Larry Bunker's versatile drumming, vibes playing and skill as an all-'round percussionist put him in demand by jazz players, symphony conductors, film and television studios, and singers. He worked with an array of artists that included Gerry Mulligan, Pierre Boulez, Peggy Lee, Judy Garland, Dizzy … [Read more...]

Today is Billy Taylor's 88th brthday. It has not gone unnoticed by his publicists that, coincidentally, the piano has 88 keys. Appropriately, they have posted on his web site 88 videos of Taylor playing in a variety of contexts; speaking informatively on CBS Sunday Morning, where for years he did … [Read more...]

To those who who knew Russ Freeman or his work it was a source of frustration that he elected during his final years not to play the piano. Freeman died in 2002 at the age of 76. He was part of the west coast jazz scene before it was called that. He worked in Los Angeles in the late forties and … [Read more...]

In the center exhibit under the legend Doug's Picks you will find new recommendations assembled by the Rifftides staff. They include CDs, a DVD and a book. They are by: •A great pianist in the creative burst of his last days •A bassist eschewing hybridized jazz for the straight but not … [Read more...]

The following exchange showed up on the Jazz West Coast listserve today. It was attributed to Bill Crow's book Jazz Anecdotes, although I couldn't find it there. Wherever it's from, it deserves wide exposure. "How late does the band play?" "About half a beat behind the drummer." … [Read more...]

The newest addition to jazz.com's "The Dozens" series is Bill Kirchner's recommendation of twelve tracks by pianist Denny Zeitlin. Five of the pieces appear in the new Mosaic compendium of Zeitlin's 1960s trio recordings for Columbia. The others are from single albums, some available, others rare. … [Read more...]

Bobby Shew's Breakfast Wine is so rare that it does not appear in the Shew discography on the trumpeter's own web site. Nonetheless, the PAUSA long-playing vinyl album released in 1985 is a highlight not only of Shew's recording career but also of all jazz releases in the last two decades of the … [Read more...]

On his web site, Old And New Swingin' Dreams, Bruno Leicht gathers together four versions of "Chinatown, My Chinatown" and its latterday nom de déguisement "Sax No End." The clips run from Fletcher Henderson in 1930 to the Clarke-Boland band in 1967, the Oscar Peterson Trio a year later and, … [Read more...]

JazzTimes magazine announced today that it will come back to life with an August issue. A post on the magazine's web site says that a Boston company, Madavor Media, has acquired JazzTimes. It describes Madavor as "a market-leading enthusiast publishing and trade-show group." Jazz Times announced in … [Read more...]

Martial Solal Live at the Village Vanguard (CamJazz). The CD's subtitle is I Can't Give You Anything but Love. In this recital, the French pianist gives his listeners more than love. We get architectural thinking, drollery, daring, virtuosity that includes astonishing mastery of meter, and chord … [Read more...]

Here's a look at Martial Solal in performance with a trio in a video pastiche. YouTube does not identify the sidemen, but they appear to be the Moutin brothers, Francois on bass and Louis on drums. … [Read more...]

It was 97 degrees today and time to get the apricots off the tree. In 2008, the tree produced two apricots. This year, it compensated, loading its branches with huge fruits. Eat your hearts out. Or, better, visit Rifftides World Headquarters and eat an apricot. The two bushels are perhaps a fifth of … [Read more...]

In Barcelona, there is a baritone saxophonist named Joan Chamorro. As might be expected of a young player of his instrument, he is under the spell of Harry Carney, Gerry Mulligan and Pepper Adams. I can find no recordings under his own name, although here and here, Chamorro is listed as a sideman. … [Read more...]

Len Dobbin, a man of many parts in Montreal, died last night. Among his other roles, over the years Mr. Dobbin was a broadcaster, reviewer, photographer and producer intimately involved in the Canadian jazz scene. For details, go here. Len was a frequent and knowledgeable correspondent to Rifftides. … [Read more...]

(This item originally appeared in Rifftides on July 19, 2005) A Little "Rifftide" Geneology Annie Kuebler, the Mary Lou Williams archivist at the Rutgers Institute of Jazz Studies, gives us further insights into "Rifftide." That is the 1945 Coleman Hawkins recording that inspired the name of this … [Read more...]

To my knowledge, there is no video of Coleman Hawkins or Mary Lou Williams playing "Rifftide" or "Oh, Lady Be Good" and certainly not "Hackensack," Thelonious Monk's appropriation or adaptation of the line. So, we'll have to settle for Stan Getz and John Coltrane accompanied by Oscar Peterson, Paul … [Read more...]

For some time--years--I have been bothered by the further deterioration of a craft that too often has not achieved the status of serious criticism. I write, sad to say, of jazz reviewing, in which assignments all too often go to the lowest bidder, or to no bidder. These days, they go less frequently … [Read more...]

Asked to define jazz, Louis Armstrong replied, "If you have to ask what it is, you'll never know." That's one answer. Here's another, provided by Dizzy Gillespie, Sonny Rollins, Hank Jones, Rufus Reid and Mickey Roker at Gillespie's 70th birthday concert on October, 21, 1987. The composition is … [Read more...]

(An annual Rifftides reminder) Those who would give up essential Liberty, to purchase a little temporary Safety, deserve neither Liberty nor Safety.--Benjamin Franklin America will never be destroyed from the outside. If we falter and lose our freedoms, it will be because we destroyed … [Read more...]