Delta David Gier conducts the Creekside Singers and members of the South Dakota Symphony in Derek Bermel’s “Lakota Refrains” [Photo credit: Dave Eggen/Inertia/South Dakota Symphony] The topic of my latest “More than Music” program on NPR is the South Dakota Symphony’s Lakota Music Project. The last military engagement between United States troops and Native … [Read more...] about The Lakota Music Project vs. “Rootlessness” Today
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American Classical Music at 250 — Take Five: The Disconnect Between Scholars and Orchestras
Beginning with my “New York Times” piece on July 4, this is the fifth in a series of articles pondering the state of classical music in the US on the occasion of our 250th birthday. Above: Peter Bogdanoff's visual presentation for the Largo and Scherzo of Dvorak's "New World" Symphony, premiered by the Brooklyn Philharmonic in 1994 and since widely deployed by American … [Read more...] about American Classical Music at 250 — Take Five: The Disconnect Between Scholars and Orchestras
At 250, Has America Delivered on its Classical Music Promise?
The New York Times invited me to attempt a succinct assessment of classical music in the US, from its beginnings to today. My response runs in today's paper: Last fall, I found myself in a South Dakota hotel lobby talking with the composer Derek Bermel. Days before, I learned that his clarinet teacher had played in the Metropolitan Opera Orchestra. I asked whether he knew … [Read more...] about At 250, Has America Delivered on its Classical Music Promise?
Native America and American Music on NPR: “A Battleground”
This Hamms Beer commercial, which I vividly remember from childhood and our brand-new black-and-white TV, signals “Indian music” with a steady tom-tom beat. The tune (and its tom-tom) adapts the Dagger Dance in Victor Herbert’s opera Natoma. The words – “From the Land of Sky Blue Waters” – reference a once popular concert song by Charles Wakefield Cadman. Both Herbert’s opera … [Read more...] about Native America and American Music on NPR: “A Battleground”
“Shostakovich in South Dakota — A Manifesto for the Future of American Classical Music”
My “manifesto for the future of American classical music,” in the current issue of The American Scholar, attempts in 7,000 words to present a viable blueprint for change. My main point of reference is a contextualized performance of Shostakovich’s Leningrad Symphony last February by the South Dakota Symphony – which I write “may plausibly be considered the most … [Read more...] about “Shostakovich in South Dakota — A Manifesto for the Future of American Classical Music”