Royal Danish Ballet: Bournonville Festival / Royal Theatre, Copenhagen / June 3-11, 2005 While the Bournonville Festival is dedicated to presenting the complete extant repertory choreographed by the master, with Abdallah the Royal Danish Ballet has also made room for some faux-Bournonville. This ballet does not claim to be part of what the Danes call […]

Digterens Teaterdromme: H.C. Andersen og Teatret (The Poet’s Theater Dreams: Hans Christian Andersen and the Theater) / Det Kongelige Bibliotek, Den Sorte Diamant (Royal Library, The Black Diamond), Copenhagen / March 11 – October 22, 2005 Digteren og Balletmesterens Luner: H.C. Andersens og Bournonvilles Brevveksling (The Caprices of the Poet and the Ballet Master: The […]

Royal Danish Ballet: Bournonville Festival / Royal Theatre, Copenhagen / June 3-11, 2005 It’s been almost two years since I wrote about the Royal Danish Ballet’s La Sylphide in these pages. The occasion was the premiere of the new production—by Nikolaj Hübbe—of the celebrated work. Having just seen that staging in the Festival, with nearly […]

Royal Danish Ballet: Bournonville Festival / Royal Theatre, Copenhagen / June 3-11, 2005 Having boldly opened its Bournonville Festival with two new productions—of Kermesse in Bruges and La Ventana—the Royal Danish Ballet devoted its second night to a traditional staging of Napoli, the ballet it accurately terms its calling card. The curtain went up on […]

Tyl & Trikot—Bournonvilles Balletkostumer / Nationalmuseet, Copenhagen / May 14-June 12, 2005 An essential part of the Bournonville Festival now under way in Copenhagen is the plethora of exhibitions mounted all around town—and in some outlying, Bournonville-associated, districts as well. These shows complement the thrill, the rush, and the essentially ephemeral nature of the Royal […]

Royal Danish Ballet: Bournonville Festival / Royal Theatre, Copenhagen / June 3-11, 2005 As dead geniuses go—especially those whose work, being in dance, is essentially ephemeral—August Bournonville (1805-1879) has done pretty well. The legacies of George Balanchine, Frederick Ashton, Martha Graham—all a century younger than the Danish choreographer—are eroding at an alarmingly faster rate than […]