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Judith H. Dobrzynski on Culture

In Age Of University Museums, A Thriver

MeadowsPlensaThis is becoming an age of university museums: we’ve seen new buildings, renovated buildings, new programs tied closer to non-art courses, energetic directors with larger visions — I’m thinking of places like Michigan State, Yale, UCLA, Princeton, Harvard…  We’ve also seen controversy, of course: the Rose at Brandeis, for example. Yet some might argue that the Rose is stronger now for it; certainly more people value it; more people know of the Rose.

So when The Wall Street Journal asked me to go visit the Meadows Museum at Southern Methodist University in Dallas late last year, I was interested for that reason alone. I’d never been to the Meadows — aka “The Prado on the Prairie” — although it will celebrate its 50th year in 2015. I knew the Meadows’ big ambitions — I’d already mentioned here, in 2010, that the Prado had forged a partnership with the Meadows, and I was curious to see how it had so far turned out. I also knew that it had just purchased a Goya, a portrait of his grandson that, though once owned by the legendary collector George Embiricos, and not seen publicly in more than 40 years, had failed to sell at Sotheby’s a year ago.

MeadowsCalatravaThe result of my trip in is in tomorrow’s WSJ — Spanish Meadows: A Cultural Conversation with Mark Roglan.

The short answers are the Meadows seems to be thriving, though attendance is just 50,000 a year — that’s not bad for Dallas but I think it could do better. Much of the permanent collection was in storage while I was there, sent there to make room for a special exhibition, Sorolla and America, but the central gallery, jam-packed with paintings and sculptures hung salon-style, certainly offered interesting works and I saw some more in storage. The director, Mark Roglan, is certainly energetic.

I also liked the fact that the Meadows is collecting contemporary Spanish art — and I’ve posted two sculptures here, Calatrava (bottom) and Plensa (top), which struck me as the best I’d seen there.

I did not get a picture of that central gallery (I was concentrating on my interviewing there), but below is a view of the oval gallery on the first floor, hung traditionally.

MeadowsOval

 

If you’re in Dallas/Fort Worth — go.

Photo Credits: © Judith H. Dobrzynski 

 

 

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About Judith H. Dobrzynski

Now an independent journalist, I've worked as a reporter in the culture and business sections of The New York Times, and been the editor of the Sunday business section and deputy business editor there as well as a senior editor of Business Week and the managing editor of CNBC, the cable TV

About Real Clear Arts

This blog is about culture in America as seen through my lens, which is informed and colored by years of reporting not only on the arts and humanities, but also on business, philanthropy, science, government and other subjects. I may break news, but more likely I will comment, provide

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