims of the commercial creative sector. This essay argues that the pursuit of greater equality between individuals would not be a good reason to create an arts council, and that however strong one’s commitment to egalitarian goals, public funding of the arts is not a useful means to achieving those goals. There are more efficacious ways of alleviating social inequalities.

The paper is not yet in finished form, so I will be hoping for feedback from those who have an interest.

A more detailed take on the economic approach to public funding, public goods and externalities and all that, is contained in this working paper, also available for free download.

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Comments

  1. Robert Leyba says

    March 28, 2023 at 7:18 pm

    I wish you the very best of good fortune! Your concern is worthy—you might recall
    Joan Mondale’s promise for a huge arts funding increase if her husband Walter Mondale and Geraldine Ferraro gained the Presidency. I think Christopher Isherwood/Don Bacardi made the best comment: “When heaven and earth become one!” That said, best wishes!.

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Michael Rushton

Michael Rushton teaches in the Arts Administration programs at Indiana University in Bloomington. An economist by training, he has published widely on such topics as public funding of the arts, copyright, nonprofit organizations and tax policy, and served as Co-Editor of the Journal of Cultural Economics. At IU he teaches Read More…

About For What It’s Worth

What’s the price? Everything has one; admission, subscriptions, memberships, special exhibitions, box seats, refreshments, souvenirs, and on and on – a full menu. What the price is matters. Generally, nonprofit arts organizations in the US receive about half of their revenue as “earned income,” and … [Read More...]

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