In my book Dvorak’s Prophecy and the Vexed Fate of Black Classical Music, I call “an antipathy to jazz” one of the defining attributes of American classical music during the interwar decades. I’ve also written a lot about “the jazz threat.” In the US, jazz bore a Black taint; it was linked to brothels and nightclubs; it was declasse. Henry Ford’s … [Read more...] about “The Jazz Threat” on NPR
Search Results for: music unwound
Five Festivals for the Charles Ives Sesquicentenary
The National Endowment for the Humanities today announced a $400,000 grant to resume “Music Unwound,” a national consortium of orchestras and universities, begun in 2010, that explores topics in American music. I serve as director. Music Unwound disseminates a template I have long espoused: thematic, cross-disciplinary symphonic concerts linked to schools. I believe it … [Read more...] about Five Festivals for the Charles Ives Sesquicentenary
High Culture Without Apologies — What Orchestras Can Do
The current Weekly Standard has a long piece by me about the future of American orchestras. I write that orchestras can help us to heal our shredded national fabric and regain a lost “sense of place” – a shared American identity via our history and culture. And yes, I mean high culture. I continue in part: “Our colleges don’t teach much history any longer. Many cultural … [Read more...] about High Culture Without Apologies — What Orchestras Can Do
How South Dakota Shows What Orchestras Are For
Beginning in the 1860s, the conductor Theodore Thomas – a symphonic Johnny Appleseed – began touring the entire United States with his Thomas Orchestra. His credo was: “A symphony orchestra shows the culture of the community.” And in cities large and small, it did. Today, the American orchestra is no longer the civic bulwark it once was. There are exceptions. I would say … [Read more...] about How South Dakota Shows What Orchestras Are For
THE FUTURE OF ORCHESTRAS — Part Six: What’s an Orchestra For?
Back in the 1990s, Harvey Lichtenstein – who recreated the Brooklyn Academy of Music – invited me to lunch and asked me if I wanted to run an orchestra. Harvey had just read my notorious Jeremiad Understanding Toscanini: How He Became an American Culture-God and Helped Create a New Audience for Old Music. That was published by Knopf when a book about classical music might … [Read more...] about THE FUTURE OF ORCHESTRAS — Part Six: What’s an Orchestra For?