In his few years, Oliver Nelson achieved major success as a composer and arranger in jazz and in the Hollywood studios. His first big band collection, Afro-American Sketches (1961), made it clear that he was an important new talent. His Blues And The Abstract Truth with an all-star septet that … [Read more...]
Archives for August 2010
Correspondence: Weekend Listening Tip
Jim Wilke, known worldwide for his Jazz After Hours satellite radio program, also runs a popular weekly broadcast featuring musicians from the Pacific Northwest. He sent this alert about the first program in a new series. It will present music from a major festival that ended last weekend. Centrum … [Read more...]
Elder Lee: Konitz At 82
The alto saxophonist Lee Konitz's inventiveness and boldness have seldom flagged. As his recent recordings demonstrate, he continues to embrace adventure and risk. If his repertoire is stocked with pieces that he revisits time and again"All the Things You Are," "I'll Remember April," "Body and … [Read more...]
Mitch Miller And Bird
Jazz listeners who derided the sing-along records and TV shows that made Mitch Miller rich and famous in the 1950s and '60s tended to forgive him the shallowness of his pop pap because he played with Charlie Parker. Miller died over the weekend at the age of 99. See Matt Schudel's excellent obituary … [Read more...]
Language: Failed Metaphor Department
Arizona's once-open arms close into fist Headline, Yakima (Washington) Herald-Republic, 8/3/10 … [Read more...]
Other Places: Kilgore In New York
If you live in New York City or are headed there this week, you're in luck. Rebecca Kilgore is in town, sharing a gig at Feinstein's with the tenor saxophonist Harry Allen and his quartet. I learned of her appearance by way of The Wall Street Journal's WSJ.com, which has a New York Culture section … [Read more...]
Other Places: A Hard Bop Blog
Thanks to Rifftides reader Dave Lull for alerting us to a jazz blog that debuted in early July. Although its name, Tony Flood's House Of Hard Bop, could hardly be more specific, in his first post Mr. Flood opened with a demurer: Hard Bop: the Dominant, Not Sole, Focus Here. I care a great deal about … [Read more...]