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- Joe Horowitz (187)
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Recent Posts:
- Music from Paradise
- Mark Twain, Charles Ives, and Race
- Did Wagner Exploit King Ludwig?
- Dvorak, Harry Burleigh, and Cultural Appropriation — a “PostClassical” Podcast
- Lou Harrison and The Great American Piano Concerto — Reprised
- Falla and Flamenco — “The Birth of Spanish Music”
- High Culture Without Apologies — What Orchestras Can Do
- How South Dakota Shows What Orchestras Are For
- Jonas Kaufmann vs. the Orchestra of St. Luke’s
- Stokowski and Ormandy — What Happened in Philadelphia?
- The Artist and His Audience
- Rachmaninoff Uncorked — Take Two: RCA, Ormandy, and the Cork
- Rachmaninoff Uncorked
- What Are Orchestral Musicians For?
- THE FUTURE OF ORCHESTRAS — Part Six: What’s an Orchestra For?
- On Rescuing a “Dead Art Form” — Take Two
- On Rescuing a “Dead Art Form” — A Landmark Book on Opera in Performance
- Bernstein at Brevard — Take Two: The Artist and Politics
- Bernstein the Educator
- Furtwangler and the Nazis — Take Two
- Furtwangler and the Nazis
- The Gershwin Moment — Part Five: Klemperer, Tibbett, Gerstein
- El Paso, Kurt Weill, and Tornillo’s Tent City
- VISCONTI’S FOUR-HOUR “LUDWIG” — A Momentous Wagnerian Film
- Shostakovich and the Cold War
- “The Great Composer You’ve Never Heard Of” — and how he was suppressed by Carlos Chavez
- Leonard Bernstein at 100: An American Archetype
- THE FUTURE OF ORCHESTRAS — Part Five: Kurt Weill, El Paso, and the National Mood
- “The Art and Alchemy of Conducting” — and Mahler’s Fourth
- Can Orchestras Be Re-Invented?
- Shostakovich and Film — Take Two
- Shostakovich and the Fool: Boris Godunov and King Lear
- Mieczyslaw Weinberg on Film
- It’s Not Over Yet: Babayan, Trifonov, Yuja Wang
- The Gershwin Moment
- Yannick’s Hollow Parsifal
- Rethinking “Classical Radio” — Part Two
- Another Cheap Shot at Wagner
- Exalting Bruckner at Carnegie Hall
- America’s Most Exceptional Orchestra
- The Case of James Levine: Taking Stock
- Schubert Uncorked
- Aida at the Met
- Music and WW II: Eisler, Schoenberg, Shostakovich, Stravinsky
- Arnold Schoenberg’s Musical Response to FDR
- The Most Under-Rated 20th Century American Composer — Take Two
- “The Difference Between Quality Art and Crap” Take Four
- “The Difference Between Quality Art and Crap” Take Three
- “The Difference Between Quality Art and Crap” Take Two
- “The Difference Between Quality Art and Crap”
- The Arts in the Age of Trump (continued)
- Copland and the Cold War
- Milstein vs. Szigeti
- Kurt Weill in 2017
- New Musical Venues for a New National Moment
- Rethinking “Classical Radio”
- Uncle Vanya Meets Porgy and Bess
- The Lou Harrison Centenary
- Arts Leadership in the Age of Trump
- AT THE BARRICADES: The Arts in the Age of Trump
- Are Orchestras Better than Ever? Why Riccardo Muti is Wrong
- Music and the National Mood
- Trifonov Plays Shostakovich
- Brendel and Schubert
- The Future of Orchestras Part IV: Attention-Span
- Virgil Thomson: Guerilla Tactics and Slapdash Judgments
- The Future of Orchestras, Part III: Bruckner, Palestrina, and the Rolling Stones
- The Future of Orchestras (Cont’d): Would the Philharmonic Sing Palestrina?
- STORM WARNINGS: THE FUTURE OF ORCHESTRAS
- Musical Films
- Bach on the Piano
- Instead of Alexander Nevsky
- Kurt Weill’s “Note Concerning Jazz”
- The Most Under-Rated Composer?
- $1 Million for Music Unwound
- Dvorak on the Reservation
- Gergiev and the Vienna Philharmonic
- What Texas City is a National Cultural Showcase?
- Celebrating Bernard Herrmann
- American Music — An Alternative Narrative
- The Real Vladimir Horowitz
- “Music Unwound” — The NEH and the Music Education Crisis
- Charles Ives and Huck Finn
- Prokofiev’s Happy Ending, and Further Thoughts on Conducting Ballet
- What Are Ballet Conductors For?
- Can a Music School Be Re-Invented?
- “The Chasm Between Doing Music and Thinking About It”
- On the Future of the Metropolitan Opera (continued)
- The Elephant in the Room at the Met Opera Negotiations
- Dvorak’s America
- Remembering Artur Bodanzky
- Dvorak’s “Hiawatha” Symphony — Part Two
- Dvorak’s “Hiawatha” Symphony
- A Mexican Composer Whose Time Will Come
- What I Thought I Wrote about “Porgy and Bess”
- Wagner at Coney Island
- Shostakovich Decoded
- My “Porgy and Bess” Playlist
- Leonard Bernstein’s Letters
- “I’m a Didactic Writer”
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