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Judith H. Dobrzynski on Culture

Did Tobias Meyer Really Say This?

TobiasMeyerI have to think that even Andy Warhol — maybe especially Andy Warhol — would laugh at a comment made recently by Tobias Meyer (ar right), the worldwide head of contemporary art at Sotheby’s recently. To wit:

“It has the intensity of a great Warhol or a great Bacon.”

The “it” under discussion was the Raphael drawing sold by Sotheby’s on behalf of Chatsworth on Dec. 5. Head of An Apostle fetched nearly $47.9 million after intense bidding. It’s an amazing piece of work that at least one expert I know thinks is Raphael’s best drawing in private hands. And maybe his best drawing ever.

What was Meyer thinking?

Elsewhere in the video, Sotheby’s experts Gregory Rubinstein and Christiana Romalli talk about Raphael’s career and laud this drawing properly as the “most intensely moving, powerful and wonderful drawing” Sotheby’s has ever handled. I wonder what they thought of Meyer’s comment. And I wonder who made the video and actually decided to use that quote.

Meyer goes on to say: “This is the greatest drawing by one of the greatest artists in the world.” Good recovery. But it hard for me to believe that he would make the comparison between Raphael and Warhol or Bacon — more so because Meyer not only thinks it, but said it — out loud, on a recording. There’s no room to deny it. See the video for yourself here (the second one, “Raphael: Renaissance Masters from Chatsworth.”

I asked the aforementioned anonymous, highly respected expert if we should laugh or cry. “Both,” he replied.

Photo Credit: Courtesy of The Telegraph

 

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About Judith H. Dobrzynski

Now an independent journalist, I've worked as a reporter in the culture and business sections of The New York Times, and been the editor of the Sunday business section and deputy business editor there as well as a senior editor of Business Week and the managing editor of CNBC, the cable TV

About Real Clear Arts

This blog is about culture in America as seen through my lens, which is informed and colored by years of reporting not only on the arts and humanities, but also on business, philanthropy, science, government and other subjects. I may break news, but more likely I will comment, provide

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