The following article is an abridged adaptation of my January 22 NPR report on recent developments in government and the arts — at the NEA, the NEH, and the Kennedy Center -- under President Donald J. Trump. I write: "The arts sector feels invaded by aliens. The incursion is so abrupt, so rude, that it parallels the startling empowerment of Trump loyalists like Kristi … [Read more...] about Trump and the Arts
Search Results for: music unwound
“An Urgent Priority” — R. I. P.: NEH (1965-2025) — A Postscript
Here's a postscript to my obituary for the National Endowment of the Humanities, and for my own Music Unwound national consortium: I am now apprised – via a form letter -- that the cancellation of Music Unwound (a 15-year-old national consortium of orchestras and universities) “represents an urgent priority for the administration.” Music Unwound has also been … [Read more...] about “An Urgent Priority” — R. I. P.: NEH (1965-2025) — A Postscript
What’s an Orchestra For? — and The Crisis in “Soft Power” Diplomacy
Addressing high school students in Sioux Falls, South Dakota, a few weeks ago, former US Ambassador to Russia John Beyrle said that the US State Department faces “an existential crisis.” Speaking on my latest NPR “More than Music” feature, “What’s an Orchestra For?,” he further comments: “Soft power” – the use of music and education as an instrument of foreign policy – … [Read more...] about What’s an Orchestra For? — and The Crisis in “Soft Power” Diplomacy
Stravinsky, Elmer Fudd, and the South Dakota Symphony
The final NEH-funded, multi-media “Music Unwound” concert featuring the South Dakota Symphony took place last Saturday night. I cast myself in a cameo role, playing the Soldier in three excerpts from Stravinsky’s The Soldier’s Tale. I modelled my impersonation on Elmer Fudd. The main events, however, were Ravel’s Piano Concerto in G with Jean-Efflam Bavouzet and … [Read more...] about Stravinsky, Elmer Fudd, and the South Dakota Symphony
Charles Ives and National Understanding
Charles Ives, 150 years old, is immensely important right now. Why is that? What’s changed? For the Ives Sesquicentenary festivals currently sponsored by the NEH Music Unwound consortium, The American Scholar has published an extraordinary online Program Companion. In addition to my essay on Ives and Mahler, it features contributions by a leading American art historian, a … [Read more...] about Charles Ives and National Understanding