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PostClassic

Kyle Gann on music after the fact

The Repertoire of Magic Realism

One of my cherished self-indulgences is to read each new Gabriel Garcia Márquez novel as it comes out, and he has never disappointed me. His new Memories of My Melancholy Whores, however, contains this startling sentence:

At noon I disconnected the phone in order to take refuge in an exquisite program of music: Wagner’s Rhapsody for Clarinet and Orchestra, Debussy’s Rhapsody for Saxophone, and Bruckner’s String Quintet, which is an endemic oasis in the cataclysm of his work. [Italics added]

Do the Colombians know something about Wagner that we don’t? Is there a South American Wagner who isn’t Richard?

Actually, this reminds me of the entrance exams I took to start my Master’s at Northwestern. There was a question on the exam: “Debussy wrote chamber music involving the following instruments:”, and then were listed some pairs of instruments. The only answer at all applicable was “flute and saxophone,” and I knew about Debussy’s Syrinx and Sonata for Flute, Viola, and Harp, but I was pretty certain that he had never written a piece of chamber music using saxophone. So after I was done, I went up and argued with the instructor, Theodore Karp, who later became an important mentor of mine. He claimed there was some chamber arrangement of an orchestral piece with saxophone. Grove Dictionary of Music, as I quickly ascertained, lists no saxophone music among Debussy’s chamber works, but if you rummage around through the orchestral music, there is indeed a piano reduction of his Saxophone Rhapsody mentioned as having been made by one Roger-Ducasse. Even so, that was an awfully obscure bit of repertoire to ask incoming master’s students to know about. It turned out, of course, that if you didn’t pass the test you had to take a remedial course, for which privilege the school charged you an extra $3000. I was the only incoming student that year who passed, and my doctoral exit exams, six years later, were easier than the entrance exams. Ever since I’ve been dubious about grad-school entrance exams, as potentially having more to do with making money for the school than testing worthwhile bodies of knowledge.

What’s going on here

So classical music is dead, they say. Well, well. This blog will set out to consider that dubious factoid with equanimity, if not downright enthusiasm [More]

Kyle Gann's Home Page More than you ever wanted to know about me at www.kylegann.com

PostClassic Radio The radio station that goes with the blog, all postclassical music, all the time; see the playlist at kylegann.com.

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Sites to See

American Mavericks - the Minnesota Public radio program about American music (scripted by Kyle Gann with Tom Voegeli)

Kalvos & Damian's New Music Bazaar - a cornucopia of music, interviews, information by, with, and on hundreds of intriguing composers who are not the Usual Suspects

Iridian Radio - an intelligently mellow new-music station

New Music Box - the premiere site for keeping up with what American composers are doing and thinking

The Rest Is Noise - The fine blog of critic Alex Ross

William Duckworth's Cathedral - the first interactive web composition and home page of a great postminimalist composer

Mikel Rouse's Home Page - the greatest opera composer of my generation

Eve Beglarian's Home Page- great Downtown composer

David Doty's Just Intonation site

Erling Wold's Web Site - a fine San Francisco composer of deceptively simple-seeming music, and a model web site

The Dane Rudhyar Archive - the complete site for the music, poetry, painting, and ideas of a greatly underrated composer who became America's greatest astrologer

Utopian Turtletop, John Shaw's thoughtful blog about new music and other issues

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