photo credit: Johan Persson / ENOI've recently been to a performance in London where I imagine  the audience reaction resembled that of the audience at the Paris première of The Rite of Spring on 29 May 1913. Indeed, the second half of the evening was a performance of Stravinsky's The Rite of Spring; but this was a double-bill, and it was the conclusion of the first half at which the audience … [Read more...]

Wouldn't it be wonderful if we could hear the voice of Boswell, or of Mme de Lieven. Or if we had recordings of the voices of Hume, Gibbon and Macaulay? Or, to enter the realm of the possible, of Lytton Strachey, who wrote about the others in Portraits in Miniature. Indeed, Strachey's recording might be the most interesting of the bunch, because all who knew him have remarked on his … [Read more...]

Tired of commuting to London for my daily culture-fix, it was wonderful to drive only as far as Oxford last week for the opening of the 2008 Oxford Lieder Festival, www.oxfordlieder.co.uk. This is the brainchild and labour of love of Sholto Kynoch, a charismatic song accompanist and chamber musician (the pianist of the new Phoenix Piano Trio, who will be performing the Beethoven trios in 2010). … [Read more...]

Brecht's Mother Courage and Her Children is a problem play, and the National Theatre's new production has had more than its share of troubles, with a press night postponed because the actor playing the second lead, the chaplain, either quit or was sacked, and replaced by an excellent Stephen Kennedy. This diverted critical attention, for a few moments, from the fact that this production, in a … [Read more...]

I love going to what a former-debutante girlfriend used to call (generically) "the play" at the Almeida Theatre in Islington. The small, 325-seat auditorium is a warm, intimate space, the foyer and bars are welcoming, and it's located just off Upper Street, which has gone from slummy to chic in the past 20 years, and teems with interesting restaurants, making it an adventure to eat after the show. … [Read more...]

Edinburgh 2009 (2)Apologies are owed to Edinburgh International Festival director, Jonathan Mills, as this is his third, not second, EIF, which I jolly well ought to know, as I was here for his inaugural festival, and very fine it was, too. My Edinburgh host and I were both convinced it was number two; my host and I are the same age, verb sap.Very often in the past I have found the musical events … [Read more...]

Edinburgh Festival 2009 (1) Edinburgh, the capital of the devolved nation of Scotland, is the place to be this summer, partly owing to the fuss about the compassionate freeing of the convicted Lockerbie bomber, Mr Al-Magrahi. I've yet to talk to a Scot who thinks  the Libyan actually did it; so much dinner-table conversation here consists of  conspiracy theories, and the wilder they … [Read more...]

Nikolaus Lehnhoff's minimalist production of Tristan und Isolde at Glyndebourne depends for its effect largely on Roland Aeschlimann's curving abstract sets and Robin Carter's amazing lighting effects. Andrea Schmidt-Futterer's mediaeval/Japanese warrior/Ku Klux Klan (in the case of the demented-looking Act III shepherd) costumes are the least successful element; though they do have the merit, … [Read more...]

Not all that long ago I was going to attempt to go to all the many performances of Wagner's Ring taking place all over the planet, and write a book about the experience. My publishers decided it was uncommercial (I still think they were wrong), but not before I had been to complete cycles at Adelaide, for the first Australian Ring and to a wonderful and wacky Ring in the famous opera house at … [Read more...]

It was one of those cinematic nights at the opera. The soprano is ill; her understudy gets, and makes the most of, her chance of a lifetime - and a star is born. In this case she wasn't the cover; in fact she was on holiday in Leipzig (Leipzig?) when the call came that Ekaterina Siurina had a throat infection, and would she come to Glyndebourne and sing the lead role of Adina in Donizetti's … [Read more...]