Nobody seems to have noticed that the most important member of the production team in a pair of new plays on the London stage is the choreographer. Cheek by Jowl’s Measure for Measure and the Almeida’s Carmen Disruption by Simon Stephens (playwright of The Curious Incident of the Dog in the Night-Time) are both balletic, and both require those on the stage to move in precise, … [Read more...]
Paul Levy measures the Angles
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