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David Jays on theatre and dance

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Tinsel

June 29, 2018 by David Jays Leave a Comment

I’m always here for a disposable rush from a bit of shiny trash. But if there’s a message to the first part of Taylor Mac’s sock-knocking extravaganza A 24-Decade History of Popular Music – an epic sliver of an epic slab – it’s that trash can be treasure if you’re looking at it right. Mac’s piece has previously been performed over a continuous 24 hours. Each hour is dedicated to a decade of … [Read more...]

Propwatch: the flowers in Creation (Pictures for Dorian)

June 8, 2018 by David Jays Leave a Comment

Beauty. Beautiful. Beautifully. It’s just possible I overuse these words. A quick search through my dropbox suggests that in the past year I’ve applied them to: Alina Cojocaru’s acting in Giselle; the final image (watches!) in Robert Icke’s Hamlet; Rebecca Frecknall’s production of Summer and Smoke; the difficult pleasures of Swan Lake; the pacing of The Inheritance; the handbells in A Christmas … [Read more...]

Alien nation

July 10, 2016 by David Jays Leave a Comment

London’s my city. Always has been and (I hope) always will. I’m a grandchild of immigrants, and grandchild too of a rootless, vicious century which has played havoc with the idea of home. Home is where you are for now. Home is where you hope you’ll stay, but you don’t count on it. I don’t suppose I’m the only person to keep a mental suitcase under the bed – if I had to, what would I take, where … [Read more...]

Anywhere but here

June 17, 2016 by David Jays 4 Comments

We take the world with us when we go to the theatre. Our private swirls of panic and joy. Whatever public pains have been doled out. I came to Shoreditch Town Hall to see YOUARENOWHERE just a short while after hearing that MP Jo Cox had been murdered. Andrew Schneider’s 2015 New York hit is an immensely artful piece, but following Orlando, following everything, and carrying my own bag of private … [Read more...]

Propwatch: the sock in Phaedra(s)

June 13, 2016 by David Jays Leave a Comment

British audiences are no longer scared of European theatre. It has taken us years – decades – to feel relaxed about non-representational stagings, actors stripped of plummy tones, the fourth wall not only breached but blown to smithereens. Ivo van Hove and Thomas Ostermeier are our adorable foreign uncles who visit every couple of years with cool gifts. Katie Mitchell, Simon Stephens and Lyndsey … [Read more...]

David Jays

I am a writer and critic on performance, books and film and currently write for, among others, the Sunday Times and the Guardian. I edit Dance Gazette, the magazine of the Royal Academy of Dance. I’m also a lifelong Londoner: it’s the perfect city for connecting to art forms that both look back and spring forward. [Read More]

Performance Monkey

This is what theatre and dance audiences do: we sit in the dark, watching performances. And then, if it seems worth it, we think about what we've seen, and how it made us feel. The blog should be a conversation, so please comment on the posts and add your thoughts. You know what I've always … [Read More...]

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  • Hamilton | Lockdown Theatre Club 17
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