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PianoMorphosis

Bruce Brubaker on all things piano

Klained

January 9, 2012 by Bruce Brubaker

A recording I made of Philip Glass’s Metamorphosis One became the basis for a YouTube video. I never met the YouTuber who posted it, though he emailed me and asked permission. I could only tell him the rights belong to the record label, not me.

It’s a spare video. (There’s a single image of a lake.) This music is featured in the cult-fav TV show Battlestar Galactica. And a lot of BSG fans find the video. The music’s also used in NPR’s This American Life and that yields “hits” for the vid.

Last year, “Very-Famous-Celebrity” comedian Michael Ian Black made the album that has this recording of Metamorphosis One on it, his album of the year — though this “album-of-the-year” was released a decade earlier.

All this intertextuality brings waves of views to the YouTube clip.

Last week, the video was referenced in and linked to a fanfic called “Little Numbers.” LN is about the characters Kurt and Blaine on the cult-hit TV show Glee. A hypertext, this fanfic is in the form of a series of text messages:

(2:13)
And you could listen to the music I’m listening to.

(2:14)
Mhhh. And what would that be?

(2:15)
Since I’m on my phone, I only have a youtube link for you, sorry.

(2:15)
http://www.youtube.com/watch?v=QL8lQU_1a-w

(2:16)
You can also pretend that I’m playing it.

Fans of Kurt and Blaine refer to them as Klaine. And all kinds of words can be derived therefrom: klainer, klaining…

It’s clear from new comments, this video’s been Klaimed. So many fandoms, so many cults — now 300,000 views.

Filed Under: Uncategorized Tagged With: Battlestar Galactica, Blaine, BSG, cult, fan fiction, fandom, fanfic, FF, Glass, hypertext, intertext, intertextuality, Ira, Kafka, klain, Klaine, klainin, klaining, Kristeva, Kurt, Little Numbers, Metamorphosis, Michael Ian Black, Philip, This American Life

Comments

  1. Eliza says

    January 14, 2012 at 11:17 pm

    I’m reading the comments on the YouTube video. What a remarkable early-21st-century crossover-under, intertextual cultural re-appropriattion!

Bruce Brubaker

Recordings like the new American piano music albums I make for ECM, InFiné, Bedroom Community, and Arabesque reach millions of listeners, and break through some old divisions of high culture/pop, or art/entertainment. My fans are listening to Billie Eilish, The Weeknd — even the occasional Mozart track! Spotify, Apple Music, YouTube are allowing music lovers to discover music they could not have found so easily before. Live performances begin to reflect what’s happening online. My performances occur in classical venues like the Philharmonie in Paris, the Barbican in London, at La Roque d’Anthéron, at festivals such as Barcelona’s Sónar and Nuits Sonores in Brussels, and such nightclubs as New York’s (le) Poisson Rouge. Read More…

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PianoMorphosis

Music is changing. Society's changing. Pianists, and piano music, and piano playing are changing too. That's PianoMorphosis. But we're not only reacting... From the piano -- at the piano, around the piano -- we are agents of change. We affect … [Read More...]

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BB on the web

“Glassforms” with Max Cooper at Sónar

“Glass Etude” on YouTube

demi-cadratin review of Brubaker solo concert at La Roque d’Anthéron

“Classical music dead? Nico Muhly proves it isn’t” — The Telegraph‘s Lucy Jones on my Drones & Piano EP

Bachtrack review of Brubaker all-Glass concert

“Brubaker recital proves eclectic, hypnotic, and timeless” — Harlow Robinson’s Boston Globe review of my Jordan Hall recital

“Simulcast” with Francesco Tristano on Arte

Bruce Brubaker hosts 4 weeks of “Hammered!” on WQXR — “Something Borrowed,” “Drone,” “Portal,” “The Raw and the Cooked”

“Onstage, a grand piano and an iPod” — David Weininger’s story with video by Dina Rudick

“Bruce Brubaker on Breaking Down Boundaries” — extensive audio interview at PittsburghNewMusicNet.com

“Heavy on the Ivories” — Andrea Shea’s story for WBUR about Bruce Brubaker’s performances and recording of “The Time Curve Preludes” by William Duckworth

“Feeding Those Young and Curious Listeners” — Anthony Tommasini in The New York Times on the first anniversary of the Poisson Rouge

“The Jewel in the Fish” — Harry Rolnick on Bruce Brubaker at the Poisson Rouge

“The Post-Postmodern Pianist” — Damian Da Costa profiles Bruce Brubaker in The New York Observer

Bruce Brubaker questioned at NewYorkPianist.net

“Finding the keys to the heart of Jordan Hall” — Joan Anderman in the Boston Globe on the search for a new concert grand piano

“Hearing and Seeing” — Philip Glass speaks with Bruce Brubaker and Jon Magnussen, Princeton, Institute for Advanced Study

Bruce Brubaker about Messiaen’s bird music, NPR, “Here and Now”

“I Hear America: Gunther Schuller at 80” — notes and programs for concert series, New England Conservatory, Harvard University, Boston Symphony Orchestra

“A Conversation That Never Occurred About the Irene Diamond Concert,” Juilliard Journal

Bruce Brubaker plays music by Alvin Curran at (le) Poisson Rouge

Bruce Brubaker

Recordings such the new American piano music albums I make for ECM, InFiné, and Arabesque reach many listeners, and seem to break through some old divisions of high culture/pop, or art/entertainment. My fans are listening to Cardi B, Childish Gambino, Ariana Grande — even the occasional Mozart track! Spotify, Apple Music, and YouTube are allowing music lovers to discover music they could not have encountered so easily in the past. Live performances begin to reflect what’s happening online: this year I play at the International Piano Festival at La Roque d’Anthéron, traditional concert venues in Los Angeles, and Boston — as well as nightclubs in Berlin, Hamburg, Paris, Lyon, Geneva, and New York’s (le) Poisson Rouge.

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