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We the Audience

Lynne Conner at the Intersection of Live+Digital

Taste, Race and Meaning Making

December 14, 2014 by Lynne Conner 4 Comments

Taste is influenced by privilege. And in America’s serious arts industry, that privilege is shaped by whiteness (or a type of whiteness based on European heritage). This is the final post in a triptych [What If There is no Excellence? and Everybody’s Got One] investigating what I am calling the “excellence equation.” In many ways it is the most difficult post I’ve written since I launched the … [Read more...]

Everybody’s Got One

December 7, 2014 by Lynne Conner 1 Comment

The 21st century has delivered us into a world where we define “participation” as an invitation to post an opinion. And it seems that everybody’s got one to share. “People want meaningful opportunities to participate and contribute, to add their piece of information, view or opinion,” argues Charles Leadbeater in We Think. “They want viable ways to share, to think and work laterally with their … [Read more...]

What if there is no “Excellence?”

November 30, 2014 by Lynne Conner 2 Comments

What if there is only taste, which is only opinion formed through social constructs, which is only cultural learning influenced by a range of environmental factors? Over the past few months I’ve been writing about issues and ideas related to meaning-making and the arts. Exploring how meaning making happens is a complicated process, ruled as much by evolutionary biology and brain science as it … [Read more...]

Audiencing

November 4, 2014 by Lynne Conner Leave a Comment

I’m off to London this week to do some full-time audiencing. Those of you who are familiar with Christopher Small’s work know that I am referencing his concept of musicking: an activity in which all those present are involved and for whose nature and quality, success or failure, everyone present bears some responsibility. It is not just a matter of composer, or even performers, actively doing … [Read more...]

Ex Uno Plures (or why we need to forget e pluribus unum when it come to the arts)

October 26, 2014 by Lynne Conner 3 Comments

From one, many. If I were writing a new constitution for audience engagement strategies, that’s the motto I’d apply to our official seal. When it comes to interpreting a work of art, the notion that our goal is to work toward the one true meaning is psychologically, cognitively and culturally misguided. We should instead be celebrating the wide variety of meanings that surface when audiences … [Read more...]

Monetize This: Tales from Two Convenings

October 13, 2014 by Lynne Conner Leave a Comment

I’ve been on the road participating in two convenings and learning from a host of smart arts workers (administrator/programmers, philanthropists, scholars and artists). Several topics, plenty of compelling data (soft and hard), some competing agendi. Through it all I was struck, again and again, by how often the topic of interpretation and valuation came up. The words/jargon might be different … [Read more...]

Telling the World What Dance Means, 21st Century Style

September 28, 2014 by Lynne Conner 3 Comments

Want an example of how social interpretation (audience-produced meaning making that occurs in/through public settings and mechanisms) operates in the contemporary arts world? Check out the Audience Review portal at The Dance Enthusiast.com. The brainchild of former dancer and producer Christine Jowers, The Dance Enthusiast is a self-described “digital news site and arts service … [Read more...]

Across to the Other Side

September 21, 2014 by Lynne Conner 2 Comments

"What matters is not what happened but what people think happened."   ~Harold Pinter The human mind is always busy translating symbols (whether man-made or natural) in the external world. The Latin word translatio expresses the process beautifully. It means, “to carry across.” The human mind is also always looking for opportunities to integrate those symbols into a higher-order unity, in … [Read more...]

How We Got Our ‘Making Sense Organ’

September 17, 2014 by Lynne Conner 1 Comment

In Art and Intimacy, evolutionary anthropologist Ellen Dissanayake’s recent study of the relationship between art making and the “infancy of the human species,” she notes that meaning was first located in “what ‘felt right’—a full stomach, a safe environment, nearness of familiar others, or ways to acquire these.” Over a millennia of human evolution, the mind increasingly became a “making-sense … [Read more...]

What is this thing called meaning?

September 15, 2014 by Lynne Conner 1 Comment

Autumn brings the urge to change up my rhetorical strategy a bit, so for the next month or so I’ll switch from writing self-contained essays on different topics to posting a series of quotes, ideas-for-thought, and short provocations exploring the concept of meaning-making in the arts. As readers of this blog know, my mission is to open up the meaning-making process to and for our … [Read more...]

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Lynne Conner

Lynne is a theatre and dance historian, a playwright and director, a community-based arts activist, a college professor and a cultural theorist with an emphasis on audience studies. She realizes that this list of professional activities appears unconventionally broad, but from her perspective they all share a common root: the belief that participation in the arts (as audience members and as practitioners) is the best way to make sense of the world. And making sense of the world is, well, what we humans do. [Read More]

About We The Audience

Post by Hannah Grannemann, Guest EditorPart of the series: Audiences During the Pandemic I’ve developed a routine of watching theater online during the pandemic: comfy clothes, a specific … [Read More...]

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