Archives for March 2006

When a voice behind me whispered low, 'That fellow's got to swing.' —Oscar Wilde, Hélas (1903) It don’t mean a thing if it ain’t got that swing. —Duke Ellington (1932) … [Read more...]

John Birchard of the Voice of America writes: I read your new material on Willis Conover and VOA. When I joined the staff in '93, Willis was in decline with cancer. As I worked ights, I didn't see him often and, in fact, never had a conversation with him. It was my impression that a fair number of staff people kinda resented his status - his renown, his separateness from the "regular" employees. Following his death, I was appalled that VOA continued to run his tapes for months and months. … [Read more...]

"Bix Lives," read the graffiti after cornetist Bix Beiderbecke died in 1931. "Bird Lives," began appearing on walls in New York within days of Charlie Parker's death in 1955. Neither Beiderbecke nor Parker, however, inspired an establishment of religion. So far, the only jazz musician to be declared a saint is John Coltrane. In Jazz Matters: Reflections on the Music and Some of its Makers, the chapter on Coltrane included this: For a complex variety of reasons, few of them musical, a legendary … [Read more...]

Ken Dryden writes: I enjoyed reading Paul Blair's comments about the late Willis Conover. What ever happened to his jazz collection--is it still in the VOA archives or was it disposed of with his estate, donated to an archives, etc.? Maybe Paul should get busy on a Conover bio. I just picked up a DVD of the 1969 New Orleans Jazz Festival, whose lineup he was instrumental in putting together (before politics turned it into a commercial multi-cultural event with significantly less jazz content). … [Read more...]

I'll be unbloggable, and possibly sleepless, in Seattle for a couple of days of meetings at the University of Washington, and some book business. There are worse places to be in springtime, when the cherry trees bloom in the UW quad, the showers lighten, and people smile more. In the meantime, visit the Rifftides archive and investigate what the other artsjournal.com bloggers have to offer you (links in the right-hand column). … [Read more...]

Another location recording by Dave Frishberg? What do you mean, another? There hasn't been one since Do You Miss New York? That was four years ago. Ah, the one with "Jaws" and "The Hopi Way." How can he top that? Top it? Why does he have to top it? Music isn't a contest, a quest to set records (heh heh). Can't he just make a CD with a few new songs and a few old ones and tie 'em together with a theme? What's the theme? Nostalgia. You know, "The Dear Departed Past." Oh. Of course. Any new … [Read more...]

The Rifftides discussion of the perilous situation of the Voice of America’s English language broadcasting has a running sidebar about Willis Conover. Conover was the VOA’s free lance jazz voice, one of the United States’ most effective instruments of public diplomacy during the Cold War. Ironically, although he was a hero to millions behind the Iron Curtain—teaching them about jazz and, as an unintended bonus, to speak English—he was unknown to most Americans and unrecognized by the government … [Read more...]

Paul Blair, now an editor, free lance writer and licensed New York City tour guide, was a colleague of Willis Conover at the Voice Of America in the 1980s. He hosted a daily VOA broadcast. Blair sent Dave Frishberg the following recollection after reading Dave's story in the previous Rifftides posting. We're bringing it to you with their permission. I believe Willis had, by the spring of 1984, left (or been left by) the New York wife and more or less settled in Washington for good. Apparently … [Read more...]

Last night's concert by the Jim Knapp Orchestra at The Seasons Performance Hall drew on much of the repertoire from Knapp's most recent CD, Secular Breathing. There were a few changes in personnel, most notably the addition of Tom Varner, the brilliant French hornist who has moved from New York to Seattle. Varner fits perfectly into Knapp's philosophy, which involves the creation of orchestral structures layered in rich textures that he parts to provide soloists opportunities for as much freedom … [Read more...]

The Portland Jazz Festival ended early this month, a week after I had to leave it. One of the events I hated to miss was a concert by the Jim Hall-Geoffrey Keezer duo. The Oregonian's Marty Hughley was there. I just came across his review, which contains this apt characterization of Hall. At 75, Hall is one of the genre's revered elder statesmen, long lauded for his mellow, saxophone-like tone and gentle lyricism. It would be a mistake, though, to think of Hall as an old-fashioned musician. … [Read more...]

Thanks to Bill Reed and David Ehrenstein for calling this to our attention. … [Read more...]

I mentioned a few weeks ago that I was going to my hometown—Wenatchee, Washington, The Apple Capital of the World and the Buckle of the Powerbelt of the Northwest—to give a talk preceding a concert by the Jeff Hamilton Trio. I had not heard Hamilton’s group in person since early in the century, shortly after he brought aboard pianist Tamir Hendelman and bassist Christoph Luty. His drumming has been an addiction since I first heard him with Woody Herman in the late 1970s. My fascination with his … [Read more...]

The V.O.A. on short-wave radio and, in particular, the jazz presented by Willis Conover was top of our listening list as U.K. students in the late 1950's. Starved of American artists in the U.K because of the Musician's Union Ban, this was one way of our hearing the best U.S. jazz of the day.The programmes did a great deal to influence my musical taste and sow the seeds of a lifetime commitment to 'America's Music'. When the band exchanges started during that period John Dankworth took his band … [Read more...]

Thanks to ArtsJournal commander-in-chief Doug McLennan for calling our attention, by way of his daily digest, to this story from the San Jose Mercury-News : San Jose's summer jazz festival calls itself the "largest free jazz festival in the United States." But that designation may be about to change. The festival may have to start charging: $5 a person for an all-day pass. "The reason for the charge: rising operational fees coupled with a loss of corporate sponsors Ford, Chevron and Applied … [Read more...]

The Bush administration’s efforts to reduce or eliminate the amount of English language broadcasting overseas by the Voice Of America are receiving close attention from all sectors of the body politic. Not all of the warnings about the shortsighted foolishness of the administration strategy are coming from the left and middle of the spectrum. Even the conservative Heritage Foundation, no hotbed of anti-Bush activism, raises the alarm. In a national security research memo issued by Heritage, … [Read more...]

I am enclosing two tickets to the first night of my new play, bring a friend... if you have one. - George Bernard Shaw to Winston Churchill Cannot possibly attend first night, will attend second... if there is one. - Winston Churchill, in reply … [Read more...]

Bill Crow read the Rifftides post about The Seasons, then wrote: Could this be the realization of the dream Red Kelly had when he started the OWL party in Olympia. He wanted to build a giant Sin Drome near Chehalis, where everyone could come and party. His slogan: "Unemployment isn't working!" Uh. No, but any opportunity to remember Red Kelly is welcome. His campaign to be elected governor of Washington was, like much in his life, for laughs. He was serious about music. For those who may not … [Read more...]

A couple of Rifftides readers have asked if there is a website for The Seasons, the nifty 400-seat performance hall in Yakima, Washington, my current home town. The Pacific Northwest of the United States is a wonderful place to visit. It is unlikely that many of you have immediate plans to come here, especially those in, say, Beijing, Perth or Oslo. Nonetheless, click here to be transported to The Seasons site and see its intriguing artist lineup for the next few months. Perhaps you'll decide … [Read more...]

For ten years or so, David Sills has been emerging as a tenor saxophonist with a knack for fashioning calm, cool improvised lines laced with melodic and harmonic interest. His tonal quality leads reviewers to make comparisons with Stan Getz and Lester Young. Based on his harmonic resourcefulness, unruffled execution and slightly dry sound, it would be just as easy to find similarities to Hank Mobley and Warne Marsh. But comparisons are weak vessels. Sills is no imitator. In his new CD, Down … [Read more...]

Larry Kart writes from Chicago about the David "Fathead" Newman review in the next exhibit: A wise, lovely, loving piece of writing. A "customized time value" -- yes. I had a similar thought the other day listening to Lou Donaldson on the reissue of his Blue Note album The Natural Soul. The way he holds a note as though he were holding/molding it with his hands. … [Read more...]

One minute and twenty-six seconds into a blues called “Bu Bop Bass” on his new CD, Cityscape, the tenor saxophonist David “Fathead” Newman begins his solo with a phrase that consists of two quarter-note Fs, a quarter-note A and a half-note A—an interval of a major third in the key of F concert. How simple; except that it is not simple. It is complex, because Newman gives each note a customized time value that no annotator could capture on paper. They are Fathead Newman quarter notes and a half … [Read more...]

Speak low, if you speak love —William Shakespeare, Much Ado About Nothing, 1599 Speak low, when you speak love—Ogden Nash, Kurt Weill, “Speak Low,” One Touch of Venus, 1943 … [Read more...]

A copy of every jazz album released does not show up at my house. It only seems that way when I look at, maneuver around or trip over stacks of CDs. The stream of review copies arriving by mail, UPS, FedEx and DHL makes it possible for a music writer to keep up with the work of established artists, learn what new ones are up to and hope for revelations, surprises, discoveries. That’s the theory. The realilty is that listening to music is a linear pursuit. Until there’s a way to inhale or inject … [Read more...]

In the quarter of a century during which Marian McPartland has presented Piano Jazz on National Public Radio, her guests have included most of the idiom’s important pianists of the late twentieth and early twenty-first centuries, ranging in style from Jay McShann to Chick Corea. One of the most rewarding of her programs was in 1984 with the late Shirley Horn. Usually shy and reluctant to verbalize about her music, Horn came out of her shell for McPartland. The two pianists got along beautifully … [Read more...]

If conventional wisdom and the Nielsen SoundScan survey are right, jazz titles constitute three-to-four percent of CDs. That means that jazz CDs account for about two-million-480-thousand of the 619-million total CD sales Nielsen reports for 2005. Putting aside such value-laden considerations as what constitutes a jazz record or, for that matter, what jazz is, nearly two-and-a-half million CDs sold indicate a substantial audience. Of course, the jazz album market is not large in comparison with … [Read more...]

Bill Crow, bassist, author and occasional Rifftides correspondent, has taken to the air or the ether, or whatever you call the medium that contains the internet. His new website is a work in progress, as all good websites should be. He writes, I keep polishing it as I learn the software. Some of the pictures are a little fuzzy, but I think I know how to fix that, as soon as I get time to rescan them. Well and good, but the photos are fascinating as is. Bill uses many of them to illustrate his … [Read more...]